classical reception Archives - Page 4 of 7

What Would Socrates Say about Modern Things?

Apart from Jesus, the ancient Athenian philosopher Socrates (lived c. 470 – 399 BCE) is possibly the one person who lived in ancient times who is most widely venerated today. Many people see him as a figure who is worthy of contemporary emulation. In the same way that Christians have often tried to justify their own actions and opinions by insisting that Jesus would be on their side, philosophers have tried to justify their actions and opinions by insisting that Socrates would be on their side—whatever their side happens to be.

Contemporary professors and philosophers have tried to posthumously marshal Socrates as a supporter for all kinds of contemporary causes, including going to graduate school in the humanities, opposing supposed university “cancel culture,” and even opposing vaccine mandates—but what was the historical Socrates like and what would he think of all the causes people are invoking his name in support of? More importantly, would Socrates’s opinion on any of these issues actually be worth listening to?

No, Alexander the Great Didn’t See Flying Saucers

If you’ve ever been on the internet or happened to turn on virtually any show that has aired on the History Channel within the past ten years, you’re probably aware that there are tons of people who are, shall we say, highly enthusiastic about so-called “unidentified flying objects” or “UFOs.” These UFO enthusiasts love to repeat a story which claims that the ancient Makedonian king Alexander the Great and his soldiers saw UFOs in the sky that looked like giant silvery shields at some point while he was on his campaigns.

The story that UFO enthusiasts keep repeating, however, is demonstrably entirely fictional. No version of the story ever appears in any ancient or medieval source. In fact, the earliest known mention of the story dates to the year 1959. Other people have debunked this story before, but I am going to debunk it again because UFO enthusiasts keep repeating it.

The Shocking Truth about Ancient Greek Makeup

There are tons of articles, blog posts, and YouTube videos online about ancient Greek makeup. Unfortunately, I have found that all of them are of utterly abysmal quality. None of the articles that I could find contained any citations to specific passages in ancient sources and all of them contained wildly egregious errors of fact and misconceptions seemingly derived from earlier online sources that, in turn, did not cite any ancient sources.

I have decided to remedy this situation by writing my own article about ancient Greek makeup. Everything I am about to say in this article will be concretely supported by specific passages from actual ancient Greek texts. If you’ve ever wanted to make yourself look like an ancient Greek beauty, or simply wondered what Greek women would look like in movies if they were portrayed historically accurately, then this is exactly the article for you!

Was Sappho Really a Lesbian?

One of the questions that I have frequently encountered online in discussions about ancient Greece is the question of whether the ancient Greek lyric poet Sappho (lived c. 630 – c. 570 BCE) was really a lesbian. On the surface level, the answer to this question seems like an obvious “yes.” After all, Sappho wrote poems in which she very expressly describes her erotic desire for other women, the word lesbian itself literally comes from the name of the island where she lived, and its synonym, the word sapphic, comes from her own name. There is even an entire subreddit about queer erasure called r/SapphoAndHerFriend, making fun of people who try to deny that Sappho was a lesbian.

I fully agree that there is no sense in which Sappho can be accurately described as “straight.” On the other hand, though, it would be an oversimplification to say that she was a lesbian in the contemporary sense. For one thing, the ancient Greeks generally did not think about sexuality in terms of which gender (or genders) a person was erotically attracted to, but rather in terms of whether they took the active or passive role during sex. There were no words in Ancient Greek in Sappho’s time that meant “gay,” “bi,” or “straight.” As such, it is highly unlikely that anyone in her time would have seen erotic attraction to women as a sign of any kind of innate identity.

Furthermore, the character “Sappho” who is the main speaker in Sappho’s poems is most likely a fictionalized literary persona, meaning that it is difficult to untangle the relationship between the speaker in the poems and the historical poet who composed them. Finally, given the fact that the vast majority of Sappho’s poems have not survived to the present day and ancient people told many stories about her having supposedly had affairs with men, it is possible that her character may have expressed erotic desire for men in poems or parts of poems that have not survived, which would make her what twenty-first-century westerners would consider bisexual.

How Accurate Are “Photorealistic” Portraits of Roman Emperors?

In 2020, the digital artist Daniel Voshart used a neural net called Artbreeder to create a series of “photorealistic” portraits of fifty-four Roman emperors spanning from Augustus (ruled 27 BCE – 14 CE) to Carinus (who died in 285 CE). As the term “photorealistic” suggests, his portraits look almost like photographs. Unfortunately, a lot of people do not realize that these portraits are modern artistic impressions, not scientific recreations of what the Roman emperors really historically looked like.

I’ve seen many people over the past year cite Voshart’s portraits and others like them as though they were authoritative, scientific recreations of what the Roman emperors really looked like. In particular, I’ve noticed a worrying number of white supremacists trying to cite these kinds of portraits as “evidence” that the ancient Romans were all white. In this article I would like to discuss why Voshart’s portraits—and others like them—should be taken with several grains of salt.

