art history Archives - Page 3 of 4 - Tales of Times Forgotten

The Shroud of Turin Is Definitely a Hoax

The Shroud of Turin is probably the most famous supposed relic in existence. It is a 4.4-meter-long linen shroud bearing the image of a crucified man. Supporters of the shroud claim that it is the actual burial shroud of Jesus of Nazareth and that the image on the shroud is the true image of Jesus, created at the moment of his resurrection.

It is easy to see why this idea is so appealing. If the shroud were authentic, it would be a remarkable source of information about Jesus the human being. Unfortunately, we can be virtually certain that the Shroud of Turin is a hoax that was originally created in France in around the 1350s AD by an artist trained in the Gothic figurative style as part of a faith-healing scam.

We know this primarily because there is no definitive record of the shroud prior to the fourteenth century and the earliest definitive record of the shroud is a letter recording that the forger who made it had confessed, but also because of a wide array of other factors. For instance, the shroud doesn’t match the kinds of funerary wrappings that were used in the Judaea in the first-century AD or the specific description of Jesus’s funerary wrappings given in the Gospel of John. The fabric of the shroud has also been conclusively radiocarbon dated to the Late Middle Ages.

Additionally, the proportions of the figure on the shroud are anatomically incorrect, but they closely match the proportions of figures in Gothic art of the fourteenth-century. The bloodstains on the shroud are not consistent with how blood flows naturally, which suggests the stains have been painted on. Finally, the fabric of the shroud was made using a complex weave that was common in the Late Middle Ages for high-quality textiles but was not used for burial shrouds in the time of Jesus.

What Really Happened to the Athena Parthenos?

The Athena Parthenos, a colossal gold and ivory statue of the goddess Athena created between 447 and 438 BC by the renowned ancient Athenian sculptor Pheidias (lived c. 480 – c. 430 BC) that originally stood in the naos of the Parthenon on the Athenian Akropolis, is one of the most famous of all ancient Greek statues.

Unlike the Venus de Milo, which, as I talk about in this article from September 2019, wasn’t famous in antiquity and is mostly only famous today because of a French propaganda campaign in the nineteenth century, the Athena Parthenos really was famous in antiquity. In fact, it is only famous today because of its ancient reputation, since the statue itself has not survived.

Many people have wondered what happened to the Athena Parthenos, but its ultimate fate is actually far less mysterious than many people have been led to believe. The story of how the Athena Parthenos was destroyed, recreated, and destroyed again is as fascinating as any story from the ancient world.

Here Are a Few of the Major Cultural Sites in Iran that Donald Trump May Be Threatening to Destroy

On Saturday, 4 January 2020, Donald J. Trump, the current president of the United States of America, announced on Twitter that the United States has targeted fifty-two Iranian cultural sites and that, if Iran makes any move against any American or against any American asset, the United States will destroy those sites. Trump declared, over the course of two tweets, the following words:

“Let this serve as a WARNING that if Iran strikes any Americans, or American assets, we have….”
“….targeted 52 Iranian sites (representing the 52 American hostages taken by Iran many years ago), some at a very high level & important to Iran & the Iranian culture, and those targets, and Iran itself, WILL BE HIT VERY FAST AND VERY HARD. The USA wants no more threats!”

Donald Trump is literally holding Iran’s cultural sites hostage, threatening to destroy them if Iran does not comply with his demands. This sounds more like the kind of threat you’d expect to hear from the Joker than from the president of the United States.

Destroying Iranian cultural sites would certainly constitute a war crime under international law. The United Nations made this very clear in 2017 when they adopted a resolution for the protection of heritage in response to the deliberate destruction of cultural sites in Iraq and Syria by the Islamic State of Iraq and Syria (ISIS). You know you live in a messed-up world when the president of the United States is literally threatening to do what ISIS did.

What’s Up with All Those Weird Doodles in the Smithfield Decretals?

Lots of people have seen images of the illustrations from the medieval manuscript known as the Smithfield Decretals online. Many of the images you see in articles about bizarre medieval marginalia come directly from the Smithfield Decretals. If you have seen any of these illustrations, you have probably thought, “Huh. Those are pretty weird. I wonder what’s up with those. Why did the manuscript illustrator put in all these bizarre doodles?” If you have ever wondered this, make sure to read on because I am about to explain the meanings of some of the strangest and most fascinating manuscript illustrations from the Late Middle Ages!

Why Is Tutankhamun So Famous?

