classics Archives - Page 3 of 16 - Tales of Times Forgotten

The Shocking True Origin of Dionysos

The ancient Greeks from at least the fifth century BCE onward commonly believed that the worship of the god Dionysos originated in Asia and was introduced to the Greek world relatively late. For most of the twentieth century, scholars simply accepted this belief at face value and deemed the elements of Dionysos’s cult that they perceived as strange and exotic as definitive marks of his cult’s eastern origin. If you pick up any book about Greek religion that was published before around 1960, it will almost certainly claim that Dionysos was a late addition to the Greek pantheon. Even today, people online still commonly repeat this claim as though it were fact.

For at least the past thirty years, though, scholars of ancient Greek religion have known for certain that Dionysos was not, in fact, a late entry to the Greek pantheon from the east at all. Instead, extremely ancient clay tablets written in a very early form of Greek definitively attest that the Greeks were already worshipping Dionysos as early as the fourteenth century BCE—a thousand years before Plato was even born. In light of this fact, the fact that the ancient Greeks believed that Dionysos was a recent addition to their pantheon takes on new meaning and potentially reveals much about how the Greeks thought about foreignness.

At What Age Did Ancient Greek Women Typically Marry?

It is well and widely known that ancient Greek parents typically compelled their daughters to marry at a shockingly young age, one at which they would legally be considered minors in most countries in the twenty-first century. Greek men, by contrast, typically married much older, usually when they were in their late twenties or thirties. As a result, the groom at an ancient Greek wedding was usually at least a decade older than the bride he was marrying—and in many cases much older than that.

Unmarried girls were effectively considered their father’s property. Marriages were usually arranged primarily between a girl’s father and her male suitor. The extent to which a father allowed his daughter to decide which man she would marry probably varied significantly depending on factors such as time period, region, and the specific father in question’s personality and attitudes; in some cases, girls probably had significant say over which man they married, but it is likely that, in other cases, they had little or no say.

Exactly how young did ancient Greek women really marry, though? Popular histories and even many academics routinely assert as fact that Greek parents typically forced their daughters to marry as soon as they began puberty, before they even turned fifteen. In this post, however, I will argue that this is based mainly on one literary passage describing a bride who was probably unusually young and was not typical for most city-states. Instead, a more comprehensive view of the evidence suggests that Greek girls actually most commonly married when they were a bit older, broadly between the ages of fourteen and nineteen. The ages at which girls married also varied significantly across regions; ancient authors record that, in certain parts of the Greek world, girls typically married significantly younger or older than they did in other parts.

What Was the “Epic Cycle” Really?

If you’re at all familiar with early ancient Greek literature, there’s a very strong likelihood that you’ve heard at some point that some ancient authors considered the Iliad and the Odyssey to belong to something called the “Epic Cycle.” This term refers to a particular group of eight epic poems in dactylic hexameter verse that originated from oral tradition during the Greek Archaic Period (lasted c. 800 – c. 490 BCE) and that all tell stories about the Trojan War and the mortal heroes who are said to have fought in it.

The poems that are included in the Epic Cycle are, in narrative order of the events they describe: the Kypria, the Iliad, the Aithiopis, the Little Iliad, the Iliou Persis or Sack of Ilion, the Nostoi or Homecomings, the Odyssey, and the Telegoneia. Sadly, of these poems, only the Iliad and the Odyssey have survived to the present day complete. Only a few tiny fragments of the other epics, preserved through quotation by later authors, and prose summaries of their contents remain.

Unfortunately, very few explanations of the Epic Cycle for a general audience exist and the vast majority of the ones that do exist are misleading and written by non-classicists. As a result, most people who are not classics specialists aren’t aware that it existed and most of those who are aware have some serious misunderstandings about what it was. That is why, in this post, I am going to discuss what the Epic Cycle was and—just as importantly—what it wasn’t. For the purposes of this post, I will assume that my readers have some basic knowledge about Greek myths of the Trojan War and at least a vague awareness of the Iliad and the Odyssey, but I will not assume that they have any familiarity with Greek literature, philology, or history beyond this.

How Likely Is It That Scholars Will Find More of Sappho’s Lost Poems?

