classical reception Archives - Tales of Times Forgotten

What’s the Problem with Elon Musk’s ‘Iliad’ Advice?

On August 24th, 2024, Elon Musk, who is currently one of the richest, most powerful, and most influential human beings on the planet, tweeted, “Can’t recommend The Iliad enough! Best as Penguin audiobook at 1.25 speed.” He accompanied these words with a link to the audiobook edition of E. V. Rieu’s 1946 prose translation of the Odyssey (a different poem from the Iliad), published by Penguin Classics. This tweet has created a lot of discourse in the online classics community, with many classicists criticizing Musk while others are left wondering what there is to criticize. In this post, I will explain what the problems are with Musk’s recommendation, which basically break down into two separate issues: right-wing dog whistling and bad practical advice.

When and How Did Modern Westerners Learn about Egyptian Myth?

In the western world today, Egyptian mythology is roughly as well-known as Greek or Norse mythology. This, however, was not always the case. Two hundred years ago, even the foremost western experts on ancient Egypt knew relatively little about Egyptian myth and the vast majority of non-academic westerners knew nothing at all about the subject. It has only been over the past couple hundred years that academic knowledge on the subject has grown and become widely disseminated. In this post, I will discuss the fascinating history of how westerners became aware of Egyptian myth.

Have Scholars Really Only Just Now Figured Out That Sappho’s Supposed Husband’s Name Is Dirty Joke?

As many readers are already aware, I am a queer woman who is currently a graduate student in Ancient Greek and Roman Studies. For a couple of years now, I have been following the subreddit r/SapphoAndHerFriend, which is named after the ancient Greek lyric poet Sappho, who is known for her homoerotic work, and is dedicated to showcasing humorous or mildly infuriating examples of queer erasure. It’s an amusing space. Unfortunately, people are constantly making posts in the subreddit about Sappho that are, shall we say, factually dubious. For instance, users frequently make posts in which they make fun of “historians” for having supposedly believed for ages in total earnestness that Sappho had a husband named “Kerkylas of Andros,” which they say translates as “Dick Allcock from the Isle of Man.”

Posts of this kind are a frequent occurrence, but this one happens to be the most recent. These posts regularly ignore the fact that the claim they mock “historians” for having supposedly believed only occurs in one extremely late, notoriously uncritical premodern source and modern scholars have generally recognized it as an obscene joke for nearly 170 years. Additionally, I think that people should be aware of some rather discomforting information about the man whose translation of the name they keep sharing.

How Likely Is It That Scholars Will Find More of Sappho’s Lost Poems?

Sappho (lived c. 630 – c. 570 BCE) was a female early Greek lyric poet who flourished on the island of Lesbos, located just off the west coast of Asia Minor, and composed many poems in the Aeolic dialect of the Greek language. Her output was so prolific that the standard edition of her work in antiquity, which literary scholars working at the Library of Alexandria in Egypt produced in around the third century BCE, is thought to have spanned nine “books” or rolls of papyrus. Ancient audiences esteemed her as one of the greatest of all lyric poets, if not the greatest. She was known as the “Tenth Muse” and some even regarded her work as on par with that of Homer (the putative author of the Iliad and the Odyssey and most revered of all ancient Greek poets).

Sadly, nearly all of her poems have been lost. Only one poem, Fragment 1 (the “Ode to Aphrodite”) has survived to the present day totally complete. Only a handful of others—including Fragment 16 (the “Anaktoria Poem”), Fragment 31 (“Phainetai Moi”), Fragment 58 (the “Tithonos Poem”), and the “Brothers Poem”—are nearly complete. Most of what survives are tiny fragments of only a few lines or less. Nonetheless, today, many scholars of ancient literature regard Sappho’s more complete poems as among the greatest that have survived from antiquity. The fact that she is one of the very few female ancient Greek or Roman authors who have any works that have survived to the present day and the fact that she composed poems in which her female speaker openly discusses her erotic desire for other women have both further magnified contemporary interest in her work.

