ancient Greek culture Archives - Tales of Times Forgotten

Don’t Blame “Paganism” for the United States’ Problems

On December 25th, 2023, The Atlantic published an op-ed by David Wolpe, a prominent American rabbi, titled “The Return of the Pagans.” In the op-ed, Wolpe asserts that both the political left and right in the United States have embraced fundamentally “pagan” ideas about the world (by which he means ideas derived from and characteristic of the traditional non-monotheistic religions of the ancient Mediterranean, particularly Greece and Rome) and that this supposed “pagan” influence is the cause of many of the problems that the United States faces today.

For those who don’t know, I’m a graduate student in Ancient Greek and Roman Studies and my main research focus is ancient Greek religion. Given this interest, I was quite intrigued to see an article published in a major news outlet with a title proclaiming that “paganism” has returned. Sadly, I soon found that Wolpe’s idea of “paganism” is a wildly inaccurate caricature that has more to do with nineteenth- and twentieth-century philosophies than with the non-monotheistic religions of the ancient Mediterranean world. The op-ed got under my skin, so I decided to let it furnish an opportunity to educate interested readers about what ancient polytheistic religions were like—and, just as importantly, what they weren’t like.

The Ancient Greeks Invented the Fashion Doll Over 2,500 Years Before Barbie

In my characteristic fashion, I am behind on contemporary popular culture. The movie Barbie, directed by Greta Gerwig, came out in July of this year while I was in Greece. It attracted much discussion online and became both the highest-grossing film of this year and the highest-grossing comedy film of all time, but I only just recently watched it for the first time on HBO Max, over five months after it came out. Overall, I found it entertaining and surprisingly thoughtful for a comedy based on a brand of children’s toy.

The film begins with a parody documentary sequence in which the disembodied narrator (played by Helen Mirren) hyperbolically claims that, before Barbie, the only dolls that ever existed were baby dolls. I expect that most viewers will easily recognize this claim as satire, but, in case anyone takes it seriously, I thought I should point out that dolls of adult women with fully articulable joints who could be dressed in various outfits were actually all the rage among children in ancient Greece two thousand five hundred years ago. We know this because literally hundreds of dolls of this kind have survived to the present day and, today, they are held in museum collections all over the world.

Persephone Is in the Underworld During the Summer, Not the Winter

For those of us who live in the northern hemisphere, winter will soon be upon us. The ancient Greek myth of the goddess Persephone, who spends one third of the year in the underworld and the remaining two thirds of the year with her mother Demeter, is a well-known etiological myth (i.e., a myth that explains how things came to be the way they are) for the changing of the seasons.

Most modern people who know the myth of Persephone think that the ancient Greeks believed that she was in the underworld during the winter and with Demeter for the rest of the year. Even many professional classicists think this. I, however, like some other scholars, am convinced that this is incorrect. The surviving ancient sources for the myth are unclear about which part of the year Persephone spends in the underworld and it makes far more sense given everything we know about the ancient Greek agricultural and religious calendars to conclude that the Greeks believed that she was in the underworld during the summer, not the winter.

How Did Ancient Greek Women Make Themselves Look Seductive?

Imagine that you’re a woman in ancient Greece and, for some reason, you find yourself in a situation where you need (or want) to seduce someone. How would you go about doing it? What kind of clothes or cosmetics would you wear to do it? Some readers may be surprised to learn that there are actually a significant number of surviving texts from ancient Greece that describe in considerable detail how goddesses and mortal women made themselves look sexy in order to seduce people and, in this post, I will put my years of classics education to excellent use by introducing all my wonderful readers to them.

In general, these texts indicate that, if a woman wanted to look sexually attractive in order to seduce someone, she might engage in preparations such as bathing herself, anointing her skin with oil, putting on perfume, dressing herself in beautiful, expensive, and sometimes diaphanous clothing, putting on ornate and expensive jewelry, powdering her face with white lead to make herself look paler, painting alkanet dye rouge on her cheeks to make them look rosier, and removing her body hair.

