Zwarte Piet (whose name means “Black Pete” in Dutch) is a figure in the folklore of the Low Countries (i.e., the Netherlands, Belgium, and Luxembourg) who is said to accompany Saint Nicholas or Sinterklaas. In the weeks leading up to the feast day of Saint Nicholas, which is celebrated in the Netherlands on 5th December, he is traditionally portrayed by white actors or volunteers wearing blackface, along with thick red lipstick, a black wig of afro-textured hair, a large gold earring, and colorful faux-Renaissance-style clothing. These “Zwarte Pieten” traditionally take part in parades, entertain young children, and pass out cookie-like confectionaries known as pepernoten and kruidnoten.
Zwarte Piet has been a widely beloved figure among white people in the Low Countries for generations, but, for decades, some people (mostly people of color) have criticized the character as racist (because he is). Over the course of the past decade, and the past few years in particular, there has been something of a sea change, as a deracialized version of the character named Roetveegpiet (“Sooty Pete”), who wears light soot makeup instead of blackface, has eclipsed the traditional blackface version of the character in popularity.
Some white people have tried to defend the traditional Zwarte Piet by claiming that the character can’t be racist because he (supposedly) has no connection to the U.S. tradition of blackface minstrel shows. In this post, I intend to explore the real history of Zwarte Piet and demonstrate that the character does, in fact, owe very much to blackface minstrel shows and is, in fact, racist. Needless to say, readers should be forewarned that this post will discuss some truly deplorably racist material, including both historical and contemporary derogatory visual portrayals of Black people.
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