Literature Archives - Page 3 of 7 - Tales of Times Forgotten

Did John Milton Really Sympathize with Satan?

For those of you who do not know, Paradise Lost is an epic poem about the Fall of Man that was written by the English poet John Milton (lived 1608 – 1674) and first published in 1667. Even though John Milton was a devout Puritan, Satan functions as the main character for most of the poem. Milton portrays Satan as a larger-than-life figure: the Prince of Darkness, the enemy defeated but not destroyed, a cunning sophist with rhetoric as his greatest weapon, a haughty villian brimming with hate and anger.

Milton’s portrayal of Satan has arguably been more influential on modern ideas about the Devil than any other portrayal. Milton practically created the Devil as we know him today. In fact, Milton’s Satan so dominates the poem that many readers have come away with the impression that Milton himself sympathized with him. The English poet William Blake (lived 1757 – 1827) famously wrote, “The reason Milton wrote in fetters when he wrote of Angels & God, and at liberty when of Devils & Hell, is because he was a true Poet and of the Devil’s party without knowing it.”

What Was the First Novel?

There seems to be a lot of confusion about when the novel as a literary form developed. Many people think that the novel arose at some point during the Early Modern Period (lasted c. 1450 – c. 1750). Many works dating to this period, such as Robinson Crusoe, Don Quixote, and Le Morte d’Arthur are often cited as “the first novel.” The popular perception, however, is incorrect.

The novel as a literary form definitely dates at least as far back as the second century BC and probably dates to long before that. Not a single one of the works usually cited as “the first novel” is even close to being old enough to actually be “the first novel.”

The fact is, we don’t know exactly what the first novel was, but, since we have record of works that can only be described as novels dating as far back as at least the second century BC, anything written within the past 2,200 years can’t possibly be “the first novel.”

If You Like Ancient Greek Texts, Thank the Byzantines for Preserving Them

There is a widespread belief among members of the general public that ancient Greek texts were mostly only preserved by the Arabs through Arabic translations. The Byzantine Empire is rarely mentioned in the context of the preservation of classical texts. When the Byzantines are mentioned in this context, it is usually by writers who see them as ignorant fundamentalist Christian obscurantists.

Contrary to what popular culture would lead you to believe, however, the Byzantine Empire did retain Greco-Roman knowledge. In fact, the vast majority of ancient Greek texts that have survived to the present day are primarily known from Greek manuscripts that were either copied in the Byzantine Empire or copied from texts that were copied in the Byzantine Empire.

The idea that the majority of ancient Greek texts have only been preserved because they were translated by Arabic scholars is largely a misconception. There are a few lesser-known classical Greek texts that have been preserved only through Arabic translations, but the vast majority of the really famous texts that people still study today have actually been preserved in the original Greek.

The widespread ignorance of the Byzantines’ role in the preservation of classical Greek and Roman texts is just one small part of a centuries-old, systematic effort by westerners to marginalize the Byzantine Empire and minimize its importance in European history.

Is There Really a Scene in the ‘Iliad’ Where Achilles Calls Hektor Out of Troy to Face Him?

If you ask someone who has never read the Iliad to name one scene from it, chances are, the first scene that person will probably name is the scene with the Trojan Horse. The Trojan Horse, though, is actually never even mentioned in the Iliad. The Iliad ends with the funeral of Hektor, long before the fall of Troy. The story of the Trojan Horse is first told in flashback by the blind bard Demodokos in Book Eight of the Odyssey.

If you tell the person that the Iliad ends with the funeral of Hektor and ask them to name another scene, then they’ll probably tell you the iconic scene where Achilles goes to the gates of Troy and calls for Hektor to come out and face him. It’s a scene that appears in nearly every adaptation of the Trojan War made in the past two decades. That scene, though, doesn’t appear in the Iliad at all either. In fact, it doesn’t appear in any ancient source whatsoever; it is purely an invention of Hollywood.

Here’s Where You Can Buy a Real First Edition Copy of the ‘Iliad’!

In 2015, a certain Hollywood film notoriously claimed that you can get an original, first edition copy of the Iliad for “a buck at a garage sale.” After the film came out, large numbers of people around the world began searching for places where they could buy their own first edition copy of the Iliad. I decided to take a look into this issue. If you have ever wanted to own a first edition copy of the Iliad, here’s how to get one.

Did Christians Really Burn Sappho’s Poetry?

