ancient Greek drama Archives - Tales of Times Forgotten

In Ancient Greece, Children Wearing Drag Was a Religious Obligation!

As I discuss in great detail in this recent post I wrote about the ongoing right-wing attack on LGBTQ+ people in the United States, in the past month, right-wingers have been having a full-on moral panic about the existence of child-friendly drag performances. These rightists perceive drag itself as inherently sexual and therefore inherently inappropriate for children. Many of them are claiming that allowing a child to view any form of drag is somehow “child abuse” or “grooming.” In the heat of this moral panic, neo-fascists have disrupted and even planned violent attacks on drag performances that are billed as child-friendly and Republican lawmakers in multiple red states have proposed bills that would make it a crime to allow any person under the age of eighteen to view any kind of performance involving drag.

As I have already explained at greater length in my previous post, drag is just a variety of costume; it’s a person dressing up as a different gender. There is nothing inherently sexual about it. Although many drag performances for adult audiences do make use of sexual humor and innuendo and are therefore inappropriate for young children, such innuendo is not integral to drag itself and some drag performances can be genuinely child-friendly. Moreover, laws banning drag performances in the presence of children, if they are vaguely worded enough, could be used to criminally prosecute trans and gender-nonconforming people for wearing clothes associated with a gender other than the one they were assigned at birth in any public place where children could conceivably be present.

In this post, I thought I would mention, from an ancient historical angle, that the ancient Greeks would be absolutely baffled by twenty-first-century U.S. right-wingers’ paroxysms over child-friendly drag. All the female roles in Greek drama were originally portrayed by men in drag at religious festivals where at least older children were present, it was a religious custom for men to dress in drag for certain religious festivals and occasions where children could be present, and the ancient Athenians even had a festival at which two adolescent boys were religiously mandated to dress in drag themselves.

How Have Works of Greek Drama Survived?

It is widely known that the vast majority of all works of ancient drama have been lost forever. We have record of literally hundreds of playwrights who wrote plays in the Greek language in ancient times, but only five of these playwrights have any plays that have survived to the present day complete or nearly complete under their own names. Three of these playwrights were tragedians: Aischylos, Sophokles, and Euripides. The other two playwrights—Aristophanes, and Menandros—were both comedians. All five were Athenian citizen men who lived in the fifth and fourth centuries BCE.

Many people who do not have any degrees in classics have heard these authors’ names and maybe even read some of their plays in translation, but very few people who do not have degrees in classics know how and why any of these authors’ works have survived to the present day when so many other works of ancient Greek drama have been lost.

No, Aristotle Is Not Telling You to Unleash Your Inner Rage

Most people today believe that the word catharsis refers to the necessary release of negative emotions and destructive impulses for the sake of “purging” oneself of those emotions and impulses. Many people see this “purging” of negative emotions—usually specifically anger—as healthy or even necessary. This idea of catharsis as emotional purging is usually traced back to the ancient Greek philosopher Aristotle (lived 384 – 322 BC).

Psychological experiments, however, have shown that unleashing your anger does not cause that anger to go away. In fact, actually has a tendency to make people even more angry than they were originally. Furthermore, while Aristotle did use the Greek word κάθαρσις (kátharsis) in his Poetics, he certainly didn’t use that word to mean what many people today think he meant by it.

Yes, Kratos Is a Real Deity in Greek Mythology

I have never played any of the games in the video game series God of War. I don’t really have any interest in video games and, even if I did have an interest in them, I would never have time to play them. Nonetheless, as a Hellenist, I like to pay attention to how Greek mythology is portrayed in modern popular culture and I find it interesting that Kratos, the main character in the God of War series, is actually very loosely based on a real figure in Greek mythology.

In Greek mythology, Kratos is the divine personification of strength, the son of the Titan Pallas and the Okeanid nymphe Styx. Ironically, in ancient Greek sources, Kratos is portrayed as a dumb, overly violent thug who is unquestioningly loyal to Zeus and whose job is to enforce Zeus’s authority over all the other deities; whereas I’ve read that, in the video game series God of War, Kratos is apparently portrayed as a renegade demigod who kills all the major deities in the Greek pantheon, including Zeus.

Misconceptions about Ancient Greek Drama

Most high school students in the United States read at least one work of ancient Greek drama at some point in one of their English classes and, when they do, they are usually taught lots of Greek words like tragedy, comedy, hubris, and hamartia. Unfortunately, a lot of these terms have been egregiously misunderstood over the years and do not actually mean what many English teachers—and consequently English students—think they mean.

Not only are Greek terms often misunderstood; so are the Greek plays themselves. One of the most commonly taught Greek plays is Oidipous Tyrannos (Oedipus Tyrannus). Partly on account of its popularity, this particular play has been widely misunderstood by English teachers and students alike.

Some of these misunderstandings can even prevent students from fully appreciating Greek drama, so I think it is worthwhile to address them here. Below I address some of the most widespread misconceptions about Greek drama.