ancient Greek literature Archives - Page 5 of 9

The Debate about Classics Isn’t What You Probably Think It Is

On 2 February 2021, The New York Times published a profile piece written by Rachel Poser titled “He Wants to Save Classics From Whiteness. Can the Field Survive?” The subject of the article is Dan-el Padilla Peralta, an Afro-Latino associate professor of classics at Princeton University who argues that the field of classics as it is currently constructed is deeply embedded with systemic racism and serves to reinforce white supremacist hegemony. Padilla wants to radically reshape the field by rooting out aspects that reinforce white supremacy and rebuilding the field in a new way.

This profile piece triggered an unceasing deluge of op-eds published on various platforms purporting to “defend” the discipline of classics from Padilla’s supposed attacks. These op-eds almost invariably display complete ignorance of the conversation that has been taking place within the discipline of classics over the past few years and ignorance of what Padilla is actually proposing. They reduce the conversation to a ridiculous caricature according to which evil, radical leftist scholars are trying to bring an end to the study of ancient texts altogether.

Many people who are not directly connected to the field of classics are learning about the controversy solely from these op-eds and coming away with the egregious misimpression that this is really what is happening. In this essay, I want to explain for my general readership what is really going on within the field and what sorts of changes people are really advocating. (I would write an op-ed, but no one would publish it, since I’m just a twenty-one-year-old undergraduate.)

Fascinating Facts about Ancient Sparta

Most people today are familiar with the idea of the ancient Spartans as a warrior people who spurned luxury and devoted themselves to military training. The Spartans have a substantial presence in modern popular culture, partly due to the 2006 fantasy action film 300, which, as I discuss in this article I published in November 2019, greatly distorts the true history of Sparta in order to convey a deeply racist, misogynistic, ableist, and fascist message.

In this article, though, I don’t want to talk about 300. Instead, I want to talk about some aspects of ancient Spartan history, society, and culture that are, for the most part, fairly obscure that I think should be more widely known. For instance, did you know that there are surviving works of ancient Spartan poetry? Or did you know that Spartiate men were known in antiquity for wearing their hair in long braids that came all the way down to their mid-backs? Or did you know that other Greek people in antiquity stereotyped the Spartans as anal fetishists? Read on to learn more!

The “Hero’s Journey” Is Nonsense

In 1949, an American author named Joseph Campbell published a book titled The Hero with a Thousand Faces, in which he claims that, fundamentally, all the great stories that human beings have ever told follow the exact same pattern, which is innate in the human consciousness and therefore present in every culture during every time period. In his book, he usually refers to this supposed pattern as “the monomyth” or “the hero’s journey.”

Campbell’s theories have now become thoroughly entrenched as orthodoxy in high school English literature classes all over the English-speaking world. Whenever teachers introduce students to mythology, the first thing they usually talk about is Joseph Campbell and the so-called “hero’s journey.”

Many people will be shocked, however, to learn that academic folklorists and scholars of ancient literature almost universally reject Campbell’s theories as nonsense—and for good reason. Campbell’s outline of the “hero’s journey” is so hopelessly vague that it is essentially useless for analyzing stories across cultures. It also displays ethnocentric, sexist, heteronormative, and cisnormative biases and it encourages people to ignore the ways in which stories are fundamentally shaped by the cultures and time periods in which they are produced.

Where Does the Myth of Medusa Come From?

Medusa is one of the most fascinating figures in classical mythology and one who bears a deep contemporary resonance. Indeed, just yesterday, it was announced that a controversial statue of her would be installed in Collect Pond Park in New York City. In order to understand this statue and the controversy surrounding it, we need to talk about the bizarre and fascinating history of how the Medusa myth has evolved over the past 2,800 years or so.

The story about Medusa that most people today are familiar with holds that she was once an extraordinarily beautiful mortal woman, but then she was raped by the god Poseidon in the temple of the goddess Athena. Athena was disgusted by the desecration of her temple, so she cursed Medusa, giving her snakes for hair and making it so that anyone who saw her face would be instantly turned to stone. Then, eventually, the hero Perseus came along and beheaded her.

This story, however, is actually radically different from the story the ancient Greeks were familiar with. In the oldest surviving sources for the Medusa myth, she is seemingly born a Gorgon with the ability to turn people to stone at a glance, she is never raped by Poseidon, and she is never cursed by Athena. Oh, and she apparently also had the four-legged lower body of a horse.