The Most Twisted Scene in Any Ancient Greek Novel

It’s no secret that ancient Greek literature is full of all kinds of twisted and disturbing stories. I even previously wrote a post on this blog about some such stories in classical myth back in September 2019. There are, however, some truly messed-up incidents in ancient Greek literature that are not well known. In this post, I want to discuss an obscure episode of this nature that I think more people should hear.

Sometime around the second century CE or thereabouts, the Greek writer Xenophon of Ephesos (who is not to be confused with Xenophon of Athens, the much more famous Athenian writer of the fourth century BCE) wrote a novel known as the Ephesiaka or Ephesian Tale. The novel is, for the most part, not especially interesting. In fact, I think it’s probably the least interesting overall of all the surviving Greek novels; it mostly consists of a monotonous repetition of the same tropes that other ancient novelists do better. In book five, chapter one, however, Xenophon unexpectedly drops what is perhaps the freakiest moment in any surviving ancient Greek novel. It involves a man, a mummy, and some casual necrophilia.

The Lost Ancient Greek Novel with a Lesbian Love Plot in It

As I wrote about previously in this post from January 2020, the literary form of the novel (by which I mean a long work of narrative prose fiction) is vastly older than a lot of people believe. In fact, a significant number of novels written in the Ancient Greek and Latin languages by various authors from the first century BCE onward have survived to the present day. In fact, as of the time I am writing this, I have just completed a graduate-level course on the ancient Greek novel.

The central theme of many of the ancient Greek-language novels that have survived is ἔρως (érōs), which refers to sexual and romantic desire. (The ancient Greeks did not distinguish between the two.) The novels in which ἔρως is a central theme center around a pair of protagonists—invariably a young man and a young woman—who deeply and passionately erotically desire each other.

Many of the surviving novels, however, feature side characters who also have experiences with ἔρως, including some who either currently have or have previously had a partner of the same gender as themself. For instance, in the novel Leukippe and Kleitophon, written by Achilleus Tatios, a Greek-language writer from Alexandria in around the late second century CE, the male protagonist Kleitophon initially learns about ἔρως from his older male cousin Kleinias, who has a boyfriend. Fascinatingly, one ancient novel that has not survived—the Babyloniaka or Babylonian Tale, which a Syrian writer named Iamblichos wrote in the Greek language sometime between c. 165 and c. 180 CE—is known to have included a subplot involving two women characters who erotically desire one another and possibly end up marrying each other.

The Shocking True Origin of Dionysos

The ancient Greeks from at least the fifth century BCE onward commonly believed that the worship of the god Dionysos originated in Asia and was introduced to the Greek world relatively late. For most of the twentieth century, scholars simply accepted this belief at face value and deemed the elements of Dionysos’s cult that they perceived as strange and exotic as definitive marks of his cult’s eastern origin. If you pick up any book about Greek religion that was published before around 1960, it will almost certainly claim that Dionysos was a late addition to the Greek pantheon. Even today, people online still commonly repeat this claim as though it were fact.

For at least the past thirty years, though, scholars of ancient Greek religion have known for certain that Dionysos was not, in fact, a late entry to the Greek pantheon from the east at all. Instead, extremely ancient clay tablets written in a very early form of Greek definitively attest that the Greeks were already worshipping Dionysos as early as the fourteenth century BCE—a thousand years before Plato was even born. In light of this fact, the fact that the ancient Greeks believed that Dionysos was a recent addition to their pantheon takes on new meaning and potentially reveals much about how the Greeks thought about foreignness.

At What Age Did Ancient Greek Women Typically Marry?

It is well and widely known that ancient Greek parents typically compelled their daughters to marry at a shockingly young age, one at which they would legally be considered minors in most countries in the twenty-first century. Greek men, by contrast, typically married much older, usually when they were in their late twenties or thirties. As a result, the groom at an ancient Greek wedding was usually at least a decade older than the bride he was marrying—and in many cases much older than that.

Unmarried girls were effectively considered their father’s property. Marriages were usually arranged primarily between a girl’s father and her male suitor. The extent to which a father allowed his daughter to decide which man she would marry probably varied significantly depending on factors such as time period, region, and the specific father in question’s personality and attitudes; in some cases, girls probably had significant say over which man they married, but it is likely that, in other cases, they had little or no say.

