The Real Origin of the Nazi Salute

In the 1920s, 30s, and 40s, the National Fascist Party (i.e., the PNF) in Italy and the National Socialist German Workers’ Party (i.e., the NSDAP or Nazi Party) in Germany both used a salute that consisted of a straight, rigid arm raised into the air above the shoulders with the hand parallel to the rest of the arm and the palm facing toward the ground. The Italian Fascists and the German Nazis both believed that this salute originated with the ancient Romans and tried to use the salute’s supposed Roman origins in order to bolster their own prestige and portray themselves as continuing the Roman legacy. Various modern-day fascists and Neo-Nazis have tried to do the same thing.

There is, however, no evidence that anyone in ancient Rome ever used the form of the straight-arm salute that was used by the Italian Fascists and German Nazis. The true origins of the Nazi salute are far more strange. The salute’s traceable history begins with a late eighteenth-century French Neoclassical painter. Over the course of the late nineteenth and early twentieth centuries, it became incorporated into numerous stage plays and films set in ancient Rome, leading the Italian Fascists to adopt it, believing that it was Roman. The Nazis, in turn, adopted it from the Italian Fascists.

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No, “Edelweiss” Is Not an Austrian Folk Song or a Nazi Song

There are a lot of popular misconceptions about the song “Edelweiss.” Many people think it is an age-old Austrian folk song. Many people even think that it is the national anthem of Austria. Other people have gotten the bizarre impression that it was composed as a Nazi song or even that it was the national anthem of Nazi Germany.

In reality, the song “Edelweiss” was composed by the American composing duo Oscar Hammerstein II and Richard Rodgers as an original song for the 1959 musical The Sound of Music. Although Hammerstein and Rodgers were trying to imitate the overall genre of folk music, they did not base their song on any preexisting lyrics or melody.

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