Literature Archives - Page 2 of 6 - Tales of Times Forgotten

The “Hero’s Journey” Is Nonsense

In 1949, an American author named Joseph Campbell published a book titled The Hero with a Thousand Faces, in which he claims that, fundamentally, all the great stories that human beings have ever told follow the exact same pattern, which is innate in the human consciousness and therefore present in every culture during every time period. In his book, he usually refers to this supposed pattern as “the monomyth” or “the hero’s journey.”

Campbell’s theories have now become thoroughly entrenched as orthodoxy in high school English literature classes all over the English-speaking world. Whenever teachers introduce students to mythology, the first thing they usually talk about is Joseph Campbell and the so-called “hero’s journey.”

Many people will be shocked, however, to learn that academic folklorists and scholars of ancient literature almost universally reject Campbell’s theories as nonsense—and for good reason. Campbell’s outline of the “hero’s journey” is so hopelessly vague that it is essentially useless for analyzing stories across cultures. It also displays ethnocentric, sexist, heteronormative, and cisnormative biases and it encourages people to ignore the ways in which stories are fundamentally shaped by the cultures and time periods in which they are produced.

No, the Black Death Did Not Cause the Renaissance

With the world still mired in the midst of the COVID-19 pandemic, which, as of the time I am writing this, has already killed roughly 1.25 million people worldwide, optimists have written a whole flurry of op-eds trying to put a positive spin on this pandemic. They have tried to insist that the Black Death somehow caused the Renaissance and that COVID-19 may therefore result in a new Renaissance that will carry our world to new and even greater heights than ever before.

This argument, however, is loaded with fallacies and false assumptions. For one thing, there are legitimate reasons for thinking that the Renaissance may not have been such a good thing as it is often made out to be. Furthermore, while the Renaissance did come after the Black Death, but it would be a grave mistake to assume that the Black Death therefore caused it to happen.

Were Achilles and Patroklos Lovers?

In twenty-first-century adaptations of the story of the Trojan War, Achilles and Patroklos are often portrayed as gay lovers. This is how they are portrayed, for instance, in Madeline Miller’s novel The Song of Achilles (published in 2012) and in the BBC television series Troy: Fall of a City (released in 2018). Many people have wondered how faithful these portrayals are to the ancient sources. In other words, were Achilles and Patroklos really in a sexual relationship?

As it turns out, the debate over whether Achilles and Patroklos were lovers goes all the way back to antiquity. There are some surviving ancient sources that unambiguously portray them as lovers—but there are also ancient sources that explicitly deny that their relationship was ever sexual.

No, Liberals Don’t Hate the Humanities

An op-ed by Itxu Díaz published on the website of the American conservative magazine National Review on 19 September 2020 starts with the headline “Why Does the Left Hate the Humanities?” It’s a rather surprising headline considering the fact that conservatives have spent decades stereotyping the humanities as a useless field dominated by evil leftists.

The headline becomes a bit less surprising, though, when you realize that, by “the humanities,” Díaz is actually talking about something that might be better termed “white male heritage studies.” He isn’t advocating for people to study, say, Native American history, women’s studies, or queer literary theory; he’s advocating for people to study a handful of specific works of ancient Greek and Roman literature that are traditionally regarded as “classics” from a very traditionalist, heritage-focused perspective.

I am a currently a junior at Indiana University Bloomington pursuing a double major in history and classical studies. My main focus is in the study of ancient Greece. This means I have studied exactly the kind of material that Díaz thinks people should be studying. I agree with him that it is important for people to study the ancient Greeks and Romans. Unfortunately, I completely disagree with him about why and how these civilizations should be studied.

I don’t generally consider myself a “leftist.” Instead, I generally tend to think of myself as a liberal and a progressive. Nonetheless, I realize that, when Díaz complains about “leftists” who supposedly “hate the humanities,” he’s talking about people like me. Here is my response to what he has written.

Steven Pinker’s “The Better Angels of Our Nature” Debunked

In our society we revere scientists far more than we revere historians. Consequently, people are often more willing to listen to what scientists say about history than what historians say about history. Unfortunately, often times, when scientists try to speak or write about history, they make glaring mistakes.

For instance, I have already written extensively about how the 1980 television miniseries Cosmos: A Personal Voyage, written and presented by the astronomer and astrophysicist Carl Sagan, promoted all sorts of egregious misconceptions about the Neoplatonist philosopher Hypatia and about the supposed destruction of the Library of Alexandria.

