Greek mythology Archives - Page 3 of 6 - Tales of Times Forgotten

No, Archaeologists Have Not Found the Trojan Horse

On 10 August 2021, the website Greek Reporter published an article written by a contributor named Philip Chrysopoulos titled “Archaeologists Claim They’ve Discovered the Trojan Horse in Turkey.” The article claims that archaeologists have discovered the remains of a wooden structure inside the ancient city of Troy that they think is the actual Trojan horse. On the same day, The Jerusalem Post copied Greek Reporter’s story, publishing their own article titled “Did archaeologists find the Trojan horse?” that cites the Greek Reporter article as its only source.

The problem is that the whole story is a steaming pile of horse manure. The Greek Reporter article contains obvious signs that it is a deliberate hoax written in order to attract views in order to drive up ad revenues. By publishing this ridiculous, easily debunked story, Greek Reporter and The Jerusalem Post are both showing that, at the very best, they do not conduct even the most basic fact-checking or source verification and that they are not trustworthy news sites.

Why Did the Patriarchal Greeks and Romans Worship Such Powerful Goddesses?

It is widely known that the ancient Greeks and Romans worshipped many powerful goddesses, whom they held in extremely high regard. At the same time, it is also widely known that ancient Greek and Roman societies were deeply patriarchal. Misogyny and machismo were rampant among men of all social classes. Women’s lives were, in general, strictly socially controlled and women were excluded from holding most official positions of power.

As a result of this, one of the most common questions people have asked me about classical mythology is how the Greeks and Romans were able to accommodate such powerful goddesses within their respective pantheons while simultaneously denigrating human women. In this essay, I will try to answer this question to the best of my ability. I will give several different plausible explanations in the hope that some of them, or the combination of all of them, may be satisfactory.

Here’s the Meaning of the Symbolism in Lil Nas X’s Controversial New Music Video

Until last Sunday, I honestly had no idea who Lil Nas X was. I don’t really follow music in general and I honestly know especially little about rap in particular. Then, while we were driving back to Bloomington after visiting our parents for Easter, my sister mentioned to me that Lil Nas X is a rapper, that he wrote a song about being gay—which I later learned is titled “Montero (Call Me By Your Name)”—and that the music video for it includes a scene of him riding a stripper pole down to Hell and giving Satan a lap dance. She explained that religious conservatives were having a huge moral panic over this music video because they think it glorifies homosexuality and Satanism.

Having heard this, I naturally decided to look up the music video for myself to see what all the fuss was about. I have to say that, for a three-minute clip that involves the main character riding a stripper pole to Hell and giving Satan a lap dance, the music video is remarkably intellectually sophisticated. The people who worked on this video clearly did a ton of research. As soon as I watched it, I was genuinely impressed by the sheer number of classical and Biblical allusions that they managed to cram in.

It incorporates specific references to works of ancient Greek and Roman art, the Bible, Greek mythology, works of Greek philosophy, and John Milton’s Paradise Lost. They even managed to include an exact, direct quote from Plato’s Symposion in the original Classical Attic Greek! Here’s a detailed explanation of the music video’s classical and Biblical symbolism.

Jordan Peterson Does Not Understand Mythology

In case you’ve had the extraordinary good fortune of having never heard of him, Jordan B. Peterson is a professor of psychology at the University of Toronto. He largely rose to fame in 2016 over his vocal opposition to an act passed by the Parliament of Canada to prohibit discrimination on the basis of “gender identity and expression.” Since then, Peterson has developed an enormous cult following as a self-help author and YouTube personality. His followers generally tend to be young, heterosexual, cisgender men who come from middle-class backgrounds and have conservative political leanings.

Peterson calls himself a “classical British liberal” and a “traditionalist”—both terms that are commonly used as euphemistic self-descriptors by members of the far right. As we shall see shortly, he has publicly promoted various misogynistic, transphobic, and white supremacist claims. Much of what Peterson has written and said has already been thoroughly analyzed and debunked. In this article, however, I want to especially focus on an aspect of Peterson’s work and activism that I don’t think has been adequately addressed: his interpretation of mythology.

Peterson has made the psychoanalytic interpretation of myths into a major backbone of his work. Peterson’s first book, Maps of Meaning: The Architecture of Belief, which was first published in 1999, talks about mythology extensively, and he routinely uses mythical examples in his lecture videos and in his 2018 book 12 Rules for Life: An Antidote to Chaos. This is all in spite of the fact that he clearly does not understand mythology and much of what he says on the subject is incorrect.

Did the Dorian Invasion Really Happen?

If you read any book about ancient Greek history written before the 1970s, there’s one event that will probably be discussed at length that any book about Greek history written after the 2000s will probably tell you never even happened at all. The event I’m talking about is, of course, the so-called “Dorian invasion.” The story goes that, in around the twelfth century BCE, a warrior people from the north known as the Dorians invaded mainland Greece and conquered large areas of it, replacing the peoples who had been there before and eventually becoming the ancestors of many Greeks, including the Spartans.