Were Achilles and Patroklos Lovers?

In twenty-first-century adaptations of the story of the Trojan War, Achilles and Patroklos are often portrayed as gay lovers. This is how they are portrayed, for instance, in Madeline Miller’s novel The Song of Achilles (published in 2012) and in the BBC television series Troy: Fall of a City (released in 2018). Many people have wondered how faithful these portrayals are to the ancient sources. In other words, were Achilles and Patroklos really in a sexual relationship?

As it turns out, the debate over whether Achilles and Patroklos were lovers goes all the way back to antiquity. There are some surviving ancient sources that unambiguously portray them as lovers—but there are also ancient sources that explicitly deny that their relationship was ever sexual.

Transgender and Intersex People in the Ancient World

It is popularly believed that transgender, intersex, and other gender-nonconforming people only started existing fairly recently and that they are an aberration of modern times. This could not possibly be further from the truth. It is true that the word “transgender” is fairly new, since it was first coined in 1965, but there have been people whom we might consider transgender ever since at least the beginning of recorded history.

In this article, I want to talk about some examples of figures from ancient history, mythology, and literature whom we might consider transgender, intersex, or otherwise gender-nonconforming. Some of these people are fictional; others of them are historical. Not all of them fit perfectly under our modern definition of “transgender,” but all of them are of interest to the discussion of transgender history.

Regarding pronoun use, in the following article, I will mostly be using the English equivalents of the pronouns that are actually used in the ancient sources, which may or may not be the pronouns that the individuals discussed here would have preferred to have been used. Unfortunately, the people I will be discussing in this article who actually existed have all been dead for thousands of years, so it is impossible for us to ask what their preferences are.

Were Achilles and Zeus Black in Greek Mythology?

The miniseries Troy: Fall of a City, which originally aired on BBC One in the United Kingdom in spring 2018 and was thereafter distributed internationally on Netflix, created quite a stir of controversy due to the fact that, in the series, the characters Zeus and Achilles are portrayed by black actors. Many people attacked the series, accusing it of “blackwashing.”

It is true that, in ancient Greece, Achilles and Zeus were both consistently portrayed as what most people today would generally consider “white.” That being said, I think that most of the outrage over the fact that Troy: Fall of a City portrays Achilles and Zeus as black is motivated more by racial prejudice than by actual concern for faithfulness to traditional portrayals.

The Amazing Origin of the Story of Achilles’s Heel

We all know the story of “Achilles’s heel.” The story you probably learned in school goes like this: When Achilles was a baby, his mother Thetis dipped him in the river Styx to make him immortal and impervious to all wounds—except she held him by his heel, meaning his heel was the only part of him that was vulnerable. Many years later, near the end of the Trojan War, the Trojan prince Paris shot him in the heel with an arrow guided by the god Apollon and killed him.

This story is the source of our English phrase “Achilles’s heel,” which is often used to refer to a single fatal weakness in something that is otherwise seen as invincible. It may come as a surprise to some people that this story is not actually found in the Iliad or in any other work of classical Greek literature from before the Roman Era. In fact, in the Iliad, Achilles isn’t even invulnerable at all!

Did the Ancient Greeks Really Think Archers Were Cowards?

There is a popular misconception that the ancient Greeks believed that archers were all cowards because they attacked from a distance rather than from up close. What is often ignored is that some of the most revered heroes in Greek mythology, including Herakles, Philoktetes, Odysseus, and Teukros, were archers and so were the deities Artemis and Apollon. The Greeks also used archers extensively in warfare.

While there are a couple passages from surviving works of ancient Greek literature in which certain characters do condemn archers as cowards, these passages are usually taken out of context. One of these passages comes from a character who has just been shot in the foot by an archer. The other passage comes from a villain in a tragedy who is immediately refuted by one of the good characters. When read in context, it becomes clear that these passages do not demonstrate a general disdain for archers in ancient Greek culture.

How Do We Know Ancient Texts Are Really Ancient?

There seems to be a lot of people who think that, because we do not have the original manuscripts of ancient texts, that is somehow deeply suspicious. While it is certainly true that there are some places in some texts where we are not completely sure what the original text said, in the vast majority of cases, it is possible to reconstruct exactly or at least almost exactly what the original text said. Even when the exact original wording of a text is unclear, we usually have a pretty good idea of what the original author wrote.