Ancient Greece Archives - Page 9 of 25 - Tales of Times Forgotten

Pamphile of Epidauros: A Female Ancient Greek Historian

Nearly all the historical writings that have survived from ancient Greece and Rome were written by men. Women’s voices in the historical record are few and far between. We do, however, know that there was, in fact, an extraordinarily prolific female ancient Greek historian named Pamphile of Epidauros, who lived in Greece in around the middle of the first century CE, when Greece was ruled by the Roman Empire.

Pamphile is known to have written a lengthy compilation of interesting historical anecdotes derived from various sources titled Historical Commentaries, an epitome of the writings of the historian Ktesias of Knidos (fl. c. 400 BCE), a work titled On Controversies that seems to have been perhaps a collection of essays on controversial topics, and a work titled On Sexual Pleasures, which seems to have been a sex manual. Sadly, everything or almost everything she wrote has been lost.

Pamphile is a truly monumental figure in the history of Greek historiography, not only because she is the only female ancient Greek historian about whom we have any significant information, but also because she seems to have been an especially important author in the development of the genre of “miscellaneous history,” which focused on retelling interesting anecdotes from earlier authors and became very popular in the Roman Empire during the second and third centuries CE.

Ancient Greek Men Were Not All Buff

One of the most common misconceptions I have encountered about the ancient Greeks is the notion that ancient Greek men were all incredibly buff, muscle-bound bodybuilders. This misconception seems to arise from the naïve assumption that ancient Greek statues depict how average ancient Greek men really looked, perhaps also influenced by the similarly naïve assumption that the 2007 epic fantasy action film 300, written and directed by Zack Snyder, is a historically accurate depiction of ancient Greece.

The reality is that there was never a time when the majority of Greek men really looked like the physical specimens portrayed in Archaic and Classical Greek sculptures. These sculptures represent what upper-class Greek people regarded as physically ideal, not what the average Greek person actually looked like.

Why Did the Patriarchal Greeks and Romans Worship Such Powerful Goddesses?

It is widely known that the ancient Greeks and Romans worshipped many powerful goddesses, whom they held in extremely high regard. At the same time, it is also widely known that ancient Greek and Roman societies were deeply patriarchal. Misogyny and machismo were rampant among men of all social classes. Women’s lives were, in general, strictly socially controlled and women were excluded from holding most official positions of power.

As a result of this, one of the most common questions people have asked me about classical mythology is how the Greeks and Romans were able to accommodate such powerful goddesses within their respective pantheons while simultaneously denigrating human women. In this essay, I will try to answer this question to the best of my ability. I will give several different plausible explanations in the hope that some of them, or the combination of all of them, may be satisfactory.

Why Is Latin Considered a “Dead Language”?

When I tell someone that I’m studying Ancient Greek and Latin, it is very common for the person with whom I am speaking to react with surprise at the fact that it is even possible to study Latin. They often say things like, “I thought Latin was a dead language!” with the implication that they thought nobody knew how to speak or even read Latin and it was impossible for anybody to learn. I most commonly receive this reaction from people who are of my own generation, who have had little exposure to Latin.

These reactions clearly stem from a misunderstanding of what linguists and classicists mean when they say that Latin is a “dead language.” In this article, I would like to address what the term “dead language” really means, why it is applied to Latin, and why the use of this descriptor in many ways masks a more complicated reality.

A DNA Test Cannot Tell You Your Ancient Ancestors

For many years now, companies like Ancestry and 23andMe have been selling DNA tests that they claim can tell people where their ancestors came from. Their tests have become quite popular, despite the fact that they often present results in misleading ways that appeal to popular racist ideas about “blood quantum.” Now, some companies are trying to convince people that they can use DNA tests to trace a modern person’s genetic ancestry back to specific ancient cultures.

One such company calls itself “My True Ancestry.” This company does not conduct DNA tests of its own, but allows users to upload their DNA test results from other companies so that their software can automatically compare their genomes to those sequenced from ancient remains. The software then generates a pie chart showing what percentage of a person’s DNA supposedly comes from each ancient culture. This company, however, and others like it, are blatantly misrepresenting both how genetics works and what ancient populations were like.

Sparta Was Not a Paradise for Women

It is extremely common for people who write about ancient history on the internet to claim that ancient Sparta was, by ancient Greek standards, a paradise for women. I’m frankly sick and tired of this narrative because it is, in many ways, deeply misinformed. It is, of course, dangerous to overgeneralize, but I would argue that a randomly selected woman of unspecified social status in Athens would actually be far more likely to be happy than a similarly selected woman in Sparta.

It’s true that Spartiate women (i.e., women who belonged to the Spartan citizen class) generally had more freedom and privileges than women of the citizen class in most other Greek poleis (i.e., city-states). Nonetheless, life for Spartiate women wasn’t nearly as good as it is often made to sound. Their rights were still severely limited and the rights that Spartiate women had that women in other Greek poleis lacked were actually fairly normal for women in other ancient civilizations, such as Egypt and Rome.