This narrative of the Dorian invasion was largely cobbled together in the nineteenth century by German philologists using vague and contradictory tales recorded in various ancient Greek sources as evidence in order to explain the distribution of Classical Greek dialects. In the twentieth century, white supremacists and Nazis exploited the narrative in order to portray northern Europeans as the true Greeks while denying the Greekness of actual Greek people. In the mid-twentieth century, however, scholars began to question the evidence supporting the narrative and, by the end of the twentieth century, most scholars came to accept that the Dorian invasion was a figment of the scholarly imagination.

The “Hero’s Journey” Is Nonsense

In 1949, an American author named Joseph Campbell published a book titled The Hero with a Thousand Faces, in which he claims that, fundamentally, all the great stories that human beings have ever told follow the exact same pattern, which is innate in the human consciousness and therefore present in every culture during every time period. In his book, he usually refers to this supposed pattern as “the monomyth” or “the hero’s journey.”

Campbell’s theories have now become thoroughly entrenched as orthodoxy in high school English literature classes all over the English-speaking world. Whenever teachers introduce students to mythology, the first thing they usually talk about is Joseph Campbell and the so-called “hero’s journey.”

Many people will be shocked, however, to learn that academic folklorists and scholars of ancient literature almost universally reject Campbell’s theories as nonsense—and for good reason. Campbell’s outline of the “hero’s journey” is so hopelessly vague that it is essentially useless for analyzing stories across cultures. It also displays ethnocentric, sexist, heteronormative, and cisnormative biases and it encourages people to ignore the ways in which stories are fundamentally shaped by the cultures and time periods in which they are produced.

The Difference Between Mythology and Religion

There is an extremely popular belief that the term “mythology” refers to any religion that is no longer practiced. This belief seems to be especially popular among atheists. I’ve often heard atheists use the expression “Today’s religions are tomorrow’s mythologies.” This belief, however, is wrong. The terms “religion” and “mythology” refer to two completely different things. A religion does not turn into a mythology when it stops being practiced.

Where Does the Myth of Medusa Come From?

Medusa is one of the most fascinating figures in classical mythology and one who bears a deep contemporary resonance. Indeed, just yesterday, it was announced that a controversial statue of her would be installed in Collect Pond Park in New York City. In order to understand this statue and the controversy surrounding it, we need to talk about the bizarre and fascinating history of how the Medusa myth has evolved over the past 2,800 years or so.

The story about Medusa that most people today are familiar with holds that she was once an extraordinarily beautiful mortal woman, but then she was raped by the god Poseidon in the temple of the goddess Athena. Athena was disgusted by the desecration of her temple, so she cursed Medusa, giving her snakes for hair and making it so that anyone who saw her face would be instantly turned to stone. Then, eventually, the hero Perseus came along and beheaded her.

This story, however, is actually radically different from the story the ancient Greeks were familiar with. In the oldest surviving sources for the Medusa myth, she is seemingly born a Gorgon with the ability to turn people to stone at a glance, she is never raped by Poseidon, and she is never cursed by Athena. Oh, and she apparently also had the four-legged lower body of a horse.

Were Achilles and Patroklos Lovers?

In twenty-first-century adaptations of the story of the Trojan War, Achilles and Patroklos are often portrayed as gay lovers. This is how they are portrayed, for instance, in Madeline Miller’s novel The Song of Achilles (published in 2012) and in the BBC television series Troy: Fall of a City (released in 2018). Many people have wondered how faithful these portrayals are to the ancient sources. In other words, were Achilles and Patroklos really in a sexual relationship?

As it turns out, the debate over whether Achilles and Patroklos were lovers goes all the way back to antiquity. There are some surviving ancient sources that unambiguously portray them as lovers—but there are also ancient sources that explicitly deny that their relationship was ever sexual.

Were the Ancient Greeks and Romans White?

Most people assume that everyone who lived in ancient Greece and Rome was white. This is a notion that has been continually reinforced through modern films and television shows. This is especially obvious in the egregiously historically inaccurate film 300, which portrays all the Greek characters as white and all the Persian characters as people of color. How accurate is this idea really, though? Were the Greeks and Romans really white? What does “whiteness” actually mean anyway?

I won’t deny that the majority of people who lived in Greece and Italy in ancient times would probably be considered white by most Americans if they were alive today. Nonetheless, the ancient Greeks and Romans certainly did not think of themselves as white and modern Greeks and Italians haven’t always been considered white either.

Furthermore, there were undoubtedly people whom we would consider Brown and Black present in ancient Greece and Rome from a very early date. These people almost certainly included famous ancient philosophers, writers, theologians, and even Roman emperors. In fact, people whom we would consider people of color probably made up a significant proportion of the total population of the Roman Empire, if not the majority.