folklore Archives - Tales of Times Forgotten

What Was the “Epic Cycle” Really?

If you’re at all familiar with early ancient Greek literature, there’s a very strong likelihood that you’ve heard at some point that some ancient authors considered the Iliad and the Odyssey to belong to something called the “Epic Cycle.” This term refers to a particular group of eight epic poems in dactylic hexameter verse that originated from oral tradition during the Greek Archaic Period (lasted c. 800 – c. 490 BCE) and that all tell stories about the Trojan War and the mortal heroes who are said to have fought in it.

The poems that are included in the Epic Cycle are, in narrative order of the events they describe: the Kypria, the Iliad, the Aithiopis, the Little Iliad, the Iliou Persis or Sack of Ilion, the Nostoi or Homecomings, the Odyssey, and the Telegoneia. Sadly, of these poems, only the Iliad and the Odyssey have survived to the present day complete. Only a few tiny fragments of the other epics, preserved through quotation by later authors, and prose summaries of their contents remain.

Unfortunately, very few explanations of the Epic Cycle for a general audience exist and the vast majority of the ones that do exist are misleading and written by non-classicists. As a result, most people who are not classics specialists aren’t aware that it existed and most of those who are aware have some serious misunderstandings about what it was. That is why, in this post, I am going to discuss what the Epic Cycle was and—just as importantly—what it wasn’t. For the purposes of this post, I will assume that my readers have some basic knowledge about Greek myths of the Trojan War and at least a vague awareness of the Iliad and the Odyssey, but I will not assume that they have any familiarity with Greek literature, philology, or history beyond this.

Zwarte Piet Is a Racist Abomination

Zwarte Piet (whose name means “Black Pete” in Dutch) is a figure in the folklore of the Low Countries (i.e., the Netherlands, Belgium, and Luxembourg) who is said to accompany Saint Nicholas or Sinterklaas. In the weeks leading up to the feast day of Saint Nicholas, which is celebrated in the Netherlands on 5th December, he is traditionally portrayed by white actors or volunteers wearing blackface, along with thick red lipstick, a black wig of afro-textured hair, a large gold earring, and colorful faux-Renaissance-style clothing. These “Zwarte Pieten” traditionally take part in parades, entertain young children, and pass out cookie-like confectionaries known as pepernoten and kruidnoten.

Zwarte Piet has been a widely beloved figure among white people in the Low Countries for generations, but, for decades, some people (mostly people of color) have criticized the character as racist (because he is). Over the course of the past decade, and the past few years in particular, there has been something of a sea change, as a deracialized version of the character named Roetveegpiet (“Sooty Pete”), who wears light soot makeup instead of blackface, has eclipsed the traditional blackface version of the character in popularity.

Some white people have tried to defend the traditional Zwarte Piet by claiming that the character can’t be racist because he (supposedly) has no connection to the U.S. tradition of blackface minstrel shows. In this post, I intend to explore the real history of Zwarte Piet and demonstrate that the character does, in fact, owe very much to blackface minstrel shows and is, in fact, racist. Needless to say, readers should be forewarned that this post will discuss some truly deplorably racist material, including both historical and contemporary derogatory visual portrayals of Black people.

The Shocking Ancient Pagan Origin of the Legend of Stingy Jack

Halloween is upon us once again. As I have mentioned many times before on this blog, the popular notion that Halloween is a superficially Christianized ancient pagan holiday and that the practices associated with it today are of ancient pagan origin is largely a misconception. In reality, there is very little about Halloween as it is celebrated in the United States in the twenty-first century that can reliably be traced back to any ancient pre-Christian culture or belief system. There are, however, a few concepts and stories associated with Halloween that do have genuine, well-attested, pre-Christian, pagan origins.

Notably, as I discuss in this blog post I made in October 2021, many of the monsters that have become associated with the holiday—including ghosts, werewolves, and revenants—are really of ancient pre-Christian origin. In this post, I will discuss another such example: the traditional Irish Halloween legend of Stingy Jack, which is a Christianized version of a very ancient and widely attested folktale in which a clever human trickster manages to trap a malevolent or threatening supernatural being who has come to take him away to an undesirable afterlife location. Older, expressly pagan versions of this legend are attested as far back as ancient Greece in sixth century BCE.

No, Athena Didn’t Turn Medusa into a Monster to Protect Her

One of the most famous stories in all of ancient Greek and Roman mythology and literature is the tale of the origin of the Gorgon Medusa that the Roman poet Publius Ovidius Naso (lived 43 BCE – c. 17 CE), who is better known in English simply as “Ovid,” tells in his long narrative poem Metamorphoses, which he composed in the Latin language in dactylic hexameter verse in around the year 8 CE or thereabouts.

