Why That Fresco from Pompeii Isn’t Sappho

It is extremely common for modern people to misidentify ancient portraits of random people as portraits of famous people. This is partly because many famous authors and historical figures who lived in the ancient world have no surviving portraits and people are eager to find images to represent them. This is especially often the case for ancient women. I will confess that I am partly guilty of this myself; I couldn’t find any decent images to represent Pamphile of Epidauros in my article I wrote about her back in July, so I used a photo of a bust of an unidentified woman in the National Archaeological Museum in Athens, paired with a photo of the Ancient Theatre of Epidauros, in an effort to the represent the idea of an ancient Greek woman from Epidauros.

In this article, there is one particular ancient portrait that is especially widely misidentified as a portrait of a famous woman that I want to discuss. The portrait in question is a fresco. It depicts a woman with short, curly brown hair, a gold hairnet, gold earrings, and clothes that are dyed purple and green. She gazes directly at the viewer, holding a set of wax tablets bound with ribbons in her left hand and pressing a writing stylus to her lips with her right hand as though she were in thoughtful contemplation. It dates to between c. 50 and 79 CE and was discovered on 24 May 1760 in the Insula VI region of the ancient Roman city of Pompeii.

Classical scholars immediately began to speculate that the fresco might be a portrait of the ancient Greek lyric poet Sappho of Lesbos (lived c. 630 – c. 570 BCE), who is best known today for her poems about love and attraction between women and whose home island is the source for the contemporary word lesbian. (Whether Sappho herself was actually a lesbian is a subject I address in depth in this article I published in August 2021.) The fresco is currently held in the Naples National Archaeological Museum on the first floor in room seventy-six. It is still widely admired as a remarkable portrait of a literate ancient woman. Although the fresco is still widely circulated online as a supposed portrait of Sappho, art historians now generally agree that it actually depicts an unknown upper-class Pompeiian woman.

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Are There More Surviving Ancient Writings in Greek or Latin?

Most people are aware that the vast majority of everything that was written in ancient times has been lost. Some languages, however, have more surviving works than others. To give a somewhat extreme example, the Roman writer Pliny the Elder (lived c. 23 – 79 CE) records in his Natural History 18.5.22 that the city of Carthage contained libraries of scrolls written in the Punic language. In 146 BCE, however, the Romans utterly destroyed Carthage. They burned the entire city to the ground and killed or enslaved every single person who lived there.

The Romans dispersed whatever survived of the contents of the Carthaginian libraries among the various kings of North Africa—except, Pliny tells us, for a treatise on agriculture written in a set of twenty-eight scrolls by the Carthaginian writer Mago, which the Senate ordered be translated into Latin. The Latin translation of Mago’s treatise was later lost and is only known today from references in Greek and Roman sources. The Punic language itself went extinct sometime around the fifth century CE. As a result, not a single literary work that was originally written in the Punic language has survived to the present day complete; even the works that are known are known only in name, summary, or fragmentary quotation.

Ancient texts written in the Greek and Latin languages have been relatively fortunate in terms of their survival. Scholars often estimate off-the-cuff that around 1% of the known works written in Greek and Latin in ancient times has survived to the present day. This may not seem like a lot, but it is still far more writing than any individual can possibly hope to read, even in a lifetime, and it is a great deal more than what has survived in Punic. Given these circumstances, it is only natural that many people are curious which of these two languages has more surviving ancient texts: Greek or Latin? The answer, for reasons I will explain shortly, is almost unquestionably Greek.

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Did the Ancient Greeks and Romans Practice BDSM?

For those who are not aware, BDSM is a combined acronym for bondage and discipline, dominance and submission, and sadism and masochism. The term refers to a variety of sexual practices that fall under these umbrella categories. There are already many articles on the internet that talk about the supposed ancient history of BDSM, but I think that all these articles are hopelessly inadequate for anyone looking for accurate information on the subject.

Nearly all of these articles are clearly written by people who know very little about ancient history and are just looking for anything mentioned in modern secondary sources that seems to vaguely resemble contemporary BDSM practices. Additionally, most online articles about BDSM-like practices in the ancient world don’t cite any ancient sources whatsoever and repeat demonstrably false factoids as though they were true. In this article, I hope to counter the dearth of trustworthy information on this subject by providing my own analysis of it, using real ancient primary sources as evidence.

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Here’s How We Know the Canonical Gospels Were Originally Anonymous

The four canonical gospels are traditionally attributed to Matthew, Mark, Luke, and John. Matthew is said to have been a tax collector who became one of Jesus’s twelve apostles. Mark is a minor figure mentioned in the Book of the Acts of the Apostles who is said to have worked as a translator and secretary for the apostle Peter. Luke is said to have been a Greek physician who became a travelling companion of the apostle Paul. John is said to have been a fisherman who became one of Jesus’s twelve apostles along with his brother James.

Despite how well known these attributions are, however, New Testament scholars have realized for well over a hundred years now that the four canonical gospels were, in fact, originally anonymous works. They only became attributed to the authors to whom they are so widely attributed today in the second half of the second century CE, around a hundred years after the first of these gospels was originally written. In this article, I intend to explain the evidence for how scholars know this.

