Did Julius Caesar Really Say “The Die Is Cast”?

One of the most famous anecdotes in all of ancient history holds that, when the Roman general and politician Julius Caesar crossed the Rubicon stream, which marked the boundary of Italy, in January 49 BCE during his march on Rome, he declared “Iacta alea est!” (which means “The die is cast!” in Latin). A version of this story does occur in the ancient historical sources, but those sources indicate that, instead of the Latin phrase I have quoted here, Caesar actually used a Greek phrase with a subtly different meaning, which holds different implications for his understanding of the significance of his famous Rubicon crossing.

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How Were Eunuchs Perceived in the Ancient Mediterranean World?

Eunuchs in the ancient world have become something of a major topic of interest for me over the past few years. The perception of eunuchs in various cultures throughout history has varied drastically, depending on the culture, the time period, and the kind of eunuch in question. In this post, I will describe the perception of eunuchs in the ancient Mediterranean world, which is my area of historical specialization.

In general, in the ancient Mediterranean world, eunuchs were heavily socially marginalized. They were often of enslaved status and, because of their castration, they were commonly seen as no longer men, but rather lesser, inferior creatures. Eunuchs, women, and children were commonly seen as belonging to the same essential category and eunuchs were often seen as more similar to women than to non-castrated men. In the highly misogynistic ancient world, this made them seen as inferior and, in some cases, even outright disgusting and debased.

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How Have Works of Greek Drama Survived?

It is widely known that the vast majority of all works of ancient drama have been lost forever. We have record of literally hundreds of playwrights who wrote plays in the Greek language in ancient times, but only five of these playwrights have any plays that have survived to the present day complete or nearly complete under their own names. Three of these playwrights were tragedians: Aischylos, Sophokles, and Euripides. The other two playwrights—Aristophanes, and Menandros—were both comedians. All five were Athenian citizen men who lived in the fifth and fourth centuries BCE.

Many people who do not have any degrees in classics have heard these authors’ names and maybe even read some of their plays in translation, but very few people who do not have degrees in classics know how and why any of these authors’ works have survived to the present day when so many other works of ancient Greek drama have been lost.

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