literature Archives - Tales of Times Forgotten

New Fragments of Euripides Discovered!

As I previously discussed in this post I wrote back in 2021, the vast majority of ancient Greek drama has not survived to the present day. Of the hundreds of Greek tragic playwrights who flourished in antiquity, only three have any plays that have survived to the present day complete under their own names: Aischylos, Sophokles, and Euripides. At least ninety-five plays attributed to Euripides circulated in antiquity. Of these, only nineteen have survived to the present day complete and only eighteen of them are actually his work. (One of the surviving plays attributed to him, Rhesos, is generally agreed by modern scholars to be the work of a different playwright wrongly attributed to Euripides.)

Many of Euripides’s lost plays, however, are not totally lost; fragments of them survive. Some of these fragments are preserved through quotation by later ancient writers in surviving works, while others survive on papyri that have been discovered in Egypt over the past roughly century and a half. Some of these fragments are as long as whole scenes, while others are as short as a single word. A new expansion to Euripides’s surviving corpus, however, has just arrived. On August 1st, 2024, two classics professors at the University of Colorado Boulder announced that they have identified substantial previously unknown sections from two of his lost tragedies on a papyrus recently discovered in Egypt. This is a positively electrifying discovery for the field of classics.

What Was the “Epic Cycle” Really?

If you’re at all familiar with early ancient Greek literature, there’s a very strong likelihood that you’ve heard at some point that some ancient authors considered the Iliad and the Odyssey to belong to something called the “Epic Cycle.” This term refers to a particular group of eight epic poems in dactylic hexameter verse that originated from oral tradition during the Greek Archaic Period (lasted c. 800 – c. 490 BCE) and that all tell stories about the Trojan War and the mortal heroes who are said to have fought in it.

The poems that are included in the Epic Cycle are, in narrative order of the events they describe: the Kypria, the Iliad, the Aithiopis, the Little Iliad, the Iliou Persis or Sack of Ilion, the Nostoi or Homecomings, the Odyssey, and the Telegoneia. Sadly, of these poems, only the Iliad and the Odyssey have survived to the present day complete. Only a few tiny fragments of the other epics, preserved through quotation by later authors, and prose summaries of their contents remain.

Unfortunately, very few explanations of the Epic Cycle for a general audience exist and the vast majority of the ones that do exist are misleading and written by non-classicists. As a result, most people who are not classics specialists aren’t aware that it existed and most of those who are aware have some serious misunderstandings about what it was. That is why, in this post, I am going to discuss what the Epic Cycle was and—just as importantly—what it wasn’t. For the purposes of this post, I will assume that my readers have some basic knowledge about Greek myths of the Trojan War and at least a vague awareness of the Iliad and the Odyssey, but I will not assume that they have any familiarity with Greek literature, philology, or history beyond this.

Nonbinary Characters for Children Are Nothing New

In the past few years, nonbinary fictional characters have become increasingly common in literature, television, and other areas, including in books and programs intended for children. In just the past week, anti-trans activists have made quite a lot of noise complaining about children being exposed to these characters, because apparently the pronoun they is too risqué for innocent little children to hear.

Some readers may be surprised to learn that, while nonbinary characters are starting to appear much more frequently nowadays, characters of this kind—even ones meant for children—are nothing inherently new. Characters who are at least arguably nonbinary appear in some of the oldest surviving works of literature from ancient Mesopotamia and one of the earliest emphatically nonbinary characters in a work of English-language children’s literature appeared over a hundred years ago, in a work by a children’s author who is still quite famous today.

No, Athena Didn’t Turn Medusa into a Monster to Protect Her

One of the most famous stories in all of ancient Greek and Roman mythology and literature is the tale of the origin of the Gorgon Medusa that the Roman poet Publius Ovidius Naso (lived 43 BCE – c. 17 CE), who is better known in English simply as “Ovid,” tells in his long narrative poem Metamorphoses, which he composed in the Latin language in dactylic hexameter verse in around the year 8 CE or thereabouts.

According to Ovid, Medusa was originally an extraordinarily beautiful mortal woman who was known for her gorgeous hair. Then, however, the god Neptunus (whom the Romans equated with the Greek god Poseidon) raped her in the temple of the goddess Minerva (whom the Romans equated with the Greek goddess Athena) and Minerva punished her by turning her into a hideous monster with snakes entwined in her hair and making it so that any mortal who saw her would instantly turn to stone.

A claim has circulated online for years now claiming that modern people have misunderstood this myth and that, actually, Minerva turned Medusa into a monster and made it so that anyone who saw her would instantly turn to stone in order to protect her so that men would never prey on her again. This claim, however, is not supported by any evidence in any ancient source and, in fact, Ovid’s account expressly says that Minerva cursed Medusa in order to punish her for her involvement in desecrating her temple, even though her involvement was totally nonconsensual. Furthermore, the context in which Ovid tells the story strongly suggests that he intended his readers to sympathize with Medusa and question the justice of Minerva’s punishment.

Men Have Been Finding Weird and Unsettling Ways to Describe Women’s Breasts Since Ancient Times

It is common knowledge that cisgender straight and bisexual men frequently possess an overriding fascination with women’s breasts—to such an extent that they often devote more attention to a woman’s breasts than to any other aspect of her person. As a result of this fixation, some male writers have a habit of throwing in references to or descriptions of breasts in places where they are contextually inappropriate. Sometimes they also describe breasts using goofy or perplexing figurative language.

