Was Cleopatra Really Hypersexual?

In popular culture, the Ptolemaic Egyptian queen Cleopatra VII Philopator is routinely portrayed as wildly hypersexual. If you’ve been on the internet lately, there’s a good chance you’ve heard a lot of crazy stories about how she supposedly threw wild sex orgies, had sex with over a hundred men in one night, had a vibrator that was powered by angry bees, and once offered to have sex with anyone who wanted it under the condition that they would be executed the next morning.

None of these stories have any kind of basis in the ancient sources, however. In fact, historically speaking, Cleopatra is only known for certain to have had sex with two men in her entire life: Julius Caesar and Marcus Antonius. The popular image of Cleopatra as an insatiable nymphomaniac is ultimately rooted in a vicious Roman propaganda campaign to discredit her, but modern authors, filmmakers, video game developers, and internet factoid-mongers have taken it to a whole new level.

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The Difference Between Mythology and Religion

There is an extremely popular belief that the term “mythology” refers to any religion that is no longer practiced. This belief seems to be especially popular among atheists. I’ve often heard atheists use the expression “Today’s religions are tomorrow’s mythologies.” This belief, however, is wrong. The terms “religion” and “mythology” refer to two completely different things. A religion does not turn into a mythology when it stops being practiced.

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Why Is Hollywood So Fixated on Cleopatra Anyway?

On 11 October 2020, it was officially announced that Gal Gadot, a white Israeli actress, had been cast to play the Hellenistic Egyptian queen Cleopatra VII Philopator in an upcoming epic period drama titled Cleopatra, which will be directed by Patty Jenkins and scripted by Laeta Kalogridis. This casting predictably set off outrage on social media over the fact that Cleopatra will not be portrayed by a Black actress.

I’ve already written an entire article in which I discuss Cleopatra’s ancestry and her appearance in great detail. In short, her ancestry was almost entirely Greek and her only known ancestor with non-Greek ancestry was her three times great-grandmother Kleopatra I of Syra, who was of mixed Greek, Persian, and Sogdian ancestry. There is one argument that people have tried to make that Cleopatra’s mother may have been a native Egyptian woman, but it is founded on multiple layers of wishful thinking and dubious assumptions and it is far more likely that her mother was Cleopatra V Tryphaina, her father’s only known wife, who was also his sister or his cousin.

In this article, though, I want to answer a different question: Why Cleopatra? Why is it that, out of three thousand some years of ancient Egyptian history, the only Egyptian queen that Hollywood is interested in making movies about is the one who was definitely of European ancestry? It’s clear that a very large section of the general public wants a movie about a native Egyptian queen portrayed by an actress of color. I say that, if that’s what people want, Hollywood should give that to them. Thankfully, there are plenty of native Egyptian queens and goddesses that Hollywood could potentially make movies about.

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Where Does the Myth of Medusa Come From?

Medusa is one of the most fascinating figures in classical mythology and one who bears a deep contemporary resonance. Indeed, just yesterday, it was announced that a controversial statue of her would be installed in Collect Pond Park in New York City. In order to understand this statue and the controversy surrounding it, we need to talk about the bizarre and fascinating history of how the Medusa myth has evolved over the past 2,800 years or so.

The story about Medusa that most people today are familiar with holds that she was once an extraordinarily beautiful mortal woman, but then she was raped by the god Poseidon in the temple of the goddess Athena. Athena was disgusted by the desecration of her temple, so she cursed Medusa, giving her snakes for hair and making it so that anyone who saw her face would be instantly turned to stone. Then, eventually, the hero Perseus came along and beheaded her.

This story, however, is actually radically different from the story the ancient Greeks were familiar with. In the oldest surviving sources for the Medusa myth, she is seemingly born a Gorgon with the ability to turn people to stone at a glance, she is never raped by Poseidon, and she is never cursed by Athena. Oh, and she apparently also had the four-legged lower body of a horse.

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Were Achilles and Patroklos Lovers?

In twenty-first-century adaptations of the story of the Trojan War, Achilles and Patroklos are often portrayed as gay lovers. This is how they are portrayed, for instance, in Madeline Miller’s novel The Song of Achilles (published in 2012) and in the BBC television series Troy: Fall of a City (released in 2018). Many people have wondered how faithful these portrayals are to the ancient sources. In other words, were Achilles and Patroklos really in a sexual relationship?

As it turns out, the debate over whether Achilles and Patroklos were lovers goes all the way back to antiquity. There are some surviving ancient sources that unambiguously portray them as lovers—but there are also ancient sources that explicitly deny that their relationship was ever sexual.