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The Shocking Truth about Ancient Greek Makeup

There are tons of articles, blog posts, and YouTube videos online about ancient Greek makeup. Unfortunately, I have found that all of them are of utterly abysmal quality. None of the articles that I could find contained any citations to specific passages in ancient sources and all of them contained wildly egregious errors of fact and misconceptions seemingly derived from earlier online sources that, in turn, did not cite any ancient sources.

I have decided to remedy this situation by writing my own article about ancient Greek makeup. Everything I am about to say in this article will be concretely supported by specific passages from actual ancient Greek texts. If you’ve ever wanted to make yourself look like an ancient Greek beauty, or simply wondered what Greek women would look like in movies if they were portrayed historically accurately, then this is exactly the article for you!

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Filthy, Obscure Greek Myths, Accidentally Preserved by Clement of Alexandria

The early Christian writer Clement of Alexandria (lived c. 150 – c. 215 CE) was probably born in Athens, but he lived most of his life in Alexandria, where he was a teacher at the Catechetical School, also known as the Didaskalion. He was extraordinarily well educated and well read in ancient Greek literature, mythology, philosophy, and theology. As a devout Christian, however, he believed that traditional Greek and Roman religions were rife with immorality and depravity. His earliest surviving work is a treatise titled Exhortation to the Hellenes, in which he condemns traditional Greek and Roman religions and exhorts Greeks and Romans to adopt Christianity.

One of Clement’s primary goals in the treatise is to prove just how perverted and morally depraved traditional religions are. He rightly points out the immoral and often rapacious behavior of the Olympian deities in the stories that are well known, but he also retells some extremely obscure and absolutely filthy Greek myths that are not recorded in any other sources before him. As a result, Clement accidentally preserved these myths for posterity—myths that we otherwise would have no idea even existed. (One of them involves a god inventing a dildo in order to anally masturbate on a dead lover’s grave!)

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How Accurate Are “Photorealistic” Portraits of Roman Emperors?

In 2020, the digital artist Daniel Voshart used a neural net called Artbreeder to create a series of “photorealistic” portraits of fifty-four Roman emperors spanning from Augustus (ruled 27 BCE – 14 CE) to Carinus (who died in 285 CE). As the term “photorealistic” suggests, his portraits look almost like photographs. Unfortunately, a lot of people do not realize that these portraits are modern artistic impressions, not scientific recreations of what the Roman emperors really historically looked like.

I’ve seen many people over the past year cite Voshart’s portraits and others like them as though they were authoritative, scientific recreations of what the Roman emperors really looked like. In particular, I’ve noticed a worrying number of white supremacists trying to cite these kinds of portraits as “evidence” that the ancient Romans were all white. In this article I would like to discuss why Voshart’s portraits—and others like them—should be taken with several grains of salt.

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Was Jesus a Communist?

People have been claiming that Jesus of Nazareth was actually a communist or socialist for a very long time. Notably, Francis Bellamy (lived 1855 – 1931), who is best known today as the author of the United States Pledge of Allegiance, was a Baptist minister and self-proclaimed “Christian Socialist” who attracted a great deal of negative attention during his lifetime for frequently claiming that Jesus was a socialist. In more recent years, various pro-communist memes about Jesus being a communist have gone viral on the internet.

I’ve seen so many different expressions of the idea that Jesus was a communist over the years that I’ve decided to write an in-depth article examining whether this is an accurate characterization of Jesus’s teachings. There are indeed some genuine similarities between the views that are attributed to Jesus in the Synoptic Gospels and communism. There are, however, a number of enormous differences between Jesus and contemporary revolutionary communists that make the claim that Jesus was a communist a profound mischaracterization of his teachings.

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Dark Academia, the “Western Canon,” and the Decline of the Humanities

In around mid-July, I found out that there is apparently a huge internet “aesthetic” movement called “dark academia” that centers around a highly romanticized impression of what humanities scholars and students—especially those in the fields of classics, English, history, and philosophy—dressed and lived like in the twentieth century. Aspects of the aesthetic include wearing old-fashioned, dark-colored, stereotypically “academic” clothing and appreciating “classic” literature, art, and music.

For those who aren’t already aware, I am currently about to enter my senior year at Indiana University Bloomington double-majoring in history and classical studies (i.e., Ancient Greek and Latin), with honors in history. My current plan is to apply to graduate programs in ancient history later this year. Even though I don’t deliberately dress in a dark academia style and I don’t identify with the aesthetic in any particular way, being a humanities student does make me feel like I have a connection to it.

I was so struck by my surprise discovery of dark academia’s apparent popularity that I’ve spent a good part of the past two weeks researching it and its history. Naturally, I have a lot of thoughts, especially about how the current popularity of the aesthetic seems to be at least in part a reaction to the slow ongoing decline of the academic humanities.

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Ancient Roman Masturbation

For the past four years, a photograph of a plaster cast of an ancient Roman man who died in the city of Pompeii during the eruption of Mount Vesuvius in 79 CE has been circulating online with the claim that he died while masturbating, since his right hand happens to be positioned near his groin in a masturbation-like pose. Historically speaking, it is highly unlikely that this particular man really died while masturbating. The position of his hand is most likely a result of the muscle contractions resulting from the excruciating heat shock that killed him, rather than the result of anything he was doing before he was killed.

Nonetheless, there is a wealth of fascinating historical and archaeological evidence for both male and female masturbation in ancient Rome, including in the city of Pompeii. Needless to say, the following article contains discussion of evidence that is not suitable for children.

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