Furthermore, the popular discourse around Sparta almost always completely omits mention of the fact that the overwhelming majority of all women in Sparta were enslaved helots, for whom life was almost certainly an absolute living Hell. While all Greek poleis had enslaved people, in Sparta, they made up a vastly larger share of the overall population than in any other polis and they were notoriously ill-treated, even by ancient Greek standards. Helot women were forced to do an overwhelming amount of manual labor, they lived in constant fear of being whipped or murdered by the krypteia, they were kept perpetually starving and malnourished, people they loved were constantly dying, and many of them were regularly being raped.

How Have Works of Greek Drama Survived?

It is widely known that the vast majority of all works of ancient drama have been lost forever. We have record of literally hundreds of playwrights who wrote plays in the Greek language in ancient times, but only five of these playwrights have any plays that have survived to the present day complete or nearly complete under their own names. Three of these playwrights were tragedians: Aischylos, Sophokles, and Euripides. The other two playwrights—Aristophanes, and Menandros—were both comedians. All five were Athenian citizen men who lived in the fifth and fourth centuries BCE.

Many people who do not have any degrees in classics have heard these authors’ names and maybe even read some of their plays in translation, but very few people who do not have degrees in classics know how and why any of these authors’ works have survived to the present day when so many other works of ancient Greek drama have been lost.

Here’s the Meaning of the Symbolism in Lil Nas X’s Controversial New Music Video

Until last Sunday, I honestly had no idea who Lil Nas X was. I don’t really follow music in general and I honestly know especially little about rap in particular. Then, while we were driving back to Bloomington after visiting our parents for Easter, my sister mentioned to me that Lil Nas X is a rapper, that he wrote a song about being gay—which I later learned is titled “Montero (Call Me By Your Name)”—and that the music video for it includes a scene of him riding a stripper pole down to Hell and giving Satan a lap dance. She explained that religious conservatives were having a huge moral panic over this music video because they think it glorifies homosexuality and Satanism.

Having heard this, I naturally decided to look up the music video for myself to see what all the fuss was about. I have to say that, for a three-minute clip that involves the main character riding a stripper pole to Hell and giving Satan a lap dance, the music video is remarkably intellectually sophisticated. The people who worked on this video clearly did a ton of research. As soon as I watched it, I was genuinely impressed by the sheer number of classical and Biblical allusions that they managed to cram in.

It incorporates specific references to works of ancient Greek and Roman art, the Bible, Greek mythology, works of Greek philosophy, and John Milton’s Paradise Lost. They even managed to include an exact, direct quote from Plato’s Symposion in the original Classical Attic Greek! Here’s a detailed explanation of the music video’s classical and Biblical symbolism.

Jordan Peterson Does Not Understand Mythology

In case you’ve had the extraordinary good fortune of having never heard of him, Jordan B. Peterson is a professor of psychology at the University of Toronto. He largely rose to fame in 2016 over his vocal opposition to an act passed by the Parliament of Canada to prohibit discrimination on the basis of “gender identity and expression.” Since then, Peterson has developed an enormous cult following as a self-help author and YouTube personality. His followers generally tend to be young, heterosexual, cisgender men who come from middle-class backgrounds and have conservative political leanings.

Peterson calls himself a “classical British liberal” and a “traditionalist”—both terms that are commonly used as euphemistic self-descriptors by members of the far right. As we shall see shortly, he has publicly promoted various misogynistic, transphobic, and white supremacist claims. Much of what Peterson has written and said has already been thoroughly analyzed and debunked. In this article, however, I want to especially focus on an aspect of Peterson’s work and activism that I don’t think has been adequately addressed: his interpretation of mythology.

Peterson has made the psychoanalytic interpretation of myths into a major backbone of his work. Peterson’s first book, Maps of Meaning: The Architecture of Belief, which was first published in 1999, talks about mythology extensively, and he routinely uses mythical examples in his lecture videos and in his 2018 book 12 Rules for Life: An Antidote to Chaos. This is all in spite of the fact that he clearly does not understand mythology and much of what he says on the subject is incorrect.

Did Pythagoras Study Philosophy in Egypt?

Pythagoras of Samos (lived c. 570 – 495 BCE) is undoubtedly among the most famous of all ancient Greek philosophers. Unfortunately, extremely little can be said about him historically with any degree of certainty. As far as we know, Pythagoras never wrote anything himself and the only contemporary references to him come from the meagre fragments that have survived from the originally much more voluminous writings of his contemporaries. These sources are enough to establish that he was almost certainly a real person, but his life is almost completely obscure.

The later sources about Pythagoras that provide most of our information about him are filled with all kinds of unreliable legends. As I discuss in this article from March 2018, although most people today believe that Pythagoras was a mathematician, the earliest sources about his life actually portray him as more of a mystic sage. It’s only in later sources that he starts to be portrayed as having done anything involving math. The theorem that now bears his name isn’t even attributed to him in any written source until many centuries after his death.

In this article, I want to talk about one of the most famous stories about Pythagoras’s life: the story that he travelled to Egypt, learned about religion and philosophy from the Egyptian priests, and then introduced Egyptian religious ideas to the Greeks. This is a story that is attested in some ancient sources and that has become very prominent in popular discourse about Pythagoras—but is it historically correct?