As a result of this, many people have wondered: How likely is it that more of Sappho’s poems will be recovered? To answer this question, in this post, I will discuss the history of how her work was transmitted in antiquity, how most of it became lost, how the parts that have survived have managed to survive, and, finally, how likely it is that someone will discover and publish any substantial material by her that is not currently known anytime in the next half century.

How Did Ammonites Receive Their Name?

Ammonites is the colloquial name for the members of Ammonoidea, a subclass of ancient cephalopods with shells resembling the curled horn of a ram that first appeared during the Devonian Period (lasted 419.2 million years ago – 358.9 million years ago) and flourished in the earth’s oceans until the Cretaceous-Paleogene (K-Pg) extinction event wiped out their last species around 66 million years ago. Because ammonites were extremely widespread in oceans for over three hundred million years, their fossilized shells are extremely common in many areas all over the world.

Tens of millions of years later, in the much more recent past, the ancient Egyptians and Kushites worshipped the god Amun, whom they depicted as having either the head or sometimes just the horns of a ram. The Greeks and Romans later came to worship this god, calling him Ammon and identifying him with their god Zeus/Iupiter. They identified fossilized ammonite shells as resembling Ammon’s horns and consequently believed that they were a kind of sacred stone with the power to induce prophetic dreams. It is from the name Ammon that ammonites have received their modern common and scientific names. Read on to learn more about this fascinating ancient deity and his connection to prehistoric fossils!

The Shocking Ancient Pagan Origin of the Legend of Stingy Jack

Halloween is upon us once again. As I have mentioned many times before on this blog, the popular notion that Halloween is a superficially Christianized ancient pagan holiday and that the practices associated with it today are of ancient pagan origin is largely a misconception. In reality, there is very little about Halloween as it is celebrated in the United States in the twenty-first century that can reliably be traced back to any ancient pre-Christian culture or belief system. There are, however, a few concepts and stories associated with Halloween that do have genuine, well-attested, pre-Christian, pagan origins.

Notably, as I discuss in this blog post I made in October 2021, many of the monsters that have become associated with the holiday—including ghosts, werewolves, and revenants—are really of ancient pre-Christian origin. In this post, I will discuss another such example: the traditional Irish Halloween legend of Stingy Jack, which is a Christianized version of a very ancient and widely attested folktale in which a clever human trickster manages to trap a malevolent or threatening supernatural being who has come to take him away to an undesirable afterlife location. Older, expressly pagan versions of this legend are attested as far back as ancient Greece in sixth century BCE.

No, Athena Didn’t Turn Medusa into a Monster to Protect Her

One of the most famous stories in all of ancient Greek and Roman mythology and literature is the tale of the origin of the Gorgon Medusa that the Roman poet Publius Ovidius Naso (lived 43 BCE – c. 17 CE), who is better known in English simply as “Ovid,” tells in his long narrative poem Metamorphoses, which he composed in the Latin language in dactylic hexameter verse in around the year 8 CE or thereabouts.

According to Ovid, Medusa was originally an extraordinarily beautiful mortal woman who was known for her gorgeous hair. Then, however, the god Neptunus (whom the Romans equated with the Greek god Poseidon) raped her in the temple of the goddess Minerva (whom the Romans equated with the Greek goddess Athena) and Minerva punished her by turning her into a hideous monster with snakes entwined in her hair and making it so that any mortal who saw her would instantly turn to stone.

A claim has circulated online for years now claiming that modern people have misunderstood this myth and that, actually, Minerva turned Medusa into a monster and made it so that anyone who saw her would instantly turn to stone in order to protect her so that men would never prey on her again. This claim, however, is not supported by any evidence in any ancient source and, in fact, Ovid’s account expressly says that Minerva cursed Medusa in order to punish her for her involvement in desecrating her temple, even though her involvement was totally nonconsensual. Furthermore, the context in which Ovid tells the story strongly suggests that he intended his readers to sympathize with Medusa and question the justice of Minerva’s punishment.