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Were the Ancient Greeks and Romans White?

Most people assume that everyone who lived in ancient Greece and Rome was white. This is a notion that has been continually reinforced through modern films and television shows. This is especially obvious in the egregiously historically inaccurate film 300, which portrays all the Greek characters as white and all the Persian characters as people of color. How accurate is this idea really, though? Were the Greeks and Romans really white? What does “whiteness” actually mean anyway?

I won’t deny that the majority of people who lived in Greece and Italy in ancient times would probably be considered white by most Americans if they were alive today. Nonetheless, the ancient Greeks and Romans certainly did not think of themselves as white and modern Greeks and Italians haven’t always been considered white either.

Furthermore, there were undoubtedly people whom we would consider Brown and Black present in ancient Greece and Rome from a very early date. These people almost certainly included famous ancient philosophers, writers, theologians, and even Roman emperors. In fact, people whom we would consider people of color probably made up a significant proportion of the total population of the Roman Empire, if not the majority.

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No, Liberals Don’t Hate the Humanities

An op-ed by Itxu Díaz published on the website of the American conservative magazine National Review on 19 September 2020 starts with the headline “Why Does the Left Hate the Humanities?” It’s a rather surprising headline considering the fact that conservatives have spent decades stereotyping the humanities as a useless field dominated by evil leftists.

The headline becomes a bit less surprising, though, when you realize that, by “the humanities,” Díaz is actually talking about something that might be better termed “white male heritage studies.” He isn’t advocating for people to study, say, Native American history, women’s studies, or queer literary theory; he’s advocating for people to study a handful of specific works of ancient Greek and Roman literature that are traditionally regarded as “classics” from a very traditionalist, heritage-focused perspective.

I am a currently a junior at Indiana University Bloomington pursuing a double major in history and classical studies. My main focus is in the study of ancient Greece. This means I have studied exactly the kind of material that Díaz thinks people should be studying. I agree with him that it is important for people to study the ancient Greeks and Romans. Unfortunately, I completely disagree with him about why and how these civilizations should be studied.

I don’t generally consider myself a “leftist.” Instead, I generally tend to think of myself as a liberal and a progressive. Nonetheless, I realize that, when Díaz complains about “leftists” who supposedly “hate the humanities,” he’s talking about people like me. Here is my response to what he has written.

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What Does the Genesis Creation Story Mean?

The first three chapters of the Book of Genesis have been studied, interpreted, reinterpreted, and misunderstood by people of diverse religious convictions for around 2,500 years. The stories recounted in these chapters have had an enormous impact on world religions, mythologies, literatures, and cultures. Most people think that they understand these stories. Nonetheless misconceptions abound—not just about what the text means, but also about who wrote it, what it actually says, what sources the text is based on, and how the text has historically been interpreted.

In this article, I want to take a deep dive into the first three chapters of the Book of Genesis, debunk some popular misconceptions, and hopefully do my part to help others understand these stories that have become so influential. This is going to be a bit of a long read, but, by the end of it, hopefully, you’ll know pretty much everything you wanted to know about the Genesis creation stories.

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Was Plato a Feminist?

The ancient Athenian philosopher Plato is one of the most renowned thinkers of all time. The association of his name with any idea seems to automatically lend that idea credibility. It is therefore little surprise that the claim that Plato was a feminist pops up both on the internet and in scholarly literature. Some authors have even tried to claim that Plato invented feminism. Since these claims seem to be so popular, let’s look into them and see how they stand up to the historical evidence.

For the purposes of this article, I will be using the first definition of the word feminism given in Merriam-Webster, which is: “the theory of the political, economic, and social equality of the sexes.” This is a definition that I think most feminists today would agree is accurate.

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How the Buddha Became a Beloved Christian Saint

It is generally well known that Christians don’t tend to hold favorable views towards the founders of other religions. At least historically, Christians have generally seen founders of non-Christian religions as heretics or false prophets. This is why, for instance, as I discuss in this article from June 2020, in his poem The Inferno, the Italian poet Dante Alighieri (lived c. 1265 – 1321) portrays Muhammad, the founder of Islam, being tortured in Hell with his torso split open from his chin to his anus and his guts spilling out, dangling between his legs.

For this reason, many people may be surprised to learn that Siddhārtha Gautama, the founder of Buddhism, has actually been honored as a saint in Christianity for well over a thousand years under the name Ioasaph, which is ultimately derived from the Sanskrit word bodhisattva. It’s a bizarre, fascinating story of religious cross-culturalism that demonstrates how surprisingly interconnected the cultures of the Old World were during the Middle Ages.

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