Tales of Times Forgotten

How Accurate Are “Photorealistic” Portraits of Roman Emperors?

In 2020, the digital artist Daniel Voshart used a neural net called Artbreeder to create a series of “photorealistic” portraits of fifty-four Roman emperors spanning from Augustus (ruled 27 BCE – 14 CE) to Carinus (who died in 285 CE). As the term “photorealistic” suggests, his portraits look almost like photographs. Unfortunately, a lot of people do not realize that these portraits are modern artistic impressions, not scientific recreations of what the Roman emperors really historically looked like.

I’ve seen many people over the past year cite Voshart’s portraits and others like them as though they were authoritative, scientific recreations of what the Roman emperors really looked like. In particular, I’ve noticed a worrying number of white supremacists trying to cite these kinds of portraits as “evidence” that the ancient Romans were all white. In this article I would like to discuss why Voshart’s portraits—and others like them—should be taken with several grains of salt.

Was Jesus a Communist?

People have been claiming that Jesus of Nazareth was actually a communist or socialist for a very long time. Notably, Francis Bellamy (lived 1855 – 1931), who is best known today as the author of the United States Pledge of Allegiance, was a Baptist minister and self-proclaimed “Christian Socialist” who attracted a great deal of negative attention during his lifetime for frequently claiming that Jesus was a socialist. In more recent years, various pro-communist memes about Jesus being a communist have gone viral on the internet.

I’ve seen so many different expressions of the idea that Jesus was a communist over the years that I’ve decided to write an in-depth article examining whether this is an accurate characterization of Jesus’s teachings. There are indeed some genuine similarities between the views that are attributed to Jesus in the Synoptic Gospels and communism. There are, however, a number of enormous differences between Jesus and contemporary revolutionary communists that make the claim that Jesus was a communist a profound mischaracterization of his teachings.

Dark Academia, the “Western Canon,” and the Decline of the Humanities

In around mid-July, I found out that there is apparently a huge internet “aesthetic” movement called “dark academia” that centers around a highly romanticized impression of what humanities scholars and students—especially those in the fields of classics, English, history, and philosophy—dressed and lived like in the twentieth century. Aspects of the aesthetic include wearing old-fashioned, dark-colored, stereotypically “academic” clothing and appreciating “classic” literature, art, and music.

For those who aren’t already aware, I am currently about to enter my senior year at Indiana University Bloomington double-majoring in history and classical studies (i.e., Ancient Greek and Latin), with honors in history. My current plan is to apply to graduate programs in ancient history later this year. Even though I don’t deliberately dress in a dark academia style and I don’t identify with the aesthetic in any particular way, being a humanities student does make me feel like I have a connection to it.

I was so struck by my surprise discovery of dark academia’s apparent popularity that I’ve spent a good part of the past two weeks researching it and its history. Naturally, I have a lot of thoughts, especially about how the current popularity of the aesthetic seems to be at least in part a reaction to the slow ongoing decline of the academic humanities.

Alluring Anecdotes about the Olympic Games

The 2020 Summer Olympic Games in Tokyo are now officially underway, having been delayed by a year due to the COVID-19 pandemic. Anyone who knows me will tell you that I have absolutely no interest in sports and, in all likelihood, I will not watch any part of the ongoing Olympics. Nonetheless, I do know a little bit about Olympic history, due to my intense study of ancient Greece and Rome and, on account of the occasion, I’ve decided to share a few of my favorite anecdotes about Olympic history.

The first is a legend about why ancient Olympic athletes were required to compete naked, the second is about a woman who disguised herself as a man in order to attend the Olympic Games, the third is about how women were sometimes able to compete in the ancient Olympic Games due to a loophole, and the fourth is about how the modern Olympic Games at one point included competitions for literature and the arts.

Ancient Roman Masturbation

For the past four years, a photograph of a plaster cast of an ancient Roman man who died in the city of Pompeii during the eruption of Mount Vesuvius in 79 CE has been circulating online with the claim that he died while masturbating, since his right hand happens to be positioned near his groin in a masturbation-like pose. Historically speaking, it is highly unlikely that this particular man really died while masturbating. The position of his hand is most likely a result of the muscle contractions resulting from the excruciating heat shock that killed him, rather than the result of anything he was doing before he was killed.

Nonetheless, there is a wealth of fascinating historical and archaeological evidence for both male and female masturbation in ancient Rome, including in the city of Pompeii. Needless to say, the following article contains discussion of evidence that is not suitable for children.

