Ancient literature Archives - Page 6 of 9

The Problem with Percy Jackson

The book series Percy Jackson and the Olympians by Rick Riordan, originally published from 2005 to 2009, is one of the most popular series of children’s fantasy novels of the twenty-first century so far. According to the Wikipedia article on it (which may or may not be reliable here since the source it cites is a Fox Business article from 2010 with a dead link), over sixty-nine million copies of books in the series have been sold worldwide.

In case you haven’t read the series, the basic premise is that the Greek gods are real, they live in the United States, and their demigod offspring live among us. According to the series, these demigods have special powers that they have inherited from their parents. The main character of the series is Percy Jackson, the demigod son of Poseidon and a mortal woman. Major supporting characters introduced in the first book include Annabeth Chase (a daughter of Athena), Grover Underwood (a satyr), Luke Castellan (a son of Hermes), and Chiron (a wise centaur).

I first read the series when I was in late elementary school and, at the time, I loved it—although I never quite got as obsessed with it as I did with Harry Potter or The Spiderwick Chronicles (probably because I read it at a significantly older age). As I grew older, though, there was something about the series that really started to bother me. I was in around seventh grade when I really started to notice it and, ever since then, it is something that I have found very disturbing about the series and the message that it sends.

This article will be just as much an account of my personal experience with the books and how they have affected me, as well as an assessment of them and a reflection on how my sentiments towards them have changed over the years.

If You Like Ancient Greek Texts, Thank the Byzantines for Preserving Them

There is a widespread belief among members of the general public that ancient Greek texts were mostly only preserved by the Arabs through Arabic translations. The Byzantine Empire is rarely mentioned in the context of the preservation of classical texts. When the Byzantines are mentioned in this context, it is usually by writers who see them as ignorant fundamentalist Christian obscurantists.

Contrary to what popular culture would lead you to believe, however, the Byzantine Empire did retain Greco-Roman knowledge. In fact, the vast majority of ancient Greek texts that have survived to the present day are primarily known from Greek manuscripts that were either copied in the Byzantine Empire or copied from texts that were copied in the Byzantine Empire.

The idea that the majority of ancient Greek texts have only been preserved because they were translated by Arabic scholars is largely a misconception. There are a few lesser-known classical Greek texts that have been preserved only through Arabic translations, but the vast majority of the really famous texts that people still study today have actually been preserved in the original Greek.

The widespread ignorance of the Byzantines’ role in the preservation of classical Greek and Roman texts is just one small part of a centuries-old, systematic effort by westerners to marginalize the Byzantine Empire and minimize its importance in European history.

The Fascinating Truth about the Four Horsemen of the Apocalypse

The Four Horsemen of the Apocalypse are symbolic figures that appear in the Book of Revelation, the last book in the New Testament canon. They seem like familiar figures to most of us. Even if you aren’t a Christian or weren’t raised as a Christian, you’ve probably been exposed to the idea of the “Four Horsemen” through popular culture. Popular culture’s portrayal of the Four Horsemen, though, isn’t very accurate. For instance, nearly all popular culture adaptations get the identity of the first horseman wrong.

Even if you have read the original descriptions of the Four Horsemen from the Book of Revelation, chances are you aren’t aware of the complex cultural background and symbolism that these descriptions draw on. For instance, original readers of the Book of Revelation may have imagined the first horseman as a Parthian archer and the fourth horseman, Death, as a naked young man with wings, since that’s how the personification of Death is usually portrayed in ancient Greek art.

Here’s Where You Can Buy a Real First Edition Copy of the ‘Iliad’!

In 2015, a certain Hollywood film notoriously claimed that you can get an original, first edition copy of the Iliad for “a buck at a garage sale.” After the film came out, large numbers of people around the world began searching for places where they could buy their own first edition copy of the Iliad. I decided to take a look into this issue. If you have ever wanted to own a first edition copy of the Iliad, here’s how to get one.

Did Christians Really Burn Sappho’s Poetry?

Sappho of Lesbos (lived c. 630 – c. 570 BCE) was the most praised and highly regarded of all Greek lyric poets in antiquity. She was known as the “tenth Muse” and some ancient authors regarded her work as on par with that of Homer (the putative author of the Iliad and the Odyssey and most revered of all ancient Greek poets) himself. She produced an enormous body of poems, but, sadly, extremely little of her work has survived to the present day.

In the third century BCE, the Greek scholars working at the Great Library of Alexandria produced a standard text for all of Sappho’s poems that was divided into at least eight “books” or rolls of papyrus. Many scholars believe that the collection probably contained nine books for the nine Muses. Today, though, less than seven hundred lines of Sappho’s poetry are extant. Only one of her poems, Fragment 1 (known as the “Ode to Aphrodite”), has survived to the present day totally complete with no lacunae or parts missing. A few other poems have survived to the present day nearly complete, including Fragment 16 (the “Anaktoria Poem”), Fragment 31 (“Phainetai Moi”), Fragment 58 (the “Tithonos Poem”), and the “Brothers Poem.”