Was Corinth Really an Ancient City of Vice?

The claim that the ancient Greek city of Corinth was known in antiquity as a place of unparalleled depravity, vice, and licentiousness has regularly occurred in English-language Bible dictionaries, commentaries, and sermons for a century and a half at least. New works have repeated the claim again and again. Recently, it has even begun to make inroads into popular secular media through, for instance, the new Netflix series The Sandman.

Now, I love a good story about an ancient city of vice and perversion as much as the next person, but, unfortunately, there are at least three major problems with this narrative. The first problem is that Corinth didn’t have a reputation for “sin” or “vice” in general, but rather a very specific reputation for its female hired companions who primarily served an upper-class male clientele.

The second problem is that, while Corinth seems to have had this reputation before the Romans destroyed it in 146 BCE, the evidence for it having had this reputation after the Romans refounded the city in 44 BCE as a colonia under their rule is limited at best. The third and final problem is that Corinth was not unique at all in having a stereotypical association with a certain kind of low or disreputable activity; on the contrary, nearly every city in the ancient Greek world had some kind of disreputable stereotype attached to it.

Does the Word ‘Dinosaur’ Really Mean “Terrible Lizard”?

When I was growing up, I always read and was taught in school that the word dinosaur comes from Greek roots that mean “terrible lizard.” This is how the current revision of the article “dinosaur” on Wikipedia translates the word also. This translation is not strictly incorrect, but it is not necessarily the most accurate translation either.

The English biologist and paleontologist Richard Owen coined the word dinosaur at a meeting for the British Association for the Advancement of Science in the year 1841 by combining the Greek adjective δεινός (deinós), which is usually translated as “terrible,” with the noun σαύρα (saúra), which means “lizard” or “reptile.”

The meaning of the word σαύρα is more-or-less straightforward, but the word δεινός is a bit more complicated than the simple translation of “terrible” might lead a person to believe. In some contexts, “terrible” is an adequate translation, but, unlike the English word terrible, which has exclusively negative meanings, δεινός can also have positive meanings. As such, “formidable” is probably a better translation of the word in general.

In Ancient Greece, Children Wearing Drag Was a Religious Obligation!

As I discuss in great detail in this recent post I wrote about the ongoing right-wing attack on LGBTQ+ people in the United States, in the past month, right-wingers have been having a full-on moral panic about the existence of child-friendly drag performances. These rightists perceive drag itself as inherently sexual and therefore inherently inappropriate for children. Many of them are claiming that allowing a child to view any form of drag is somehow “child abuse” or “grooming.” In the heat of this moral panic, neo-fascists have disrupted and even planned violent attacks on drag performances that are billed as child-friendly and Republican lawmakers in multiple red states have proposed bills that would make it a crime to allow any person under the age of eighteen to view any kind of performance involving drag.

As I have already explained at greater length in my previous post, drag is just a variety of costume; it’s a person dressing up as a different gender. There is nothing inherently sexual about it. Although many drag performances for adult audiences do make use of sexual humor and innuendo and are therefore inappropriate for young children, such innuendo is not integral to drag itself and some drag performances can be genuinely child-friendly. Moreover, laws banning drag performances in the presence of children, if they are vaguely worded enough, could be used to criminally prosecute trans and gender-nonconforming people for wearing clothes associated with a gender other than the one they were assigned at birth in any public place where children could conceivably be present.

In this post, I thought I would mention, from an ancient historical angle, that the ancient Greeks would be absolutely baffled by twenty-first-century U.S. right-wingers’ paroxysms over child-friendly drag. All the female roles in Greek drama were originally portrayed by men in drag at religious festivals where at least older children were present, it was a religious custom for men to dress in drag for certain religious festivals and occasions where children could be present, and the ancient Athenians even had a festival at which two adolescent boys were religiously mandated to dress in drag themselves.