Greek mythology Archives - Tales of Times Forgotten

Persephone Is in the Underworld During the Summer, Not the Winter

For those of us who live in the northern hemisphere, winter will soon be upon us. The ancient Greek myth of the goddess Persephone, who spends one third of the year in the underworld and the remaining two thirds of the year with her mother Demeter, is a well-known etiological myth (i.e., a myth that explains how things came to be the way they are) for the changing of the seasons.

Most modern people who know the myth of Persephone think that the ancient Greeks believed that she was in the underworld during the winter and with Demeter for the rest of the year. Even many professional classicists think this. I, however, like some other scholars, am convinced that this is incorrect. The surviving ancient sources for the myth are unclear about which part of the year Persephone spends in the underworld and it makes far more sense given everything we know about the ancient Greek agricultural and religious calendars to conclude that the Greeks believed that she was in the underworld during the summer, not the winter.

The Shocking True Origin of Dionysos

The ancient Greeks from at least the fifth century BCE onward commonly believed that the worship of the god Dionysos originated in Asia and was introduced to the Greek world relatively late. For most of the twentieth century, scholars simply accepted this belief at face value and deemed the elements of Dionysos’s cult that they perceived as strange and exotic as definitive marks of his cult’s eastern origin. If you pick up any book about Greek religion that was published before around 1960, it will almost certainly claim that Dionysos was a late addition to the Greek pantheon. Even today, people online still commonly repeat this claim as though it were fact.

For at least the past thirty years, though, scholars of ancient Greek religion have known for certain that Dionysos was not, in fact, a late entry to the Greek pantheon from the east at all. Instead, extremely ancient clay tablets written in a very early form of Greek definitively attest that the Greeks were already worshipping Dionysos as early as the fourteenth century BCE—a thousand years before Plato was even born. In light of this fact, the fact that the ancient Greeks believed that Dionysos was a recent addition to their pantheon takes on new meaning and potentially reveals much about how the Greeks thought about foreignness.

What Was the “Epic Cycle” Really?

If you’re at all familiar with early ancient Greek literature, there’s a very strong likelihood that you’ve heard at some point that some ancient authors considered the Iliad and the Odyssey to belong to something called the “Epic Cycle.” This term refers to a particular group of eight epic poems in dactylic hexameter verse that originated from oral tradition during the Greek Archaic Period (lasted c. 800 – c. 490 BCE) and that all tell stories about the Trojan War and the mortal heroes who are said to have fought in it.

The poems that are included in the Epic Cycle are, in narrative order of the events they describe: the Kypria, the Iliad, the Aithiopis, the Little Iliad, the Iliou Persis or Sack of Ilion, the Nostoi or Homecomings, the Odyssey, and the Telegoneia. Sadly, of these poems, only the Iliad and the Odyssey have survived to the present day complete. Only a few tiny fragments of the other epics, preserved through quotation by later authors, and prose summaries of their contents remain.

Unfortunately, very few explanations of the Epic Cycle for a general audience exist and the vast majority of the ones that do exist are misleading and written by non-classicists. As a result, most people who are not classics specialists aren’t aware that it existed and most of those who are aware have some serious misunderstandings about what it was. That is why, in this post, I am going to discuss what the Epic Cycle was and—just as importantly—what it wasn’t. For the purposes of this post, I will assume that my readers have some basic knowledge about Greek myths of the Trojan War and at least a vague awareness of the Iliad and the Odyssey, but I will not assume that they have any familiarity with Greek literature, philology, or history beyond this.

The Shocking Ancient Pagan Origin of the Legend of Stingy Jack

Halloween is upon us once again. As I have mentioned many times before on this blog, the popular notion that Halloween is a superficially Christianized ancient pagan holiday and that the practices associated with it today are of ancient pagan origin is largely a misconception. In reality, there is very little about Halloween as it is celebrated in the United States in the twenty-first century that can reliably be traced back to any ancient pre-Christian culture or belief system. There are, however, a few concepts and stories associated with Halloween that do have genuine, well-attested, pre-Christian, pagan origins.