According to Ovid, Medusa was originally an extraordinarily beautiful mortal woman who was known for her gorgeous hair. Then, however, the god Neptunus (whom the Romans equated with the Greek god Poseidon) raped her in the temple of the goddess Minerva (whom the Romans equated with the Greek goddess Athena) and Minerva punished her by turning her into a hideous monster with snakes entwined in her hair and making it so that any mortal who saw her would instantly turn to stone.

A claim has circulated online for years now claiming that modern people have misunderstood this myth and that, actually, Minerva turned Medusa into a monster and made it so that anyone who saw her would instantly turn to stone in order to protect her so that men would never prey on her again. This claim, however, is not supported by any evidence in any ancient source and, in fact, Ovid’s account expressly says that Minerva cursed Medusa in order to punish her for her involvement in desecrating her temple, even though her involvement was totally nonconsensual. Furthermore, the context in which Ovid tells the story strongly suggests that he intended his readers to sympathize with Medusa and question the justice of Minerva’s punishment.

Why Are Dragons Obsessed with Treasure?

The trope that dragons are naturally obsessed or infatuated with treasure is absolutely pervasive throughout modern fantasy literature. You can pick up just about any modern book that has dragons in it and, more likely than not, the dragons will be obsessed with hoarding treasure of some kind. In this post, I will discuss where this trope originates from and how it became so ubiquitous.

In ancient Greece and Rome, drakontes (the ancient precursors of dragons) were primarily thought to serve as guardians, sometimes of treasure. The notion that dragons are obsessed with treasure seems to have arisen in classical antiquity or earlier as one of several different explanations for why they guard it. Thanks primarily to the Old English epic poem Beowulf and J. R. R. Tolkien’s 1937 children’s fantasy novel The Hobbit, which drew extensive inspiration from Beowulf, this explanation has now become accepted as standard in western popular culture.

What Powers Do Demigods Really Have in Greek Mythology?

The most prominent portrayal of demigods in recent years occurs in the American author Rick Riordan’s mythology-based middle-grade children’s books, which include the series Percy Jackson & the Olympians (published 2005 – 2009), The Heroes of Olympus (published 2010 – 2014), Magnus Chase and the Gods of Asgard (published 2015 – 2017), and The Trials of Apollo (published 2016 – 2020). Since Riordan’s books have an enormous fanbase and Percy Jackson & the Olympians is currently being developed into a new series for Disney+, I thought I would write this post in which I will explore how the portrayal of demigods and their powers in ancient Greek mythology and literature differs from the portrayal in Riordan’s novels.

Riordan’s novels portray demigods as having supernatural powers that correspond to specific aspects of the domains their divine parents preside over. The reality, though, is that, in actual ancient Greek and Roman sources, demigods do not typically possess any special powers or abilities that correspond in any way to the specific domain of their divine parent. Instead, what they typically inherit from their divine parent are more general exceptional qualities that correspond to the demigod in question’s gender more than their divine parentage.

Demigod men are typically said to display exceptional qualities that the Greeks and Romans considered inherently masculine, such as extraordinary physical strength and skill at fighting. Meanwhile, demigod women are typically said to display exceptional qualities that the Greeks and Romans considered inherently feminine. Notably, although both demigod men and women in general are said to possess extraordinary physical beauty, the sources tend to emphasize this aspect more for women than for men. Both demigod men and women are said in some cases to possess extraordinary cunning. By far the most important thing that makes demigods in the Greek tradition special, though, is that their divine parents look out for them and are willing to give them things they ask for.

The Ghost of Achilles on Snake Island

By this point, I imagine that most of my readers have probably already heard that, on 24 February 2022, the first day of Russia’s ongoing invasion of Ukraine, a pair of heavily armed Russian warships attacked Snake Island, a small Ukrainian island in the western Black Sea that was protected at the time by only thirteen Ukrainian border guards.

One of the Russian warships ordered the Ukrainian border guards to surrender and one of the Ukrainians replied: “Русский военный корабль, иди на хуй,” which means “Russian warship, go fuck yourself.” This reply has become famous around the world and has widely become seen as emblematic of Ukrainian defiance. It was initially reported that the border guards were all killed, but the Ukrainian military has now publicly confirmed in a post on Facebook that they are actually “alive and well” in Russian captivity.

One thing that many of my readers may not know is that Snake Island—the exact same island where all the events I have described above took place—was known to the Greeks in ancient times as Λευκή (Leukḗ), which means “White Island.” This island is prominent in Greek literature, mythology, and folklore, chiefly because the Greeks believed that Achilles’s mother, the immortal goddess Thetis, transposed his mortal remains, along with those of Patroklos, and interred them in a hero shrine on this island, making it their final resting place.