Pamphile of Epidauros: A Female Ancient Greek Historian

Nearly all the historical writings that have survived from ancient Greece and Rome were written by men. Women’s voices in the historical record are few and far between. We do, however, know that there was, in fact, an extraordinarily prolific female ancient Greek historian named Pamphile of Epidauros, who lived in Greece in around the middle of the first century CE, when Greece was ruled by the Roman Empire.

Pamphile is known to have written a lengthy compilation of interesting historical anecdotes derived from various sources titled Historical Commentaries, an epitome of the writings of the historian Ktesias of Knidos (fl. c. 400 BCE), a work titled On Controversies that seems to have been perhaps a collection of essays on controversial topics, and a work titled On Sexual Pleasures, which seems to have been a sex manual. Sadly, everything or almost everything she wrote has been lost.

Pamphile is a truly monumental figure in the history of Greek historiography, not only because she is the only female ancient Greek historian about whom we have any significant information, but also because she seems to have been an especially important author in the development of the genre of “miscellaneous history,” which focused on retelling interesting anecdotes from earlier authors and became very popular in the Roman Empire during the second and third centuries CE.

Ancient Greek Men Were Not All Buff

One of the most common misconceptions I have encountered about the ancient Greeks is the notion that ancient Greek men were all incredibly buff, muscle-bound bodybuilders. This misconception seems to arise from the naïve assumption that ancient Greek statues depict how average ancient Greek men really looked, perhaps also influenced by the similarly naïve assumption that the 2007 epic fantasy action film 300, written and directed by Zack Snyder, is a historically accurate depiction of ancient Greece.

The reality is that there was never a time when the majority of Greek men really looked like the physical specimens portrayed in Archaic and Classical Greek sculptures. These sculptures represent what upper-class Greek people regarded as physically ideal, not what the average Greek person actually looked like.

Did Julius Caesar Have Epilepsy?

The Roman general and dictator Gaius Julius Caesar (lived 100 – 44 BCE) is one of the most famous figures from all of ancient history. He been the subject of countless stage plays, films, television shows, and novels and his article on Wikipedia is consistently one of the most frequently viewed articles within WikiProject Classical Greece and Rome.

Not many people are aware, however, that, according to several ancient biographers, Julius Caesar had a chronic illness that reportedly caused him to experience headaches, sudden seizures, and vertigo. This illness is traditionally identified as epilepsy, based on descriptions of it as such by ancient writers, but the exact cause of the illness cannot really be identified, since Caesar is long dead and the descriptions of his illness in the ancient sources are far too vague for any kind of medical diagnosis.

Why Did the Patriarchal Greeks and Romans Worship Such Powerful Goddesses?

It is widely known that the ancient Greeks and Romans worshipped many powerful goddesses, whom they held in extremely high regard. At the same time, it is also widely known that ancient Greek and Roman societies were deeply patriarchal. Misogyny and machismo were rampant among men of all social classes. Women’s lives were, in general, strictly socially controlled and women were excluded from holding most official positions of power.

As a result of this, one of the most common questions people have asked me about classical mythology is how the Greeks and Romans were able to accommodate such powerful goddesses within their respective pantheons while simultaneously denigrating human women. In this essay, I will try to answer this question to the best of my ability. I will give several different plausible explanations in the hope that some of them, or the combination of all of them, may be satisfactory.

The Real Origin of the Nazi Salute

In the 1920s, 30s, and 40s, the National Fascist Party (i.e., the PNF) in Italy and the National Socialist German Workers’ Party (i.e., the NSDAP or Nazi Party) in Germany both used a salute that consisted of a straight, rigid arm raised into the air above the shoulders with the hand parallel to the rest of the arm and the palm facing toward the ground. The Italian Fascists and the German Nazis both believed that this salute originated with the ancient Romans and tried to use the salute’s supposed Roman origins in order to bolster their own prestige and portray themselves as continuing the Roman legacy. Various modern-day fascists and Neo-Nazis have tried to do the same thing.

There is, however, no evidence that anyone in ancient Rome ever used the form of the straight-arm salute that was used by the Italian Fascists and German Nazis. The true origins of the Nazi salute are far more strange. The salute’s traceable history begins with a late eighteenth-century French Neoclassical painter. Over the course of the late nineteenth and early twentieth centuries, it became incorporated into numerous stage plays and films set in ancient Rome, leading the Italian Fascists to adopt it, believing that it was Roman. The Nazis, in turn, adopted it from the Italian Fascists.