Most Memorable Opening Lines in Ancient Literature

Today, if one looks around on the internet, one can find all kinds of lists that purport to present the most memorable opening lines “of all time,” but, invariably, these opening lines are always from famous works of English literature written within the past two centuries. I have therefore decided to compile my own list of most memorable opening lines—but only for works of ancient literature.

I have chosen which lines to include in this post based on how impactful and memorable they are, not on how famous they are. As a result, many of the works I have included on this list are not well known to the general public. Meanwhile, I have omitted the opening lines of certain works that are extremely famous, but not especially memorable in their own right, such as the opening lines of Plato’s Republic and Julius Caesar’s De Bello Gallico, which are famous because the works they come from are famous, not because they are especially memorable. I have chosen opening lines from works produced in a range of ancient cultures, including ancient Mesopotamia, the Levant, India, Greece, and Rome, and have chosen openings that I find memorable for a variety of different reasons.

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How Did Ancient Greek Women Make Themselves Look Seductive?

Imagine that you’re a woman in ancient Greece and, for some reason, you find yourself in a situation where you need (or want) to seduce someone. How would you go about doing it? What kind of clothes or cosmetics would you wear to do it? Some readers may be surprised to learn that there are actually a significant number of surviving texts from ancient Greece that describe in considerable detail how goddesses and mortal women made themselves look sexy in order to seduce people and, in this post, I will put my years of classics education to excellent use by introducing all my wonderful readers to them.

In general, these texts indicate that, if a woman wanted to look sexually attractive in order to seduce someone, she might engage in preparations such as bathing herself, anointing her skin with oil, putting on perfume, dressing herself in beautiful, expensive, and sometimes diaphanous clothing, putting on ornate and expensive jewelry, powdering her face with white lead to make herself look paler, painting alkanet dye rouge on her cheeks to make them look rosier, and removing her body hair.

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The Ancient Greeks Ate Cicadas and Grasshoppers!

Twenty-first-century westerners frequently like to imagine that the ancient Greeks and Romans were “just like us.” The truth, however, is that, if a person from twenty-first-century Europe, the U.S., or Canada were transported back in time to classical Athens in the fifth century BCE, they would find themself in a culture drastically different from their own in more ways than most people today appreciate.

Notably, although ancient Greek cuisine bore some similarities to modern Greek cuisine and southern European cuisine more generally, it also bore some striking differences. For instance, many twenty-first-century westerners will be surprised to learn that the ancient Greeks frequently ate insects—specifically cicadas and grasshoppers, which they apparently regarded as a delicious snack.

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In Ancient Greece, Children Wearing Drag Was a Religious Obligation!

As I discuss in great detail in this recent post I wrote about the ongoing right-wing attack on LGBTQ+ people in the United States, in the past month, right-wingers have been having a full-on moral panic about the existence of child-friendly drag performances. These rightists perceive drag itself as inherently sexual and therefore inherently inappropriate for children. Many of them are claiming that allowing a child to view any form of drag is somehow “child abuse” or “grooming.” In the heat of this moral panic, neo-fascists have disrupted and even planned violent attacks on drag performances that are billed as child-friendly and Republican lawmakers in multiple red states have proposed bills that would make it a crime to allow any person under the age of eighteen to view any kind of performance involving drag.

As I have already explained at greater length in my previous post, drag is just a variety of costume; it’s a person dressing up as a different gender. There is nothing inherently sexual about it. Although many drag performances for adult audiences do make use of sexual humor and innuendo and are therefore inappropriate for young children, such innuendo is not integral to drag itself and some drag performances can be genuinely child-friendly. Moreover, laws banning drag performances in the presence of children, if they are vaguely worded enough, could be used to criminally prosecute trans and gender-nonconforming people for wearing clothes associated with a gender other than the one they were assigned at birth in any public place where children could conceivably be present.

In this post, I thought I would mention, from an ancient historical angle, that the ancient Greeks would be absolutely baffled by twenty-first-century U.S. right-wingers’ paroxysms over child-friendly drag. All the female roles in Greek drama were originally portrayed by men in drag at religious festivals where at least older children were present, it was a religious custom for men to dress in drag for certain religious festivals and occasions where children could be present, and the ancient Athenians even had a festival at which two adolescent boys were religiously mandated to dress in drag themselves.

