Tag: Vergil

Most Memorable Opening Lines in Ancient Literature

Today, if one looks around on the internet, one can find all kinds of lists that purport to present the most memorable opening lines “of all time,” but, invariably, these opening lines are always from famous works of English literature written within the past two centuries. I have therefore decided to compile my own list of most memorable opening lines—but only for works of ancient literature.

I have chosen which lines to include in this post based on how impactful and memorable they are, not on how famous they are. As a result, many of the works I have included on this list are not well known to the general public. Meanwhile, I have omitted the opening lines of certain works that are extremely famous, but not especially memorable in their own right, such as the opening lines of Plato’s Republic and Julius Caesar’s De Bello Gallico, which are famous because the works they come from are famous, not because they are especially memorable. I have chosen opening lines from works produced in a range of ancient cultures, including ancient Mesopotamia, the Levant, India, Greece, and Rome, and have chosen openings that I find memorable for a variety of different reasons.

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Dark Academia, the “Western Canon,” and the Decline of the Humanities

In around mid-July, I found out that there is apparently a huge internet “aesthetic” movement called “dark academia” that centers around a highly romanticized impression of what humanities scholars and students—especially those in the fields of classics, English, history, and philosophy—dressed and lived like in the twentieth century. Aspects of the aesthetic include wearing old-fashioned, dark-colored, stereotypically “academic” clothing and appreciating “classic” literature, art, and music.

For those who aren’t already aware, I am currently about to enter my senior year at Indiana University Bloomington double-majoring in history and classical studies (i.e., Ancient Greek and Latin), with honors in history. My current plan is to apply to graduate programs in ancient history later this year. Even though I don’t deliberately dress in a dark academia style and I don’t identify with the aesthetic in any particular way, being a humanities student does make me feel like I have a connection to it.

I was so struck by my surprise discovery of dark academia’s apparent popularity that I’ve spent a good part of the past two weeks researching it and its history. Naturally, I have a lot of thoughts, especially about how the current popularity of the aesthetic seems to be at least in part a reaction to the slow ongoing decline of the academic humanities.

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