Several classicists have already written posts about Snake Island’s classical connections, including Mateusz Stróżyński in the online open-access journal Antigone, Peter Gainsford on his blog Kiwi Hellenist, and Christopher Stedman Parmenter on the Society for Classical Studies blog. All of these posts, though, overlook what are, in my personal opinion, the most fascinating stories about the island, which are told by the Greek sophist Philostratos of Athens (lived c. 170 – c. 250 CE) in his dialogue Heroïkos, chapters 54–57. According to Philostratos, the ghosts of Achilles and Helene of Sparta haunt the island together as lovers. (Yes, you read that right; I said Helene, not Patroklos.) The stories he tells about their hauntings on the island are simultaneously captivating and bizarre.

No, Cerberus’s Name Does Not Mean “Spot”

In Greek mythology, Cerberus—or, to use a spelling that is more faithful to the Greek pronunciation, Kerberos—is the ferocious, many-headed watchdog who guards the entrance to the underworld. Ancient Greek sources disagree on exactly how many heads he has. The Theogonia, a long narrative poem in dactylic hexameter composed by the poet Hesiodos of Askre in the late eighth or early seventh century BCE, says (in lines 308–312) that Kerberos has fifty heads. The later poet Pindaros of Thebes (lived c. 518 – c. 438 BCE) says in a fragment (F249a/b SM) that he has no less than one hundred heads. In Greek vase paintings, he is usually portrayed with either two or three heads. He is often also depicted with a serpent for a tail. From the fourth century BCE onward, though, three heads seem to have become the standard.

There is a popular meme that has been circulating on the internet for a long time claiming that the name Κέρβερος (Kérberos) actually means “Spot.” This is a cute story. How deliciously ironic it would be for a literal Hellhound to have such a normal dog name like “Spot”! Unfortunately, the story probably isn’t true. Kerberos’s name certainly does not mean “Spot” in Ancient Greek, and it probably doesn’t mean this in any language at all.

No, Santa Claus Is Not Inspired by Odin

I’ve spent a lot of time debunking the perennially popular misconception that modern Anglophone Christmas customs are of ancient “pagan” origin. My most thorough article on the subject remains this one I originally posted two years ago. One of the more popular claims associated with this misconception is that Santa Claus is actually somehow inspired by the “pagan” Norse god Óðinn, who is closely associated with wisdom, war, death, and the runic alphabet. I already debunked this claim in this article I posted two years ago about the history of Santa Claus, which I highly recommend reading, but I did so only briefly and I feel that this notion is so common that it deserves a more thorough rebuttal.

Jackson Crawford, who has a PhD in Old Norse studies, spent many years teaching the subject at various universities, and is now a professional public educator on the subject, posted a video on his YouTube channel last year explaining why Óðinn is not Santa Claus. Crawford’s video is excellent, but it is, for the most part, merely a simple comparison of Óðinn and Santa Claus and it does not take into account the history of Santa Claus. In this article, I intend to give this misconception the proper, in-depth refutation it deserves—one that fully takes into account Santa Claus’s complicated history.

The Shocking Ancient Pagan Origins of Halloween Monsters

I’ve written an awful lot about how, contrary to popular belief, there is extremely little about the way people celebrate holidays in the United States in the twenty-first century that can actually be historically traced back to ancient “paganism.” (See for, instance, this article I wrote in April 2017 about how there’s very little about modern Easter that is legitimately “pagan,” this article I wrote in December 2019 about how there’s very little about modern Christmas that is legitimately “pagan,” this article I wrote about the history of Santa Claus, this article I wrote in February 2020 about how there’s nothing “pagan” about Groundhog Day whatsoever, and this article I wrote in April 2020 about how Easter has nothing to do with the ancient Mesopotamian goddess Ishtar.)

Until now, I have not published any articles about whether Halloween has any connections to “paganism.” This is partly because I think Halloween’s connections to ancient pre-Christian belief systems are much more substantial and complex than Christmas or Easter’s (which are extremely minimal). Although Halloween itself is nominally a holiday of Christian origin, there is an awful lot about how we celebrate Halloween today that is demonstrably influenced by genuine, ancient “pagan” ideas.

In particular, the most famous monsters that are most closely associated with Halloween today—including ghosts, werewolves, revenants, and reanimated mummies—have real and well-attested origins in ancient, pre-Christian belief systems. The association of these monsters with Halloween is a relatively recent development, but the monsters themselves have origins that go way back. In this article, I will explore the ancient origins of the monsters I have just named, using ancient historical sources as evidence.