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How Have Works of Greek Drama Survived?

It is widely known that the vast majority of all works of ancient drama have been lost forever. We have record of literally hundreds of playwrights who wrote plays in the Greek language in ancient times, but only five of these playwrights have any plays that have survived to the present day complete or nearly complete under their own names. Three of these playwrights were tragedians: Aischylos, Sophokles, and Euripides. The other two playwrights—Aristophanes, and Menandros—were both comedians. All five were Athenian citizen men who lived in the fifth and fourth centuries BCE.

Many people who do not have any degrees in classics have heard these authors’ names and maybe even read some of their plays in translation, but very few people who do not have degrees in classics know how and why any of these authors’ works have survived to the present day when so many other works of ancient Greek drama have been lost.

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Ancient Greek Swear Words

I am currently taking a class at my university about the Roman poet Catullus (lived c. 84 – c. 54 BCE). One of Catullus’s most notorious poems is “Carmen 16,” which begins with a shockingly obscene threat, directed at two critics who thought Catullus’s poetry was effeminate: “Pēdīcābō ego vōs et irrumābō, Aurēlī pathice et cinaede Fūrī.” In English, this means “I will fuck you in the ass and shove my cock down your throats, sodomy-lover Aurelius and pervert Furius.” The opening line of this poem was recently quoted in the Netflix comedy series History of Swear Words.

It occurred to me that there is a ton of readily available information on the internet about obscenity in Latin. (Notably, there is an entire Wikipedia article titled “Latin obscenity,” which has an entire section devoted to each word!) Meanwhile, there is virtually nothing accessible and comprehensive on the internet whatsoever about Ancient Greek obscenity that a person who does not already know Ancient Greek might be able to understand. Wikipedia has no article on the subject, I can’t find any blog posts that give comprehensive information, and, if you try to look up an obscene Greek word like πέος in the online LSJ, it gives you an extremely evasive definition in Latin because the word is apparently too obscene to define in English.

I have decided to remedy this situation. Below is a fairly extensive list of various oaths, insults, sexual vocabulary, and vocabulary related to human waste in Ancient Greek. This list should be useful to people who are simply curious about what Greek obscenity was like, people who are writing stories set in ancient Greece who want to incorporate historically accurate obscenity, and, of course, people who want to secretly cuss out their coworkers in Ancient Greek. (Note: It should go without saying that this content is not appropriate for children.)

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How Do We Know Ancient Texts Are Really Ancient?

There seems to be a lot of people who think that, because we do not have the original manuscripts of ancient texts, that is somehow deeply suspicious. While it is certainly true that there are some places in some texts where we are not completely sure what the original text said, in the vast majority of cases, it is possible to reconstruct exactly or at least almost exactly what the original text said. Even when the exact original wording of a text is unclear, we usually have a pretty good idea of what the original author wrote.

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Fake and Misattributed Ancient Quotes

People who have been following my website for a while may recall that I wrote an article about real ancient quotes that have been misunderstood or misinterpreted back in August 2018. Now I am going to treat a whole different beast: quotes attributed to people from ancient times that are entirely misattributed. Misattributed quotes of this nature are absolutely rampant on the internet and in popular books of wise quotations. I cannot possibly hope to address all of them in this article, because there are far too many, but I will address a few of the more popular ones.

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How Accurate Is Plato’s Portrayal of Socrates?

The Athenian philosopher Socrates (c. 470 – 399 BC) changed the way philosophers thought about the world. Yet, puzzlingly to modern audiences, for some reason, he himself never wrote any of his own ideas down. Nearly everything we know about him comes from what his students Plato (lived c. 428 or c. 424 – c. 347 BC) and Xenophon (lived c. 431 – 354 BC) wrote about him. Of these two, Plato is by far the more influential and generally agreed to be the more accurate. Consequently, we must question how accurate Plato’s portrayal of Socrates really is.

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