Classics Archives - Page 11 of 33 - Tales of Times Forgotten

Why Is Latin Considered a “Dead Language”?

When I tell someone that I’m studying Ancient Greek and Latin, it is very common for the person with whom I am speaking to react with surprise at the fact that it is even possible to study Latin. They often say things like, “I thought Latin was a dead language!” with the implication that they thought nobody knew how to speak or even read Latin and it was impossible for anybody to learn. I most commonly receive this reaction from people who are of my own generation, who have had little exposure to Latin.

These reactions clearly stem from a misunderstanding of what linguists and classicists mean when they say that Latin is a “dead language.” In this article, I would like to address what the term “dead language” really means, why it is applied to Latin, and why the use of this descriptor in many ways masks a more complicated reality.

A DNA Test Cannot Tell You Your Ancient Ancestors

For many years now, companies like Ancestry and 23andMe have been selling DNA tests that they claim can tell people where their ancestors came from. Their tests have become quite popular, despite the fact that they often present results in misleading ways that appeal to popular racist ideas about “blood quantum.” Now, some companies are trying to convince people that they can use DNA tests to trace a modern person’s genetic ancestry back to specific ancient cultures.

One such company calls itself “My True Ancestry.” This company does not conduct DNA tests of its own, but allows users to upload their DNA test results from other companies so that their software can automatically compare their genomes to those sequenced from ancient remains. The software then generates a pie chart showing what percentage of a person’s DNA supposedly comes from each ancient culture. This company, however, and others like it, are blatantly misrepresenting both how genetics works and what ancient populations were like.

Sparta Was Not a Paradise for Women

It is extremely common for people who write about ancient history on the internet to claim that ancient Sparta was, by ancient Greek standards, a paradise for women. I’m frankly sick and tired of this narrative because it is, in many ways, deeply misinformed. It is, of course, dangerous to overgeneralize, but I would argue that a randomly selected woman of unspecified social status in Athens would actually be far more likely to be happy than a similarly selected woman in Sparta.

It’s true that Spartiate women (i.e., women who belonged to the Spartan citizen class) generally had more freedom and privileges than women of the citizen class in most other Greek poleis (i.e., city-states). Nonetheless, life for Spartiate women wasn’t nearly as good as it is often made to sound. Their rights were still severely limited and the rights that Spartiate women had that women in other Greek poleis lacked were actually fairly normal for women in other ancient civilizations, such as Egypt and Rome.

Furthermore, the popular discourse around Sparta almost always completely omits mention of the fact that the overwhelming majority of all women in Sparta were enslaved helots, for whom life was almost certainly an absolute living Hell. While all Greek poleis had enslaved people, in Sparta, they made up a vastly larger share of the overall population than in any other polis and they were notoriously ill-treated, even by ancient Greek standards. Helot women were forced to do an overwhelming amount of manual labor, they lived in constant fear of being whipped or murdered by the krypteia, they were kept perpetually starving and malnourished, people they loved were constantly dying, and many of them were regularly being raped.

How Have Works of Greek Drama Survived?

It is widely known that the vast majority of all works of ancient drama have been lost forever. We have record of literally hundreds of playwrights who wrote plays in the Greek language in ancient times, but only five of these playwrights have any plays that have survived to the present day complete or nearly complete under their own names. Three of these playwrights were tragedians: Aischylos, Sophokles, and Euripides. The other two playwrights—Aristophanes, and Menandros—were both comedians. All five were Athenian citizen men who lived in the fifth and fourth centuries BCE.

Many people who do not have any degrees in classics have heard these authors’ names and maybe even read some of their plays in translation, but very few people who do not have degrees in classics know how and why any of these authors’ works have survived to the present day when so many other works of ancient Greek drama have been lost.

Peter Singer’s Extraordinarily Bad Take on Apuleius

On 30 May 2021, the online open classics journal Antigone published a piece written by the Australian moral philosopher Peter Singer about the ancient Roman novel The Golden Ass, which was originally written in Latin in the late second century CE by the North African writer Lucius Apuleius Madaurensis (lived c. 124 – c. 170 CE). Antigone promoted the article on their Twitter account. Their announcement begins with the words: “Today we are delighted to share an article by Peter Singer, renowned philosopher and animal rights advocate…”

Antigone’s publication and promotion of Singer’s article immediately sparked backlash over the fact that Singer has spent the past three and a half decades publicly advocating that infants who have observable physical disabilities at birth should be killed. He even co-authored and published an entire book in 1985 titled Should the Baby Live?: The Problem of Handicapped Infants, in which he advocated this.

Many classicists, myself included, feel that Antigone should not have published Singer’s article about Apuleius because, even though the article itself did not discuss infanticide, he is not the sort of person that they should be platforming. Even beyond this, though, Singer’s take on The Golden Ass is so extraordinarily bad that, even if he didn’t have a long history of advocating infanticide, no classics journal should have published it.

Tucker Carlson Is Using Controversy about Literature Classes to Promote Fascism

There is something of a culture war going on right now over which books students should be assigned to read in literature classes. I’ve been meaning to write an article on this subject for over six months now, but, until now, I haven’t had time. Sadly, I’ve been so insanely busy with the many other things going on in my life that I haven’t had much time for researching and writing articles lately. Now, however, recent events have compelled me to write an article about a different aspect of the controversy than I originally planned.