Notably, as I discuss in this blog post I made in October 2021, many of the monsters that have become associated with the holiday—including ghosts, werewolves, and revenants—are really of ancient pre-Christian origin. In this post, I will discuss another such example: the traditional Irish Halloween legend of Stingy Jack, which is a Christianized version of a very ancient and widely attested folktale in which a clever human trickster manages to trap a malevolent or threatening supernatural being who has come to take him away to an undesirable afterlife location. Older, expressly pagan versions of this legend are attested as far back as ancient Greece in sixth century BCE.

No, Athena Didn’t Turn Medusa into a Monster to Protect Her

One of the most famous stories in all of ancient Greek and Roman mythology and literature is the tale of the origin of the Gorgon Medusa that the Roman poet Publius Ovidius Naso (lived 43 BCE – c. 17 CE), who is better known in English simply as “Ovid,” tells in his long narrative poem Metamorphoses, which he composed in the Latin language in dactylic hexameter verse in around the year 8 CE or thereabouts.

According to Ovid, Medusa was originally an extraordinarily beautiful mortal woman who was known for her gorgeous hair. Then, however, the god Neptunus (whom the Romans equated with the Greek god Poseidon) raped her in the temple of the goddess Minerva (whom the Romans equated with the Greek goddess Athena) and Minerva punished her by turning her into a hideous monster with snakes entwined in her hair and making it so that any mortal who saw her would instantly turn to stone.

A claim has circulated online for years now claiming that modern people have misunderstood this myth and that, actually, Minerva turned Medusa into a monster and made it so that anyone who saw her would instantly turn to stone in order to protect her so that men would never prey on her again. This claim, however, is not supported by any evidence in any ancient source and, in fact, Ovid’s account expressly says that Minerva cursed Medusa in order to punish her for her involvement in desecrating her temple, even though her involvement was totally nonconsensual. Furthermore, the context in which Ovid tells the story strongly suggests that he intended his readers to sympathize with Medusa and question the justice of Minerva’s punishment.

Men Have Been Finding Weird and Unsettling Ways to Describe Women’s Breasts Since Ancient Times

It is common knowledge that cisgender straight and bisexual men frequently possess an overriding fascination with women’s breasts—to such an extent that they often devote more attention to a woman’s breasts than to any other aspect of her person. As a result of this fixation, some male writers have a habit of throwing in references to or descriptions of breasts in places where they are contextually inappropriate. Sometimes they also describe breasts using goofy or perplexing figurative language.

These sorts of references and descriptions have become a subject of widespread memes and satire. There is even an entire subreddit called r/menwritingwomen, which is dedicated to examples of male authors writing about women in incompetent (and often comical) ways. A significant proportion of the examples discussed in the subreddit are breast references and its satirical headline reads: “She breasted boobily down the stairs…..”

One thing some people may not realize is that gynophilic men have been doing this exact same thing for literally thousands of years. In this post, I will discuss three different examples of goofy, weird, unsettling, or just downright creepy descriptions of women’s breasts in texts from the ancient Mediterranean world in three different languages: Biblical Hebrew, Ancient Greek, and Latin.

Why Are Dragons Obsessed with Treasure?

The trope that dragons are naturally obsessed or infatuated with treasure is absolutely pervasive throughout modern fantasy literature. You can pick up just about any modern book that has dragons in it and, more likely than not, the dragons will be obsessed with hoarding treasure of some kind. In this post, I will discuss where this trope originates from and how it became so ubiquitous.

In ancient Greece and Rome, drakontes (the ancient precursors of dragons) were primarily thought to serve as guardians, sometimes of treasure. The notion that dragons are obsessed with treasure seems to have arisen in classical antiquity or earlier as one of several different explanations for why they guard it. Thanks primarily to the Old English epic poem Beowulf and J. R. R. Tolkien’s 1937 children’s fantasy novel The Hobbit, which drew extensive inspiration from Beowulf, this explanation has now become accepted as standard in western popular culture.

What Powers Do Demigods Really Have in Greek Mythology?

The most prominent portrayal of demigods in recent years occurs in the American author Rick Riordan’s mythology-based middle-grade children’s books, which include the series Percy Jackson & the Olympians (published 2005 – 2009), The Heroes of Olympus (published 2010 – 2014), Magnus Chase and the Gods of Asgard (published 2015 – 2017), and The Trials of Apollo (published 2016 – 2020). Since Riordan’s books have an enormous fanbase and Percy Jackson & the Olympians is currently being developed into a new series for Disney+, I thought I would write this post in which I will explore how the portrayal of demigods and their powers in ancient Greek mythology and literature differs from the portrayal in Riordan’s novels.