Sappho (lived c. 630 – c. 570 BCE) was a female early Greek lyric poet who flourished on the island of Lesbos, located just off the west coast of Asia Minor, and composed many poems in the Aeolic dialect of the Greek language. Her output was so prolific that the standard edition of her work in antiquity, which literary scholars working at the Library of Alexandria in Egypt produced in around the third century BCE, is thought to have spanned nine “books” or rolls of papyrus. Ancient audiences esteemed her as one of the greatest of all lyric poets, if not the greatest. She was known as the “Tenth Muse” and some even regarded her work as on par with that of Homer (the putative author of the Iliad and the Odyssey and most revered of all ancient Greek poets).

Sadly, nearly all of her poems have been lost. Only one poem, Fragment 1 (the “Ode to Aphrodite”) has survived to the present day totally complete. Only a handful of others—including Fragment 16 (the “Anaktoria Poem”), Fragment 31 (“Phainetai Moi”), Fragment 58 (the “Tithonos Poem”), and the “Brothers Poem”—are nearly complete. Most of what survives are tiny fragments of only a few lines or less. Nonetheless, today, many scholars of ancient literature regard Sappho’s more complete poems as among the greatest that have survived from antiquity. The fact that she is one of the very few female ancient Greek or Roman authors who have any works that have survived to the present day and the fact that she composed poems in which her female speaker openly discusses her erotic desire for other women have both further magnified contemporary interest in her work.

As a result of this, many people have wondered: How likely is it that more of Sappho’s poems will be recovered? To answer this question, in this post, I will discuss the history of how her work was transmitted in antiquity, how most of it became lost, how the parts that have survived have managed to survive, and, finally, how likely it is that someone will discover and publish any substantial material by her that is not currently known anytime in the next half century.

How Did Ammonites Receive Their Name?

Ammonites is the colloquial name for the members of Ammonoidea, a subclass of ancient cephalopods with shells resembling the curled horn of a ram that first appeared during the Devonian Period (lasted 419.2 million years ago – 358.9 million years ago) and flourished in the earth’s oceans until the Cretaceous-Paleogene (K-Pg) extinction event wiped out their last species around 66 million years ago. Because ammonites were extremely widespread in oceans for over three hundred million years, their fossilized shells are extremely common in many areas all over the world.

Tens of millions of years later, in the much more recent past, the ancient Egyptians and Kushites worshipped the god Amun, whom they depicted as having either the head or sometimes just the horns of a ram. The Greeks and Romans later came to worship this god, calling him Ammon and identifying him with their god Zeus/Iupiter. They identified fossilized ammonite shells as resembling Ammon’s horns and consequently believed that they were a kind of sacred stone with the power to induce prophetic dreams. It is from the name Ammon that ammonites have received their modern common and scientific names. Read on to learn more about this fascinating ancient deity and his connection to prehistoric fossils!

The Ancient Greek Woman Who Dressed as a Man to Seduce Men

Earlier this week, I came across an absolutely fascinating epigram in the Greek Anthology by Asklepiades of Samos (lived c. 320 – after c. 263 BCE), an early Hellenistic Greek poet, whose epigrams are among the oldest that are included in the anthology. In the poem, he describes a beautiful young person named Dorkion (which is the diminutive form of the name Dorkas, which means “gazelle”) who was apparently assigned female at birth, whom he describes using feminine grammatical forms, and whom modern scholars have universally interpreted as woman, who dresses and behaves like a young man while trying to seduce young men.

I was intrigued by this poem, in part because of what it may reveal about ancient Greek attitudes toward gender, sex, and gender-nonconforming behavior. I thought that my readers might find it interesting as well, so I’ve decided to share it here, along with some information about its background and scholarly interpretations of it.

The Ancient Greeks Ate Cicadas and Grasshoppers!

Twenty-first-century westerners frequently like to imagine that the ancient Greeks and Romans were “just like us.” The truth, however, is that, if a person from twenty-first-century Europe, the U.S., or Canada were transported back in time to classical Athens in the fifth century BCE, they would find themself in a culture drastically different from their own in more ways than most people today appreciate.

