Dark Academia, the “Western Canon,” and the Decline of the Humanities

In around mid-July, I found out that there is apparently a huge internet “aesthetic” movement called “dark academia” that centers around a highly romanticized impression of what humanities scholars and students—especially those in the fields of classics, English, history, and philosophy—dressed and lived like in the twentieth century. Aspects of the aesthetic include wearing old-fashioned, dark-colored, stereotypically “academic” clothing and appreciating “classic” literature, art, and music.

For those who aren’t already aware, I am currently about to enter my senior year at Indiana University Bloomington double-majoring in history and classical studies (i.e., Ancient Greek and Latin), with honors in history. My current plan is to apply to graduate programs in ancient history later this year. Even though I don’t deliberately dress in a dark academia style and I don’t identify with the aesthetic in any particular way, being a humanities student does make me feel like I have a connection to it.

I was so struck by my surprise discovery of dark academia’s apparent popularity that I’ve spent a good part of the past two weeks researching it and its history. Naturally, I have a lot of thoughts, especially about how the current popularity of the aesthetic seems to be at least in part a reaction to the slow ongoing decline of the academic humanities.

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Tucker Carlson Is Using Controversy about Literature Classes to Promote Fascism

There is something of a culture war going on right now over which books students should be assigned to read in literature classes. I’ve been meaning to write an article on this subject for over six months now, but, until now, I haven’t had time. Sadly, I’ve been so insanely busy with the many other things going on in my life that I haven’t had much time for researching and writing articles lately. Now, however, recent events have compelled me to write an article about a different aspect of the controversy than I originally planned.

Many of my readers are probably already aware of Tucker Carlson. He is a far-right political commentator who has a long and well-documented history of promoting white supremacist, fascist, misogynist, and xenophobic ideas. He has his own show on Fox News called Tucker Carlson Tonight and, on 14 May 2021, he did an entire segment about the literature class controversy titled “Classic literature out. Sexual propaganda in.”

In this segment, Carlson first protests the removal of works that he considers “classic literature” from English syllabi and then pretends to be absolutely scandalized by the reading of explicit passages in young adult novels that have been approved for students to read in one public school in Loudoun County, Virginia. Carlson frames the controversy using a standard fascist narrative that misrepresents the issues and ignores many demonstrable facts, including the fact that many works of so-called “classic literature,” including many works that are often read in schools, are just as sexually explicit as the works he protests against—or, in some cases, even more explicit.

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Why Singular ‘They’ Should Be Grammatically Acceptable

If you’ve ever used the English language, you’re probably already aware that the word they is most commonly used as a third-person plural personal pronoun to refer to multiple entities as a collective. You may also be aware that this same word is sometimes also used as a singular third-person personal pronoun to refer to a person of unspecified gender or a person who identifies as non-binary.

English teachers have been vocally condemning the use of the pronoun they to refer to a singular antecedent for years and most people who have gone through the United States public education system have probably been told at some point that using the pronoun in this manner is “wrong.” In this article, however, I intend to argue that it is (and should be) completely grammatically acceptable to use the pronoun they to refer to a singular individual.

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Were Achilles and Patroklos Lovers?

In twenty-first-century adaptations of the story of the Trojan War, Achilles and Patroklos are often portrayed as gay lovers. This is how they are portrayed, for instance, in Madeline Miller’s novel The Song of Achilles (published in 2012) and in the BBC television series Troy: Fall of a City (released in 2018). Many people have wondered how faithful these portrayals are to the ancient sources. In other words, were Achilles and Patroklos really in a sexual relationship?

As it turns out, the debate over whether Achilles and Patroklos were lovers goes all the way back to antiquity. There are some surviving ancient sources that unambiguously portray them as lovers—but there are also ancient sources that explicitly deny that their relationship was ever sexual.

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Debunking Common Myths and Misconceptions about William Shakespeare

William Shakespeare is a legend in our culture. His plays are more often performed than those of any other playwright and his works have become defining hallmarks of English literature. Most students were required to read at least a few of them in high school and many of us lovers of literature have gone on to read many more of them. Shakespeare has a pop culture presence unlike that of any other writer; his image is instantly recognizable and he continues to appear in books, films, television, and even modern theatrical productions. Unfortunately, many of the things we think we “know” about William Shakespeare are wrong.

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Caesar’s Real Last Words

On 15 March 44 BC, an event happened that changed history forever: a group of over thirty conspirators led by Gaius Cassius Longinus, Marcus Junius Brutus the Younger, and Decimus Junius Brutus Albinus assassinated the Roman politician and general Gaius Julius Caesar in the Theater of Pompey. It is an assassination that has gone down as one of the most famous in history. The assassination of Julius Caesar has been the subject of countless plays, books, films, television shows, and even video games.

Partially reinforced by these takes on Caesar’s assassination in popular culture, many people mistakenly believe that Julius Caesar’s last words were, “Et tu, Brute?” which means, “And you, Brutus?” in Latin—allegedly an expression of shock and horror at Marcus Junius Brutus’s betrayal. In reality, however, the historical Julius Caesar never uttered these words; no one knows what Caesar’s real last words were, but ancient writers attribute a number of different phrases to him in the moments leading up to his death.

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