Many of my readers are probably already aware of Tucker Carlson. He is a far-right political commentator who has a long and well-documented history of promoting white supremacist, fascist, misogynist, and xenophobic ideas. He has his own show on Fox News called Tucker Carlson Tonight and, on 14 May 2021, he did an entire segment about the literature class controversy titled “Classic literature out. Sexual propaganda in.”

In this segment, Carlson first protests the removal of works that he considers “classic literature” from English syllabi and then pretends to be absolutely scandalized by the reading of explicit passages in young adult novels that have been approved for students to read in one public school in Loudoun County, Virginia. Carlson frames the controversy using a standard fascist narrative that misrepresents the issues and ignores many demonstrable facts, including the fact that many works of so-called “classic literature,” including many works that are often read in schools, are just as sexually explicit as the works he protests against—or, in some cases, even more explicit.

Elon Musk Declares Himself “Imperator”?

On 12 April 2021, Elon Musk, the CEO of Tesla and SpaceX, who currently has a net worth of approximately $175 billion, changed his Twitter bio to say “Technoking of Tesla, Imperator of Mars.” This change immediately sparked headlines in Newsweek, NDTV, and dozens of other news outlets. Ordinarily, one person—even an ultra-wealthy CEO—changing their Twitter bio probably wouldn’t make the news. Elon Musk, however, has a massive cult following of adoring fans who, for the most part, wholeheartedly believe that he is a brilliant, forward-thinking, polymathic genius who is single-handedly ushering in a new era of technology and freedom. Thus, everything he does automatically attracts attention.

I’m sure that some of Musk’s fans are reading this. I hope they will forgive me for the fact that I am not one of them. Indeed, I think that Musk has risen to where he is to a large extent through exploitation, that he isn’t nearly as personally brilliant as most of his fans think he is, that he has an obnoxious personal ego the size of the planet Jupiter, and that he is generally a rather odious person. I do, however, want to talk about Musk’s updated Twitter bio because I think it reveals a lot of startling things about how Musk thinks of himself and his position in the world.

Monte Testaccio: A Literal Mountain of Ancient Roman Trash

A lot of people nowadays are talking about how plastic takes thousands of years to decompose and our landfills will therefore still be full of plastic thousands of years from now. It is, however, important to note that massive landfills filled with waste that takes thousands of years to decompose is not an exclusively modern problem. People in the ancient world commonly used ceramics for storing, transporting, cooking, and eating.

Like plastic, ceramic takes many thousands of years to decompose. As a result, pieces of ceramic dating back thousands of years are present at pretty much any ancient site. In fact, one of the most common methods used to archaeologists to determine the date of a particular site is analysis of the style of the pottery found at that site. Ancient people used and threw away so much pottery that there is at least one mountain made entirely of ancient pottery.

Here’s the Meaning of the Symbolism in Lil Nas X’s Controversial New Music Video

Until last Sunday, I honestly had no idea who Lil Nas X was. I don’t really follow music in general and I honestly know especially little about rap in particular. Then, while we were driving back to Bloomington after visiting our parents for Easter, my sister mentioned to me that Lil Nas X is a rapper, that he wrote a song about being gay—which I later learned is titled “Montero (Call Me By Your Name)”—and that the music video for it includes a scene of him riding a stripper pole down to Hell and giving Satan a lap dance. She explained that religious conservatives were having a huge moral panic over this music video because they think it glorifies homosexuality and Satanism.

Having heard this, I naturally decided to look up the music video for myself to see what all the fuss was about. I have to say that, for a three-minute clip that involves the main character riding a stripper pole to Hell and giving Satan a lap dance, the music video is remarkably intellectually sophisticated. The people who worked on this video clearly did a ton of research. As soon as I watched it, I was genuinely impressed by the sheer number of classical and Biblical allusions that they managed to cram in.

It incorporates specific references to works of ancient Greek and Roman art, the Bible, Greek mythology, works of Greek philosophy, and John Milton’s Paradise Lost. They even managed to include an exact, direct quote from Plato’s Symposion in the original Classical Attic Greek! Here’s a detailed explanation of the music video’s classical and Biblical symbolism.

Jordan Peterson Does Not Understand Mythology

In case you’ve had the extraordinary good fortune of having never heard of him, Jordan B. Peterson is a professor of psychology at the University of Toronto. He largely rose to fame in 2016 over his vocal opposition to an act passed by the Parliament of Canada to prohibit discrimination on the basis of “gender identity and expression.” Since then, Peterson has developed an enormous cult following as a self-help author and YouTube personality. His followers generally tend to be young, heterosexual, cisgender men who come from middle-class backgrounds and have conservative political leanings.

Peterson calls himself a “classical British liberal” and a “traditionalist”—both terms that are commonly used as euphemistic self-descriptors by members of the far right. As we shall see shortly, he has publicly promoted various misogynistic, transphobic, and white supremacist claims. Much of what Peterson has written and said has already been thoroughly analyzed and debunked. In this article, however, I want to especially focus on an aspect of Peterson’s work and activism that I don’t think has been adequately addressed: his interpretation of mythology.

Peterson has made the psychoanalytic interpretation of myths into a major backbone of his work. Peterson’s first book, Maps of Meaning: The Architecture of Belief, which was first published in 1999, talks about mythology extensively, and he routinely uses mythical examples in his lecture videos and in his 2018 book 12 Rules for Life: An Antidote to Chaos. This is all in spite of the fact that he clearly does not understand mythology and much of what he says on the subject is incorrect.