Notably, although ancient Greek cuisine bore some similarities to modern Greek cuisine and southern European cuisine more generally, it also bore some striking differences. For instance, many twenty-first-century westerners will be surprised to learn that the ancient Greeks frequently ate insects—specifically cicadas and grasshoppers, which they apparently regarded as a delicious snack.

Archaeologists Have Discovered the Oldest Known Writing in Basque

The overwhelming majority of all languages that are currently widely spoken in Europe, including nearly all the languages that are widely spoken specifically in western Europe, belong to the same language family: Indo-European. There is, however, one language that is spoken in one small region of western Europe that is not Indo-European: Basque, which is spoken in Basque Country, a small region in the western Pyrenees of northern Spain and southwestern France that is totally surrounded on all sides by predominantly-Indo-European-language-speaking lands.

The Basque language is highly unusual, not only because it is a non-Indo-European language spoken in the middle of western Europe, but also because it is a language isolate, meaning it is not related to any other known languages. In fact, it is the only language isolate that is currently natively spoken anywhere in Europe. Modern historical linguists agree that Basque is the only surviving language of a family that was once spoken more widely in the region before the arrival of Indo-European-language-speaking peoples and that has survived in the land where it is spoken today despite millennia of Indo-European-language-speaking peoples inhabiting the surrounding lands.

Despite this, until recently, very little direct evidence was known for the ancient language from which modern Basque is derived, which historical linguists refer to as “Proto-Basque.” Just recently, however, a team of archaeologists announced their discovery of what is now the oldest known writing in the Basque language, which dates to the early first century BCE.

Zeus’s Horrifying Plan for Cosmic Genocide

There are more human beings alive right now than there have ever been at any previous point in the history of the universe. Even so, our population continues to skyrocket. In fact, the human population of the world is predicted to reach eight billion on Tuesday, November 15th, 2022. According to this article the Population Reference Bureau (PRB) released a few days ago, approximately 7% of all the humans who have ever lived are currently alive right now.

Given this historic occasion, I thought I would share with my readers a myth that is referenced in various forms in a number of works of early ancient Greek literature. The myth claims that, once, in the heroic age, humans became so populous that Gaia, the earth, struggled to bear the burden of their combined weight. Zeus, the king of the deities, saw that Gaia was suffering and therefore resolved to create devastating wars to annihilate as many humans as possible in order to bring her relief. Although this is a myth that not many people today have heard, it is referenced in one of the most famous passages in all of ancient literature: the opening proem of the Iliad.

The Baffling Ancient Unsolved Mystery of the Phaistos Disk

The Minoan civilization, which flourished on the Greek island of Krete in the southern Aegean Sea during the early Bronze Age, is one of the most fascinating cultures of the ancient Mediterranean world. It saw its earliest beginnings in the second half of the fourth millennium BCE and reached its cultural apogee from around 2000 BCE onward. It flourished for over half a millennium after that until the Mycenaean civilization of mainland Greece conquered it sometime around 1450 BCE. It is finally considered to have died out sometime around 1100 BCE, over six hundred years before the time of Socrates.

Sadly, almost the only time the general public ever pays any attention to the Minoan civilization is when they are indulging in all sorts of completely unfounded pseudohistorical speculations about it supposedly being the historical Atlantis. (As I discuss in this post I wrote back in March 2019, Atlantis is a fictional place that Plato completely made up, his story of Atlantis is primarily inspired by events that happened in the Greek world in his own time, and it almost certainly has nothing to do with the Minoan civilization.)

This is a real shame, since the Minoan civilization poses all kinds of very real unsolved ancient mysteries. Particularly mysterious are the scripts that the Minoans wrote in, all of which remain undeciphered and impossible for anyone alive today to read. The majority of surviving Minoan documents are written in two scripts: Kretan hieroglyphs, which the Minoans developed around 2100 BCE, and Linear A, which they developed a few centuries later, around 1800 BCE. They continued to use both scripts until around the middle of the fifteenth century BCE. It is a third undeciphered script, however, that has proven most alluring to the general public. This script is securely attested only in one place: a single clay disk known colloquially as the “Phaistos disk,” which has captivated both scholars and amateurs for over a century.