Exactly how young did ancient Greek women really marry, though? Popular histories and even many academics routinely assert as fact that Greek parents typically forced their daughters to marry as soon as they began puberty, before they even turned fifteen. In this post, however, I will argue that this is based mainly on one literary passage describing a bride who was probably unusually young and was not typical for most city-states. Instead, a more comprehensive view of the evidence suggests that Greek girls actually most commonly married when they were a bit older, broadly between the ages of fourteen and nineteen. The ages at which girls married also varied significantly across regions; ancient authors record that, in certain parts of the Greek world, girls typically married significantly younger or older than they did in other parts.

What Was the “Epic Cycle” Really?

If you’re at all familiar with early ancient Greek literature, there’s a very strong likelihood that you’ve heard at some point that some ancient authors considered the Iliad and the Odyssey to belong to something called the “Epic Cycle.” This term refers to a particular group of eight epic poems in dactylic hexameter verse that originated from oral tradition during the Greek Archaic Period (lasted c. 800 – c. 490 BCE) and that all tell stories about the Trojan War and the mortal heroes who are said to have fought in it.

The poems that are included in the Epic Cycle are, in narrative order of the events they describe: the Kypria, the Iliad, the Aithiopis, the Little Iliad, the Iliou Persis or Sack of Ilion, the Nostoi or Homecomings, the Odyssey, and the Telegoneia. Sadly, of these poems, only the Iliad and the Odyssey have survived to the present day complete. Only a few tiny fragments of the other epics, preserved through quotation by later authors, and prose summaries of their contents remain.

Unfortunately, very few explanations of the Epic Cycle for a general audience exist and the vast majority of the ones that do exist are misleading and written by non-classicists. As a result, most people who are not classics specialists aren’t aware that it existed and most of those who are aware have some serious misunderstandings about what it was. That is why, in this post, I am going to discuss what the Epic Cycle was and—just as importantly—what it wasn’t. For the purposes of this post, I will assume that my readers have some basic knowledge about Greek myths of the Trojan War and at least a vague awareness of the Iliad and the Odyssey, but I will not assume that they have any familiarity with Greek literature, philology, or history beyond this.

How Likely Is It That Scholars Will Find More of Sappho’s Lost Poems?

Sappho (lived c. 630 – c. 570 BCE) was a female early Greek lyric poet who flourished on the island of Lesbos, located just off the west coast of Asia Minor, and composed many poems in the Aeolic dialect of the Greek language. Her output was so prolific that the standard edition of her work in antiquity, which literary scholars working at the Library of Alexandria in Egypt produced in around the third century BCE, is thought to have spanned nine “books” or rolls of papyrus. Ancient audiences esteemed her as one of the greatest of all lyric poets, if not the greatest. She was known as the “Tenth Muse” and some even regarded her work as on par with that of Homer (the putative author of the Iliad and the Odyssey and most revered of all ancient Greek poets).

Sadly, nearly all of her poems have been lost. Only one poem, Fragment 1 (the “Ode to Aphrodite”) has survived to the present day totally complete. Only a handful of others—including Fragment 16 (the “Anaktoria Poem”), Fragment 31 (“Phainetai Moi”), Fragment 58 (the “Tithonos Poem”), and the “Brothers Poem”—are nearly complete. Most of what survives are tiny fragments of only a few lines or less. Nonetheless, today, many scholars of ancient literature regard Sappho’s more complete poems as among the greatest that have survived from antiquity. The fact that she is one of the very few female ancient Greek or Roman authors who have any works that have survived to the present day and the fact that she composed poems in which her female speaker openly discusses her erotic desire for other women have both further magnified contemporary interest in her work.

As a result of this, many people have wondered: How likely is it that more of Sappho’s poems will be recovered? To answer this question, in this post, I will discuss the history of how her work was transmitted in antiquity, how most of it became lost, how the parts that have survived have managed to survive, and, finally, how likely it is that someone will discover and publish any substantial material by her that is not currently known anytime in the next half century.