These sorts of references and descriptions have become a subject of widespread memes and satire. There is even an entire subreddit called r/menwritingwomen, which is dedicated to examples of male authors writing about women in incompetent (and often comical) ways. A significant proportion of the examples discussed in the subreddit are breast references and its satirical headline reads: “She breasted boobily down the stairs…..”

One thing some people may not realize is that gynophilic men have been doing this exact same thing for literally thousands of years. In this post, I will discuss three different examples of goofy, weird, unsettling, or just downright creepy descriptions of women’s breasts in texts from the ancient Mediterranean world in three different languages: Biblical Hebrew, Ancient Greek, and Latin.

Yes, King David Raped Bathsheba

The legend of how King David saw Bathsheba, the wife of Uriah the Hittite, bathing naked, lusted after her, sent messengers to bring her to the royal palace, had sex with her, impregnated her, and then had her husband effectively murdered to prevent him from finding out is one of the most famous stories in the Hebrew Bible—but also one of the most routinely misunderstood.

Many Christian readers have interpreted Bathsheba as a depraved and nefarious seductress who deliberately bathed in a location where she knew David would be watching in order to seduce him, caused him to lust after her, and gleefully betrayed her husband to have sex with the king. There is, however, absolutely nothing in the Biblical text to support this interpretation. In fact, in the text itself, all the evidence strongly indicates that David spies on her without her knowledge or consent and then rapes her. Bathsheba, far from being a malicious temptress, is actually an innocent rape victim who has been wrongfully victim-blamed for far too long.

Dark Academia, the “Western Canon,” and the Decline of the Humanities

In around mid-July, I found out that there is apparently a huge internet “aesthetic” movement called “dark academia” that centers around a highly romanticized impression of what humanities scholars and students—especially those in the fields of classics, English, history, and philosophy—dressed and lived like in the twentieth century. Aspects of the aesthetic include wearing old-fashioned, dark-colored, stereotypically “academic” clothing and appreciating “classic” literature, art, and music.

For those who aren’t already aware, I am currently about to enter my senior year at Indiana University Bloomington double-majoring in history and classical studies (i.e., Ancient Greek and Latin), with honors in history. My current plan is to apply to graduate programs in ancient history later this year. Even though I don’t deliberately dress in a dark academia style and I don’t identify with the aesthetic in any particular way, being a humanities student does make me feel like I have a connection to it.

I was so struck by my surprise discovery of dark academia’s apparent popularity that I’ve spent a good part of the past two weeks researching it and its history. Naturally, I have a lot of thoughts, especially about how the current popularity of the aesthetic seems to be at least in part a reaction to the slow ongoing decline of the academic humanities.

How Have Works of Greek Drama Survived?

It is widely known that the vast majority of all works of ancient drama have been lost forever. We have record of literally hundreds of playwrights who wrote plays in the Greek language in ancient times, but only five of these playwrights have any plays that have survived to the present day complete or nearly complete under their own names. Three of these playwrights were tragedians: Aischylos, Sophokles, and Euripides. The other two playwrights—Aristophanes, and Menandros—were both comedians. All five were Athenian citizen men who lived in the fifth and fourth centuries BCE.

Many people who do not have any degrees in classics have heard these authors’ names and maybe even read some of their plays in translation, but very few people who do not have degrees in classics know how and why any of these authors’ works have survived to the present day when so many other works of ancient Greek drama have been lost.

Tucker Carlson Is Using Controversy about Literature Classes to Promote Fascism

There is something of a culture war going on right now over which books students should be assigned to read in literature classes. I’ve been meaning to write an article on this subject for over six months now, but, until now, I haven’t had time. Sadly, I’ve been so insanely busy with the many other things going on in my life that I haven’t had much time for researching and writing articles lately. Now, however, recent events have compelled me to write an article about a different aspect of the controversy than I originally planned.

Many of my readers are probably already aware of Tucker Carlson. He is a far-right political commentator who has a long and well-documented history of promoting white supremacist, fascist, misogynist, and xenophobic ideas. He has his own show on Fox News called Tucker Carlson Tonight and, on 14 May 2021, he did an entire segment about the literature class controversy titled “Classic literature out. Sexual propaganda in.”

In this segment, Carlson first protests the removal of works that he considers “classic literature” from English syllabi and then pretends to be absolutely scandalized by the reading of explicit passages in young adult novels that have been approved for students to read in one public school in Loudoun County, Virginia. Carlson frames the controversy using a standard fascist narrative that misrepresents the issues and ignores many demonstrable facts, including the fact that many works of so-called “classic literature,” including many works that are often read in schools, are just as sexually explicit as the works he protests against—or, in some cases, even more explicit.

No, the Black Death Did Not Cause the Renaissance

With the world still mired in the midst of the COVID-19 pandemic, which, as of the time I am writing this, has already killed roughly 1.25 million people worldwide, optimists have written a whole flurry of op-eds trying to put a positive spin on this pandemic. They have tried to insist that the Black Death somehow caused the Renaissance and that COVID-19 may therefore result in a new Renaissance that will carry our world to new and even greater heights than ever before.

This argument, however, is loaded with fallacies and false assumptions. For one thing, there are legitimate reasons for thinking that the Renaissance may not have been such a good thing as it is often made out to be. Furthermore, while the Renaissance did come after the Black Death, but it would be a grave mistake to assume that the Black Death therefore caused it to happen.