Ancient art Archives - Page 2 of 5 - Tales of Times Forgotten

Were Achilles and Zeus Black in Greek Mythology?

The miniseries Troy: Fall of a City, which originally aired on BBC One in the United Kingdom in spring 2018 and was thereafter distributed internationally on Netflix, created quite a stir of controversy due to the fact that, in the series, the characters Zeus and Achilles are portrayed by black actors. Many people attacked the series, accusing it of “blackwashing.”

It is true that, in ancient Greece, Achilles and Zeus were both consistently portrayed as what most people today would generally consider “white.” That being said, I think that most of the outrage over the fact that Troy: Fall of a City portrays Achilles and Zeus as black is motivated more by racial prejudice than by actual concern for faithfulness to traditional portrayals.

Yes, There Were Ancient African Civilizations!

Most people in the United States and Europe imagine that, prior to European colonialism, all of Africa south of the Sahara was nothing but a jungle full of simple, illiterate savages living in straw huts with only Stone Age technology. They imagine that there were no civilizations there of any kind.

This stereotype couldn’t be more inaccurate. Contrary to what most people have been led to believe, there were peoples in sub-Saharan Africa in ancient times who had systems of writing. They had cities. They had iron tools and weapons. They minted coins. They established empires and built colossal monuments. At least by the standards of the ancient world, they were civilized.

The main reason why you probably haven’t heard of any ancient civilizations in sub-Saharan Africa is because, for centuries, racist white people—including many racist white historians—have chosen to ignore and dismiss all evidence for their existence and to instead falsely portray pre-modern Africa as a civilizationless void.

Thankfully, the old racism that once pervaded the historical discipline is slowly starting to go away and historians are beginning to recognize that ancient Africa was actually just as civilized as Europe and Asia. Today, I want to talk about some of the civilizations that we know existed in Africa in ancient times.

Were Mythical Creatures Inspired by Fossils?

It is popularly believed that stories about dragons and other mythical creatures must have arisen when ancient peoples discovered fossils of prehistoric animals, especially dinosaurs. As we shall see in a moment, there is definitely some evidence that ancient peoples did sometimes discover fossils of prehistoric creatures and interpret them as the remains of mythic beasts.

Fossils, however, seem to have only rarely been the source of belief in such mythic creatures to begin with; it seems to have been far more common for people to interpret fossils in light of mythic creatures they already believed in, rather than inventing entirely new mythic beasts to explain the fossils.

Furthermore, the vast majority of claims about specific mythical creatures being inspired by specific prehistoric creatures don’t hold up to any kind of scrutiny. There is almost no solid evidence to support the assumption that dragons, Cyclopes, or griffins were inspired by prehistoric fossils and there is actually quite substantial evidence against these assumptions.

What Did the Buddha Really Look Like?

In the western world, whenever someone hears the word “Buddha,” they virtually always immediately think of East Asian statues depicting a smiling obese man with a bald head and elongated earlobes dressed in a robe that displays his enormous belly. You can find these statues all over East Asia and miniature versions of them are often sold as souvenirs in gift shops. Because these statues are referred to as “Laughing Buddhas,” most westerners naturally assume that they depict Siddhārtha Gautama, the founder of Buddhism.

Contrary to popular belief, however, these statues do not, in fact, depict the Gautama Buddha, but rather a completely different figure from Chinese folklore. In this article, I want to talk about the real iconography of Siddhārtha Gautama. I also want to talk about the evidence in the surviving written sources for what the historical Buddha really looked like.

Were the Ancient Egyptians Black?

There is a lot of public controversy over which “race” the ancient Egyptians belonged to. Western media has traditionally portrayed nearly all ancient Egyptians as having white skin. Unfortunately, some films are still portraying the Egyptians this way; the 2014 film Exodus: Gods and Kings and the 2016 film Gods of Egypt both received widespread criticism for the fact that nearly all the lead roles were played by white actors.

Nevertheless, I think that, with a few exceptions, nowadays, most people realize that the idea of the ancient Egyptians as almost entirely what we consider “white” is nothing but a racist fantasy. A great deal of controversy still rages, though, over whether the ancient Egyptians were what we consider “black.” A number of authors have tried to argue that ancient Egypt was exclusively or primarily a “black civilization” and that the ancient Egyptians defined themselves as “black people.”

Since the skin color of the ancient Egyptians is a matter of such great controversy, in this article, I want to take a thorough and honest look at the evidence. In this article, we will examine evidence from Egyptian iconography, from Egyptian mummies, from ancient Greek descriptions of the Egyptians, from genetics, and from the conquests and migrations of recorded history. We will discover that Egypt has always been a very ethnically diverse place and that the ancient Egyptians cannot be uniformly classified as belonging to any particular “race.”

How Difficult Is It to Determine If an Ancient Artwork Is Authentic?