The book The Better Angels of Our Nature: Why Violence Has Declined, written by the linguist and psychologist Steven Pinker is one that has been bothering me for a long time. I promised that I would write an article about it in this article I wrote last year about violence in the pre-modern world, but I have been holding back until now because I am aware of how popular the book is and what an impact it has had on so many people’s lives.

Bill Gates, for instance, described it in a review as “one of the most important books I’ve read – not just this year, but ever.” Unfortunately, this book is filled with all kinds of historical inaccuracies and I think it promotes some ideas that, while they may seem comforting in the short-term, are actually deleterious in the long-run.

Why Are the Byzantines Significant?

At the time I started writing this article, the most upvoted answer to the question “Why was the Byzantine Empire important in world history?” on Quora was an answer by Bryden Walsh that basically says that the Byzantines aren’t important in world history and that the only reason why anyone imagines that the Byzantines have any historical relevance is because people have overromanticized them due to their association with the old Roman Empire.

Walsh bitterly insists at one point in his answer, “But unlike the neighbouring Islamic civilisations, or the Catholic societies of the west, Byzantium did nothing to move human civilisation forward.” Near the end of the article, he says that the modern world doesn’t owe “anything to Byzantium” at all and that the modern world is “the opposite of everything the Byzantines believed in.”

This is, unfortunately, a reflection of the view towards the Byzantine Empire that has dominated the west for centuries. Despite its perennial appeal, this view is also totally inaccurate; the Byzantine Empire has affected the modern world in ways that few people even realize and there is much to be gained from studying it.

The Strangest Books in the Bible

The Bible is a collection of various ancient texts that are considered by Christians to be the inspired Word of God. The number of books in the Bible varies depending on which branch of Christianity you happen to belong to. The standard Protestant Bible only has sixty-six books, the standard Roman Catholic Bible has seventy-three books, and the standard Eastern Orthodox Bible has seventy-eight books.

Many of the texts that are included in the Bible seem rather strange—at least when you read them for the first time. There are some books in the Bible that are a bit peculiar in the sense that they don’t fit in well with the other books in the Bible. Then there are other books in the Bible that just seem downright bizarre—at least until you decipher what they’re talking about.

In this article, I want to talk about five of the most unusual books in the Bible. These are books that are striking either because they are so different from the others or because they employ such bizarre imagery.

How Do We Know Ancient Texts Are Really Ancient?

There seems to be a lot of people who think that, because we do not have the original manuscripts of ancient texts, that is somehow deeply suspicious. While it is certainly true that there are some places in some texts where we are not completely sure what the original text said, in the vast majority of cases, it is possible to reconstruct exactly or at least almost exactly what the original text said. Even when the exact original wording of a text is unclear, we usually have a pretty good idea of what the original author wrote.

Yes, Kratos Is a Real Deity in Greek Mythology

I have never played any of the games in the video game series God of War. I don’t really have any interest in video games and, even if I did have an interest in them, I would never have time to play them. Nonetheless, as a Hellenist, I like to pay attention to how Greek mythology is portrayed in modern popular culture and I find it interesting that Kratos, the main character in the God of War series, is actually very loosely based on a real figure in Greek mythology.

In Greek mythology, Kratos is the divine personification of strength, the son of the Titan Pallas and the Okeanid nymphe Styx. Ironically, in ancient Greek sources, Kratos is portrayed as a dumb, overly violent thug who is unquestioningly loyal to Zeus and whose job is to enforce Zeus’s authority over all the other deities; whereas I’ve read that, in the video game series God of War, Kratos is apparently portrayed as a renegade demigod who kills all the major deities in the Greek pantheon, including Zeus.

Did John Milton Really Sympathize with Satan?

For those of you who do not know, Paradise Lost is an epic poem about the Fall of Man that was written by the English poet John Milton (lived 1608 – 1674) and first published in 1667. Even though John Milton was a devout Puritan, Satan functions as the main character for most of the poem. Milton portrays Satan as a larger-than-life figure: the Prince of Darkness, the enemy defeated but not destroyed, a cunning sophist with rhetoric as his greatest weapon, a haughty villian brimming with hate and anger.

Milton’s portrayal of Satan has arguably been more influential on modern ideas about the Devil than any other portrayal. Milton practically created the Devil as we know him today. In fact, Milton’s Satan so dominates the poem that many readers have come away with the impression that Milton himself sympathized with him. The English poet William Blake (lived 1757 – 1827) famously wrote, “The reason Milton wrote in fetters when he wrote of Angels & God, and at liberty when of Devils & Hell, is because he was a true Poet and of the Devil’s party without knowing it.”