Pharaoh Tutankhamun is undoubtedly the most famous of all ancient Egyptian pharaohs. He is one of the very few Egyptian pharaohs that most ordinary people are able to name. Most people have never heard of Hatshepsut and even fewer have heard of her nephew and successor Thutmose III, but everyone has heard of Tutankhamun. He even has a Batman villain named after him!

Things were not always the way they are today, though; up until the discovery of his tomb in 1922, Tutankhamun was utterly obscure. If you asked someone on the street in 1921 who Tutankhamun was, no one would have been able to tell you. Even if you asked an Egyptologist about him, many of them probably would not have known who he was. Ironically, it is precisely because of his former obscurity that Tutankhamun is so famous today.

Were the Greeks Really Obsessed with the Golden Ratio?

The so-called “Golden Ratio,” or φ, occurs when the ratio of the greater of two quantities to the lesser of two quantities is equivalent to the ratio of the sum of the two quantities to the greater of the two quantities. Expressed using incomprehensible math symbols, it looks like this:

Many people believe that the “Golden Ratio” is the pinnacle of aesthetic perfection and that, the closer something is to the Golden Ratio, the more beautiful it is automatically. Many people also believe that the ancient Greeks were obsessed with the Golden Ratio and that they incorporated it into all their buildings and works of art. Unfortunately for those who love a good math story, we have no good evidence to support either of these conclusions.

In fact, the Golden Ratio is not even mentioned in any Greek text until as late as the early third century BC. The Greeks were arguably fascinated with the idea of using mathematical proportions in art to a certain extent, but they were by no means obsessed with the Golden Ratio in particular. The story of how we came to believe that the Greeks were obsessed with the Golden Ratio, though, is as fascinating as it is bizarre. It involves a friend of Leonardo da Vinci, an eccentric nineteenth-century German psychologist, and Donald Duck.

Were Cats Really Killed En Masse During the Middle Ages?

The Middle Ages always seem to be the most misunderstood period in history. I wrote an article in May 2019 debunking a number of popular misconceptions about the Middle Ages, but now I think it is time for me to debunk another. There is something of a widespread notion these days that, in the Middle Ages, the Catholic Church hated cats because they associated them with witches and that they instigated a massive pogrom to exterminate them. Supposedly, according to the major proponents of this story, this mass killing of cats either resulted in the Black Death or promoted the Black Death’s spread across Europe.

I will admit that my hands are not entirely clean here, since, when I was a freshman in high school, I gave a presentation in one of my classes about the Black Death in which I claimed that people during the time of the Black Death blamed cats for the disease and killed them, thus inadvertently allowing the disease to spread further. Since then, however, I have learned better. The idea people in the Middle Ages killed cats en masse is a misconception. Although some people in the Middle Ages may have killed cats occasionally, the idea of a massive pogrom instigated by the Catholic Church that resulted in the spread of the Black Death is 100% pure fantasy.

Why Are Babies in Medieval Paintings So Creepy?

I have recently discovered that there seems to be something of a widespread notion that babies in medieval paintings look “creepy.” I have never personally thought that babies in medieval paintings look particularly “creepy,” but this seems to be a notion that a lot of other people have.

Even if you’re like me and you don’t think that medieval babies necessarily look “creepy,” there is no denying that babies in a lot of medieval paintings don’t exactly look like real-life babies. Instead, for the most part, they look like tiny middle-aged men. The reason why they are portrayed this way is actually extremely fascinating and has to do with the way people in the Middle Ages thought about the purpose of art.

Why Do Ancient Greek Sculptures All Have Such Tiny Penises?

Whenever I talk about ancient Greek sculpture, there is always one question that everyone always asks me. It is not “How did the style of Hellenistic sculptures differ from the style of earlier Classical sculptures?” Nor is it “Can you tell me more about how ancient Greek sculptures were originally painted?” No, of course, not. The question everyone always asks me is “Why do they all have such tiny penises?” I have been asked this question so many times that I feel compelled to answer it.

The Real Reason Why the Venus de Milo Is So Famous

Everyone has heard of the Venus de Milo. It is easily one of the most famous, most instantly recognizable sculptures of all time. It been referenced, imitated, and spoofed countless times in popular culture. Have you ever stopped to wonder why it is so famous, though? Why is it that we all revere this one particular statue? Well, as it turns out, the present-day hype over the Venus de Milo is, to a large extent, the result of wounded French national pride in the early nineteenth century.