No, the Black Death Did Not Cause the Renaissance

With the world still mired in the midst of the COVID-19 pandemic, which, as of the time I am writing this, has already killed roughly 1.25 million people worldwide, optimists have written a whole flurry of op-eds trying to put a positive spin on this pandemic. They have tried to insist that the Black Death somehow caused the Renaissance and that COVID-19 may therefore result in a new Renaissance that will carry our world to new and even greater heights than ever before.

This argument, however, is loaded with fallacies and false assumptions. For one thing, there are legitimate reasons for thinking that the Renaissance may not have been such a good thing as it is often made out to be. Furthermore, while the Renaissance did come after the Black Death, but it would be a grave mistake to assume that the Black Death therefore caused it to happen.

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Why Are Babies in Medieval Paintings So Creepy?

I have recently discovered that there seems to be something of a widespread notion that babies in medieval paintings look “creepy.” I have never personally thought that babies in medieval paintings look particularly “creepy,” but this seems to be a notion that a lot of other people have.

Even if you’re like me and you don’t think that medieval babies necessarily look “creepy,” there is no denying that babies in a lot of medieval paintings don’t exactly look like real-life babies. Instead, for the most part, they look like tiny middle-aged men. The reason why they are portrayed this way is actually extremely fascinating and has to do with the way people in the Middle Ages thought about the purpose of art.

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A Guided Tour of Raphael’s “School of Athens”

The School of Athens is a fresco painted between 1509 and 1511 by the Italian Renaissance artist Raffaello Sanzio da Urbino, commonly known in English as “Raphael.” It depicts a scene of famous philosophers and thinkers of the past from different time periods, all standing around conversing and debating with each other. It is located in the Apostolic Palace in Vatican City and is widely considered to be one of the greatest masterpieces of the Italian Renaissance. It has been the background image for this website since I first created it. Nonetheless, the fresco is filled with all sorts of fascinating symbolism and iconography that is often lost on the average viewer, so I thought I would take this article to give a quick guided tour of Raphael’s School of Athens.

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