Was Jesus a Communist?

People have been claiming that Jesus of Nazareth was actually a communist or socialist for a very long time. Notably, Francis Bellamy (lived 1855 – 1931), who is best known today as the author of the United States Pledge of Allegiance, was a Baptist minister and self-proclaimed “Christian Socialist” who attracted a great deal of negative attention during his lifetime for frequently claiming that Jesus was a socialist. In more recent years, various pro-communist memes about Jesus being a communist have gone viral on the internet.

I’ve seen so many different expressions of the idea that Jesus was a communist over the years that I’ve decided to write an in-depth article examining whether this is an accurate characterization of Jesus’s teachings. There are indeed some genuine similarities between the views that are attributed to Jesus in the Synoptic Gospels and communism. There are, however, a number of enormous differences between Jesus and contemporary revolutionary communists that make the claim that Jesus was a communist a profound mischaracterization of his teachings.

Dark Academia, the “Western Canon,” and the Decline of the Humanities

In around mid-July, I found out that there is apparently a huge internet “aesthetic” movement called “dark academia” that centers around a highly romanticized impression of what humanities scholars and students—especially those in the fields of classics, English, history, and philosophy—dressed and lived like in the twentieth century. Aspects of the aesthetic include wearing old-fashioned, dark-colored, stereotypically “academic” clothing and appreciating “classic” literature, art, and music.

For those who aren’t already aware, I am currently about to enter my senior year at Indiana University Bloomington double-majoring in history and classical studies (i.e., Ancient Greek and Latin), with honors in history. My current plan is to apply to graduate programs in ancient history later this year. Even though I don’t deliberately dress in a dark academia style and I don’t identify with the aesthetic in any particular way, being a humanities student does make me feel like I have a connection to it.

I was so struck by my surprise discovery of dark academia’s apparent popularity that I’ve spent a good part of the past two weeks researching it and its history. Naturally, I have a lot of thoughts, especially about how the current popularity of the aesthetic seems to be at least in part a reaction to the slow ongoing decline of the academic humanities.

Alluring Anecdotes about the Olympic Games

The 2020 Summer Olympic Games in Tokyo are now officially underway, having been delayed by a year due to the COVID-19 pandemic. Anyone who knows me will tell you that I have absolutely no interest in sports and, in all likelihood, I will not watch any part of the ongoing Olympics. Nonetheless, I do know a little bit about Olympic history, due to my intense study of ancient Greece and Rome and, on account of the occasion, I’ve decided to share a few of my favorite anecdotes about Olympic history.

The first is a legend about why ancient Olympic athletes were required to compete naked, the second is about a woman who disguised herself as a man in order to attend the Olympic Games, the third is about how women were sometimes able to compete in the ancient Olympic Games due to a loophole, and the fourth is about how the modern Olympic Games at one point included competitions for literature and the arts.

Ancient Greek Men Were Not All Buff

One of the most common misconceptions I have encountered about the ancient Greeks is the notion that ancient Greek men were all incredibly buff, muscle-bound bodybuilders. This misconception seems to arise from the naïve assumption that ancient Greek statues depict how average ancient Greek men really looked, perhaps also influenced by the similarly naïve assumption that the 2007 epic fantasy action film 300, written and directed by Zack Snyder, is a historically accurate depiction of ancient Greece.

The reality is that there was never a time when the majority of Greek men really looked like the physical specimens portrayed in Archaic and Classical Greek sculptures. These sculptures represent what upper-class Greek people regarded as physically ideal, not what the average Greek person actually looked like.

The Real Origin of the Nazi Salute

In the 1920s, 30s, and 40s, the National Fascist Party (i.e., the PNF) in Italy and the National Socialist German Workers’ Party (i.e., the NSDAP or Nazi Party) in Germany both used a salute that consisted of a straight, rigid arm raised into the air above the shoulders with the hand parallel to the rest of the arm and the palm facing toward the ground. The Italian Fascists and the German Nazis both believed that this salute originated with the ancient Romans and tried to use the salute’s supposed Roman origins in order to bolster their own prestige and portray themselves as continuing the Roman legacy. Various modern-day fascists and Neo-Nazis have tried to do the same thing.

There is, however, no evidence that anyone in ancient Rome ever used the form of the straight-arm salute that was used by the Italian Fascists and German Nazis. The true origins of the Nazi salute are far more strange. The salute’s traceable history begins with a late eighteenth-century French Neoclassical painter. Over the course of the late nineteenth and early twentieth centuries, it became incorporated into numerous stage plays and films set in ancient Rome, leading the Italian Fascists to adopt it, believing that it was Roman. The Nazis, in turn, adopted it from the Italian Fascists.