The most common explanation that people give for why so little of Sappho’s poetry has survived to the present day is that (supposedly) Christian authorities in late antiquity or the Middle Ages had all the collections of her poems rounded up and burned, because they were disgusted and horrified by how openly she describes her erotic desire for other women. This makes for a good story with clear villains. Unfortunately, it is probably not true. In reality, as I shall explain in this post, we have no evidence to support the idea that Christians went around burning Sappho’s poems. The real reasons why so little of her poetry has survived are far more complicated—and actually far more interesting.

The Truth about the Archimedes Palimpsest

If you have an interest in ancient science or mathematics, chances are you have probably heard at some point about the Archimedes Palimpsest. According to the narrative that New Atheist writers and media outlets keep pushing, the ancient Greek mathematician Archimedes of Syracuse (lived c. 287 – c. 212 BC) wrote groundbreaking mathematical treatises that were millennia ahead of their time.

Then, according to the standard narrative being pushed, in the thirteenth century AD, ignorant, obscurantist Christians who did not care about science or mathematics erased the text of the manuscript containing the last known copies of several of Archimedes’s treatises and reused the parchment to make a prayer book. Now—or so the story goes—Archimedes’s previously lost groundbreaking works are being recovered through the brilliancy of modern secular technology.

Unfortunately, this narrative that I have just outlined is deeply, deeply misrepresentative and based on an extremely selective presentation of the evidence. If the media would tell the full story of the Archimedes Palimpsest, we would be getting a very different narrative—a narrative not about how religion is inherently dangerous and destructive, but rather a far more complex narrative in which religious individuals are neither inherently evil nor inherently good but simply human beings capable of both good and evil.

Famous Classical Authors Who Were Probably Not What We Would Consider “White”

Classical studies has long been perceived as the study of “dead white men.” This is a reputation that has certainly greatly injured classical studies as a discipline in recent years. I remember reading a rather disturbing answer on Quora a while ago written by a history professor in which he argued that, since we are now living in a modern, racially diverse world and classical studies is nothing more than the study of dead white people, universities should stop teaching the classics and, instead of hiring classics professors, only hire professors to teach subjects dealing with non-white history, like East Asian history or Latin American history.

One thing that many people do not realize, however, is that the ancient Mediterranean world was actually much more racially diverse than it is often portrayed. In fact, a very large number of the most revered classical authors were probably not what we would call “white.” Many of them came from lands all across the Middle East and North Africa, including the lands that are now the countries of Syria, Lebanon, Israel, Egypt, Libya, Tunisia, and Algeria.

How to Revive a Dead Language

I am frequently asked the question of whether or not it would be possible to revive a dead ancient language in the modern world. Many people I have talked to seem to find the idea of bringing back ancient languages fascinating, even though most people interested in this subject do not speak any ancient languages themselves.

The answer to this question is that it is certainly possible to bring an ancient language back to life, but it is extremely difficult and it can only be done if all conditions are just perfect. As far as I am currently aware, only one ancient language that was completely dead has ever been successfully brought back as a living vernacular and that was in one very particular, unique case. The vast majority of attempts to revive dead ancient languages have not been successful.

The Bizarre Origin Story of the Demogorgon

Most people are familiar with the term Demogorgon. It is the name of a monster in Dungeons and Dragons and also the name of a monster in the American science fiction horror web television series Stranger Things. The story of how the name Demogorgon came about, though, is actually really bizarre.

As it turns out, this famous monster most likely originates from a single scribal error made by an unknown copyist in an unknown manuscript sometime around 2,000 years ago or so. Somehow, from these humble origins, Demogorgon went on to be mentioned by great writers including Christopher Marlowe and John Milton before eventually becoming one of the most iconic monsters of today.

Heinrich Schliemann Debunked

Anyone who has studied archaeology has heard of Heinrich Schliemann. He is popularly acclaimed as the bold, talented, German-American amateur archaeologist who discovered the lost city of Troy at Hisarlık in what is now northwest Turkey. In truth, this image is largely a fabrication of Schliemann’s own making. The real Heinrich Schliemann was a lying, cheating, grifting, thieving charlatan and overall scumbag who only became famous because he was extremely rich and highly skilled in the art of lying to make himself seem more impressive than he really was.

Even though Schliemann is popularly credited as the “discoverer” of Troy, he was not the first person to identify Hisarlık as Troy. He was not even the first person to excavate there. Furthermore, his attempts to excavate the ruins of Troy were so hopelessly incompetent that he ended up actually destroying most of the ancient site.