Sappho of Lesbos (lived c. 630 – c. 570 BCE) was the most praised and highly regarded of all Greek lyric poets in antiquity. She was known as the “tenth Muse” and some ancient authors regarded her work as on par with that of Homer (the putative author of the Iliad and the Odyssey and most revered of all ancient Greek poets) himself. She produced an enormous body of poems, but, sadly, extremely little of her work has survived to the present day.

In the third century BCE, the Greek scholars working at the Great Library of Alexandria produced a standard text for all of Sappho’s poems that was divided into at least eight “books” or rolls of papyrus. Many scholars believe that the collection probably contained nine books for the nine Muses. Today, though, less than seven hundred lines of Sappho’s poetry are extant. Only one of her poems, Fragment 1 (known as the “Ode to Aphrodite”), has survived to the present day totally complete with no lacunae or parts missing. A few other poems have survived to the present day nearly complete, including Fragment 16 (the “Anaktoria Poem”), Fragment 31 (“Phainetai Moi”), Fragment 58 (the “Tithonos Poem”), and the “Brothers Poem.”

The most common explanation that people give for why so little of Sappho’s poetry has survived to the present day is that (supposedly) Christian authorities in late antiquity or the Middle Ages had all the collections of her poems rounded up and burned, because they were disgusted and horrified by how openly she describes her erotic desire for other women. This makes for a good story with clear villains. Unfortunately, it is probably not true. In reality, as I shall explain in this post, we have no evidence to support the idea that Christians went around burning Sappho’s poems. The real reasons why so little of her poetry has survived are far more complicated—and actually far more interesting.

Good and Bad Reasons to Learn Latin

You often hear people talk about the “practical benefits” of learning Latin, such as being able to understand legal, medical, and scientific terminology, expanding your vocabulary, and gaining a better understanding of English grammar. These certainly are real benefits to learning Latin, but, to be honest, at least on their own, they aren’t really very good reasons to learn the whole language, for reasons I will explain in a moment.

There are plenty of apologists for Latin out there who often try to justify learning Latin by listing these supposed “practical benefits” to learning Latin that apply to most people. The problem is that, if these benefits are the only reasons you are studying Latin, and you have no real interest in the Latin language or in reading Latin literature, then learning a whole new language may not really be worth it. There are, however, still very good reasons for learning Latin; they just don’t necessarily apply to everyone.

Famous Classical Authors Who Were Probably Not What We Would Consider “White”

Classical studies has long been perceived as the study of “dead white men.” This is a reputation that has certainly greatly injured classical studies as a discipline in recent years. I remember reading a rather disturbing answer on Quora a while ago written by a history professor in which he argued that, since we are now living in a modern, racially diverse world and classical studies is nothing more than the study of dead white people, universities should stop teaching the classics and, instead of hiring classics professors, only hire professors to teach subjects dealing with non-white history, like East Asian history or Latin American history.

One thing that many people do not realize, however, is that the ancient Mediterranean world was actually much more racially diverse than it is often portrayed. In fact, a very large number of the most revered classical authors were probably not what we would call “white.” Many of them came from lands all across the Middle East and North Africa, including the lands that are now the countries of Syria, Lebanon, Israel, Egypt, Libya, Tunisia, and Algeria.

Were Ancient People Conscious?

In 1976, the American psychologist Julian Jaynes (lived 1920 – 1997) published a controversial book titled The Origin of Consciousness in the Breakdown of the Bicameral Mind. In this book, Jaynes claimed that human beings were not conscious of their own thoughts until around 1000 BC and that stories about gods speaking to people originated from people hearing their own inner voices and mistaking them for the voices of external deities telling them what to do.

Jaynes’s claims were regarded as fringe, baseless, and bizarre even when he first proposed them back in the 1970s and today they are almost universally regarded by psychologists as the debunked relic of an earlier, less scientific stage in the development of modern psychology. Nonetheless, Jaynes’s hypothesis of the bicameral mind has garnered something of a cult following among non-scholars and has had considerable influence in popular culture, so I suppose it is worth writing a lengthy rebuttal to it.

A Compilation of the Most Disturbing Stories from Classical Mythology

Classical mythology is absolutely filled with all sorts of bizarre and disturbing stories involving horrific deeds such as murder, cannibalism, rape, incest, bestiality, filicide, fratricide, self-cannibalism, and mutilation. Just for fun, here is a compilation of some of the most disturbing stories from classical mythology.