archaeology Archives - Page 2 of 6 - Tales of Times Forgotten

Did Spartan Shields Really Bear the Letter Lambda?

In popular culture, ancient Spartan hoplites are virtually always portrayed as fighting with shields decorated with the Greek letter lambda (Λ). This letter, of course, stands for Λακεδαίμων (Lakedaímōn), which was the most common name in antiquity for the Greek polis (i.e., “city-state”) that included that settlement of Sparta.

In historical reality, Greek hoplites, including Spartan hoplites, were expected to provide their own equipment and they could decorate their shields however they wished. Although there is evidence to suggest that a few Spartans probably did choose to decorate their shields with the letter lambda, the vast majority seem to have decorated their shields with other symbols, geometric designs, and images.

Why That Fresco from Pompeii Isn’t Sappho

It is extremely common for modern people to misidentify ancient portraits of random people as portraits of famous people. This is partly because many famous authors and historical figures who lived in the ancient world have no surviving portraits and people are eager to find images to represent them. This is especially often the case for ancient women. I will confess that I am partly guilty of this myself; I couldn’t find any decent images to represent Pamphile of Epidauros in my article I wrote about her back in July, so I used a photo of a bust of an unidentified woman in the National Archaeological Museum in Athens, paired with a photo of the Ancient Theatre of Epidauros, in an effort to the represent the idea of an ancient Greek woman from Epidauros.

In this article, there is one particular ancient portrait that is especially widely misidentified as a portrait of a famous woman that I want to discuss. The portrait in question is a fresco. It depicts a woman with short, curly brown hair, a gold hairnet, gold earrings, and clothes that are dyed purple and green. She gazes directly at the viewer, holding a set of wax tablets bound with ribbons in her left hand and pressing a writing stylus to her lips with her right hand as though she were in thoughtful contemplation. It dates to between c. 50 and 79 CE and was discovered on 24 May 1760 in the Insula VI region of the ancient Roman city of Pompeii.

Classical scholars immediately began to speculate that the fresco might be a portrait of the ancient Greek lyric poet Sappho of Lesbos (lived c. 630 – c. 570 BCE), who is best known today for her poems about love and attraction between women and whose home island is the source for the contemporary word lesbian. (Whether Sappho herself was actually a lesbian is a subject I address in depth in this article I published in August 2021.) The fresco is currently held in the Naples National Archaeological Museum on the first floor in room seventy-six. It is still widely admired as a remarkable portrait of a literate ancient woman. Although the fresco is still widely circulated online as a supposed portrait of Sappho, art historians now generally agree that it actually depicts an unknown upper-class Pompeiian woman.

The Ancient Astronaut Hypothesis Is Racist and Harmful

The so-called “ancient astronaut hypothesis” is a popular genre of pseudohistory which centers around the claim that extraterrestrial beings visited earth in pre-modern times, leaving behind supposed evidence of their presence. The supposed “evidence” for this “hypothesis” is based entirely on flagrant misinterpretations and misrepresentations, tendentious reasoning, false assumptions, forged artifacts, and often outright lies. As a result, the “hypothesis” is universally rejected among professional academic scholars, historians, and archaeologists.

I have written about the ancient astronaut hypothesis before. For instance, I wrote an article back in January 2020 about how we actually know that the ancient Egyptians built the pyramids as tombs for their pharaohs, in which I debunked claims made on the show Ancient Aliens. I also posted an article a few days ago in which I debunk the popular ancient astronaut theorist claim that Alexander the Great saw flying saucers while on his campaigns. In this article, however, I am not going to try to debunk the ancient astronaut hypothesis. Instead, I want to explain the history of the ancient astronaut hypothesis, why it is not just a “harmless” conspiracy theory, and why it is actually harmful.

Update: Dr. Christine Morris Confirms She Has Not Found the Trojan Horse

As frequent readers of my blog are already aware, on 10 August 2021, the website Greek Reporter republished an article that it originally published in 2014 claiming that archaeologists have found the remains of the Trojan horse. The story was quickly copied in both The Jerusalem Post and the International Business Times. The next day, however, I published a post on this blog titled “No, Archaeologists Have Not Found the Trojan Horse,” in which I pointed out evidence that the article published by Greek Reporter is a hoax written by someone with only very superficial knowledge of Aegean archaeology.

One of the pieces of evidence that I pointed out is the fact that the article cites a supposed professor at Boston University named Christine Morris as the leader of the team that has supposedly excavated the Trojan horse—but there is only one archaeologist who studies the Aegean Bronze Age named Christine Morris, she teaches at Trinity College Dublin, not Boston University, and, as far as I could tell, she has never excavated at Troy. Nonetheless, some people left comments on my post insisting that maybe Dr. Morris used to teach at Boston University at some point and maybe she really did discover the Trojan horse seven years ago.

I thought these objections were implausible, but, in the interest of being thorough, I emailed the real Dr. Morris using the email that is listed on her faculty webpage for Trinity College Dublin. She has very kindly taken the time out of her presumably very busy schedule to reply to my email. She has confirmed that she has never been affiliated with Boston University in any way, that she has never excavated at Troy or worked there in any capacity, that she has never claimed to have found the Trojan horse, and that the story that has been published by Greek Reporter and all these other news outlets is completely fabricated.