Riordan’s novels portray demigods as having supernatural powers that correspond to specific aspects of the domains their divine parents preside over. The reality, though, is that, in actual ancient Greek and Roman sources, demigods do not typically possess any special powers or abilities that correspond in any way to the specific domain of their divine parent. Instead, what they typically inherit from their divine parent are more general exceptional qualities that correspond to the demigod in question’s gender more than their divine parentage.

Demigod men are typically said to display exceptional qualities that the Greeks and Romans considered inherently masculine, such as extraordinary physical strength and skill at fighting. Meanwhile, demigod women are typically said to display exceptional qualities that the Greeks and Romans considered inherently feminine. Notably, although both demigod men and women in general are said to possess extraordinary physical beauty, the sources tend to emphasize this aspect more for women than for men. Both demigod men and women are said in some cases to possess extraordinary cunning. By far the most important thing that makes demigods in the Greek tradition special, though, is that their divine parents look out for them and are willing to give them things they ask for.

Why Are Some Names Used in the ‘Iliad’ Used in English Today While Others Are Not?

If you have ever read the Iliad, you have probably noticed that there are many characters in it who have names that are not commonly used as given names in countries that are predominantly English-speaking today. I’m talking about names like Agamemnon, Menelaos, Patroklos, Idomeneus, Hekabe, Andromache, and so forth. Meanwhile, there are also names like Alexandros, Helene, Hektor, and Kassandra that are still used today in Anglicized forms like Alexander, Helen, Hector, and Cassandra. Many people have wondered why some of these names are commonly used today in English, while others of them are not.

As it turns out, the vast majority of the names that are used in the Iliad have never been widely used in English, but a handful of these names have passed into English through various channels, mostly not through the Iliad itself. Of all the names of characters in the Iliad, the two that have been in continuous use as names for people in English the longest are Alexander and Helen, which passed from Greek into Latin and from Latin into English very early due to both of these names having been held by particularly famous and revered ancient figures. The names Hector and Cassandra first passed into English a bit later via the medieval “Matter of Rome” (i.e., the corpus of romances based on ancient Greek and Roman stories), but they didn’t become popular until the eighteenth century.

The Ghost of Achilles on Snake Island

By this point, I imagine that most of my readers have probably already heard that, on 24 February 2022, the first day of Russia’s ongoing invasion of Ukraine, a pair of heavily armed Russian warships attacked Snake Island, a small Ukrainian island in the western Black Sea that was protected at the time by only thirteen Ukrainian border guards.

One of the Russian warships ordered the Ukrainian border guards to surrender and one of the Ukrainians replied: “Русский военный корабль, иди на хуй,” which means “Russian warship, go fuck yourself.” This reply has become famous around the world and has widely become seen as emblematic of Ukrainian defiance. It was initially reported that the border guards were all killed, but the Ukrainian military has now publicly confirmed in a post on Facebook that they are actually “alive and well” in Russian captivity.

One thing that many of my readers may not know is that Snake Island—the exact same island where all the events I have described above took place—was known to the Greeks in ancient times as Λευκή (Leukḗ), which means “White Island.” This island is prominent in Greek literature, mythology, and folklore, chiefly because the Greeks believed that Achilles’s mother, the immortal goddess Thetis, transposed his mortal remains, along with those of Patroklos, and interred them in a hero shrine on this island, making it their final resting place.

Several classicists have already written posts about Snake Island’s classical connections, including Mateusz Stróżyński in the online open-access journal Antigone, Peter Gainsford on his blog Kiwi Hellenist, and Christopher Stedman Parmenter on the Society for Classical Studies blog. All of these posts, though, overlook what are, in my personal opinion, the most fascinating stories about the island, which are told by the Greek sophist Philostratos of Athens (lived c. 170 – c. 250 CE) in his dialogue Heroïkos, chapters 54–57. According to Philostratos, the ghosts of Achilles and Helene of Sparta haunt the island together as lovers. (Yes, you read that right; I said Helene, not Patroklos.) The stories he tells about their hauntings on the island are simultaneously captivating and bizarre.