Fake ancient artifacts are all over the antiquities market. For a layperson with no expertise in ancient art, telling the difference between a bust created by a forger to look like an ancient bust and a real ancient bust is virtually impossible. For a trained expert, it is easy to spot certain obvious forgeries, but there are still many forgeries out there that are good enough to fool even the best experts.

The antiquities market, though, is incredibly sketchy at the best of times and downright illegal at the worst of times. If you’re trying to buy ancient artifacts, forgeries should be the least of your worries.

Did Hades Abduct Persephone or Did She Go with Him Willingly?

In many sanitized modern adaptations of the story of Hades and Persephone, Persephone is portrayed as going with Hades to the Underworld willingly. This is the version of the story that is found in many books about Greek mythology intended for children and in the award-winning music Hadestown. This is not, however, how the story is portrayed in ancient Greek sources.

The ancient Greek and Roman accounts of Persephone universally agree that Hades abducted Persephone against her will and raped her. Both literary and artistic representations of the event unambiguously portray it as a forcible abduction. Ancient Greek and Roman poems give graphic descriptions of Persephone being brutally snatched and carried off, crying and screaming in desperation.

I don’t necessarily see the modern sanitization of the story of Hades and Persephone as a problem strictly speaking, but I do think that it is important to keep in mind that the versions of the story that were told in ancient times were much darker than the versions many people are telling today.

What Really Happened to the Athena Parthenos?

The Athena Parthenos, a colossal gold and ivory statue of the goddess Athena created between 447 and 438 BC by the renowned ancient Athenian sculptor Pheidias (lived c. 480 – c. 430 BC) that originally stood in the naos of the Parthenon on the Athenian Akropolis, is one of the most famous of all ancient Greek statues.

Unlike the Venus de Milo, which, as I talk about in this article from September 2019, wasn’t famous in antiquity and is mostly only famous today because of a French propaganda campaign in the nineteenth century, the Athena Parthenos really was famous in antiquity. In fact, it is only famous today because of its ancient reputation, since the statue itself has not survived.

Many people have wondered what happened to the Athena Parthenos, but its ultimate fate is actually far less mysterious than many people have been led to believe. The story of how the Athena Parthenos was destroyed, recreated, and destroyed again is as fascinating as any story from the ancient world.

What Did Cleopatra Really Look Like?

There are a lot of misconceptions about Kleopatra VII Philopator of Egypt, the ancient queen most commonly known in English as simply “Cleopatra.” For instance, as I discuss in this article from March 2019, she actually lived closer to the present day than to the time of the construction of the pyramids of Giza. Meanwhile, as I discuss in this article from August 2019, the popular story about Cleopatra committing suicide by allowing an Egyptian asp to bite her on the breast is probably apocryphal and it is more likely that she actually committed suicide by drinking poison or by cutting herself and applying poison to the wound.

Perhaps the greatest misconception of all about Cleopatra, though, is what she looked like. Modern people have a very clear image of what Cleopatra looked like: a beautiful, pale, small-nosed woman like Elizabeth Taylor dressed in a revealing outfit with thick makeup, straight, black hair, bangs, and braids with gold ornaments going down to her shoulders. Unfortunately for fans of classic films, this image is inaccurate in almost every single way.

We actually have pretty good idea of what the historical Cleopatra looked like and it’s nothing at all like the image most people have in mind. For one thing, she didn’t have bangs. She did have a large, hooked nose, a prominent chin, and curly hair that she normally wore in a bun at the back of her head. There’s even a possibility that she may have been a redhead.

Here Are a Few of the Major Cultural Sites in Iran that Donald Trump May Be Threatening to Destroy

On Saturday, 4 January 2020, Donald J. Trump, the current president of the United States of America, announced on Twitter that the United States has targeted fifty-two Iranian cultural sites and that, if Iran makes any move against any American or against any American asset, the United States will destroy those sites. Trump declared, over the course of two tweets, the following words:

“Let this serve as a WARNING that if Iran strikes any Americans, or American assets, we have….”
“….targeted 52 Iranian sites (representing the 52 American hostages taken by Iran many years ago), some at a very high level & important to Iran & the Iranian culture, and those targets, and Iran itself, WILL BE HIT VERY FAST AND VERY HARD. The USA wants no more threats!”

Donald Trump is literally holding Iran’s cultural sites hostage, threatening to destroy them if Iran does not comply with his demands. This sounds more like the kind of threat you’d expect to hear from the Joker than from the president of the United States.

Destroying Iranian cultural sites would certainly constitute a war crime under international law. The United Nations made this very clear in 2017 when they adopted a resolution for the protection of heritage in response to the deliberate destruction of cultural sites in Iraq and Syria by the Islamic State of Iraq and Syria (ISIS). You know you live in a messed-up world when the president of the United States is literally threatening to do what ISIS did.