What Really Happened to the Athena Parthenos?

The Athena Parthenos, a colossal gold and ivory statue of the goddess Athena created between 447 and 438 BC by the renowned ancient Athenian sculptor Pheidias (lived c. 480 – c. 430 BC) that originally stood in the naos of the Parthenon on the Athenian Akropolis, is one of the most famous of all ancient Greek statues.

Unlike the Venus de Milo, which, as I talk about in this article from September 2019, wasn’t famous in antiquity and is mostly only famous today because of a French propaganda campaign in the nineteenth century, the Athena Parthenos really was famous in antiquity. In fact, it is only famous today because of its ancient reputation, since the statue itself has not survived.

Many people have wondered what happened to the Athena Parthenos, but its ultimate fate is actually far less mysterious than many people have been led to believe. The story of how the Athena Parthenos was destroyed, recreated, and destroyed again is as fascinating as any story from the ancient world.

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Were the Greeks Really Obsessed with the Golden Ratio?

The so-called “Golden Ratio,” or φ, occurs when the ratio of the greater of two quantities to the lesser of two quantities is equivalent to the ratio of the sum of the two quantities to the greater of the two quantities. Expressed using incomprehensible math symbols, it looks like this:

Many people believe that the “Golden Ratio” is the pinnacle of aesthetic perfection and that, the closer something is to the Golden Ratio, the more beautiful it is automatically. Many people also believe that the ancient Greeks were obsessed with the Golden Ratio and that they incorporated it into all their buildings and works of art. Unfortunately for those who love a good math story, we have no good evidence to support either of these conclusions.

In fact, the Golden Ratio is not even mentioned in any Greek text until as late as the early third century BC. The Greeks were arguably fascinated with the idea of using mathematical proportions in art to a certain extent, but they were by no means obsessed with the Golden Ratio in particular. The story of how we came to believe that the Greeks were obsessed with the Golden Ratio, though, is as fascinating as it is bizarre. It involves a friend of Leonardo da Vinci, an eccentric nineteenth-century German psychologist, and Donald Duck.

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Why Do Ancient Greek Sculptures All Have Such Tiny Penises?

Whenever I talk about ancient Greek sculpture, there is always one question that everyone always asks me. It is not “How did the style of Hellenistic sculptures differ from the style of earlier Classical sculptures?” Nor is it “Can you tell me more about how ancient Greek sculptures were originally painted?” No, of course, not. The question everyone always asks me is “Why do they all have such tiny penises?” I have been asked this question so many times that I feel compelled to answer it.

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The Real Reason Why the Venus de Milo Is So Famous

Everyone has heard of the Venus de Milo. It is easily one of the most famous, most instantly recognizable sculptures of all time. It been referenced, imitated, and spoofed countless times in popular culture. Have you ever stopped to wonder why it is so famous, though? Why is it that we all revere this one particular statue? Well, as it turns out, the present-day hype over the Venus de Milo is, to a large extent, the result of wounded French national pride in the early nineteenth century.

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Why Do So Many Ancient Sculptures Have Their Noses Missing?

Ancient sculptures can be puzzling sometimes and they tend to generate a lot of questions. One question that I have frequently encountered is “Why do so many ancient sculptures have their noses missing?” It is a simple question, but one that a lot of people are interested in hearing the answer to.

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