No, Archaeologists Have Not Found the Trojan Horse

On 10 August 2021, the website Greek Reporter published an article written by a contributor named Philip Chrysopoulos titled “Archaeologists Claim They’ve Discovered the Trojan Horse in Turkey.” The article claims that archaeologists have discovered the remains of a wooden structure inside the ancient city of Troy that they think is the actual Trojan horse. On the same day, The Jerusalem Post copied Greek Reporter’s story, publishing their own article titled “Did archaeologists find the Trojan horse?” that cites the Greek Reporter article as its only source.

The problem is that the whole story is a steaming pile of horse manure. The Greek Reporter article contains obvious signs that it is a deliberate hoax written in order to attract views in order to drive up ad revenues. By publishing this ridiculous, easily debunked story, Greek Reporter and The Jerusalem Post are both showing that, at the very best, they do not conduct even the most basic fact-checking or source verification and that they are not trustworthy news sites.

How Accurate Are “Photorealistic” Portraits of Roman Emperors?

In 2020, the digital artist Daniel Voshart used a neural net called Artbreeder to create a series of “photorealistic” portraits of fifty-four Roman emperors spanning from Augustus (ruled 27 BCE – 14 CE) to Carinus (who died in 285 CE). As the term “photorealistic” suggests, his portraits look almost like photographs. Unfortunately, a lot of people do not realize that these portraits are modern artistic impressions, not scientific recreations of what the Roman emperors really historically looked like.

I’ve seen many people over the past year cite Voshart’s portraits and others like them as though they were authoritative, scientific recreations of what the Roman emperors really looked like. In particular, I’ve noticed a worrying number of white supremacists trying to cite these kinds of portraits as “evidence” that the ancient Romans were all white. In this article I would like to discuss why Voshart’s portraits—and others like them—should be taken with several grains of salt.

Ancient Roman Masturbation

For the past four years, a photograph of a plaster cast of an ancient Roman man who died in the city of Pompeii during the eruption of Mount Vesuvius in 79 CE has been circulating online with the claim that he died while masturbating, since his right hand happens to be positioned near his groin in a masturbation-like pose. Historically speaking, it is highly unlikely that this particular man really died while masturbating. The position of his hand is most likely a result of the muscle contractions resulting from the excruciating heat shock that killed him, rather than the result of anything he was doing before he was killed.

Nonetheless, there is a wealth of fascinating historical and archaeological evidence for both male and female masturbation in ancient Rome, including in the city of Pompeii. Needless to say, the following article contains discussion of evidence that is not suitable for children.

Did the Dorian Invasion Really Happen?

If you read any book about ancient Greek history written before the 1970s, there’s one event that will probably be discussed at length that any book about Greek history written after the 2000s will probably tell you never even happened at all. The event I’m talking about is, of course, the so-called “Dorian invasion.” The story goes that, in around the twelfth century BCE, a warrior people from the north known as the Dorians invaded mainland Greece and conquered large areas of it, replacing the peoples who had been there before and eventually becoming the ancestors of many Greeks, including the Spartans.

This narrative of the Dorian invasion was largely cobbled together in the nineteenth century by German philologists using vague and contradictory tales recorded in various ancient Greek sources as evidence in order to explain the distribution of Classical Greek dialects. In the twentieth century, white supremacists and Nazis exploited the narrative in order to portray northern Europeans as the true Greeks while denying the Greekness of actual Greek people. In the mid-twentieth century, however, scholars began to question the evidence supporting the narrative and, by the end of the twentieth century, most scholars came to accept that the Dorian invasion was a figment of the scholarly imagination.

Indiana Jones Is Actually a Villain

It may come as a surprise to some of my readers, given my interest in ancient history, that I never watched any of the Indiana Jones movies when I was a child. I was, of course, vaguely aware of them. I remember seeing advertisements for the VHS sets at the beginnings of some of the old VHS tapes of Disney films that my sister and I watched when we were growing up. I also remember watching the MythBusters “Indiana Jones Special” at one point. The first time I ever watched any of the actual films, though, was earlier this year.

Thus, even though Raiders of the Lost Ark came out eighteen years before I was born, by the time I actually watched the movie, I was already in college studying ancient history and had already taken multiple courses in real-life archaeology. The film is definitely entertaining if you’re looking for a cheesy, old-school adventure story and I appreciate how it has helped get people excited about archaeology. Unfortunately, it also promotes a lot of racist stereotypes and consistently fails to problematize the atrocious crimes committed by the protagonist.

You see, Indiana Jones is not just a terrible archaeologist; he’s also a despicable human being. He’s a criminal sociopath, a statutory rapist, a grave robber, a murderer, a destroyer of cultural heritage, and an enforcer of European colonialism. The only reason why anyone sees him as the hero is because his adversaries are literally insane Nazis who want to steal an ancient artifact and use it as a superweapon to commit genocide against the vast majority of the human race. Under any other circumstances, he would be the villain.

Stolen Artworks in Museums

When most people today think of stolen artworks, they usually tend to think of artifacts being stolen from museums. There are many famous cases of this, such as the notorious theft of the Mona Lisa from the Louvre Museum in 1911, which generated international headlines. Unfortunately, most people are not aware of the fact that many of the artifacts that are currently on display in museums in western Europe and North America were themselves stolen from the peoples of other countries all around the world.

In the nineteenth and twentieth centuries, western Europeans and people of western European descent pillaged countries all over the world, taking their cultural artifacts and putting them in museums back in their home countries, where they could admire them, but the peoples of the countries to whom the artifacts rightfully belonged could not. There are so many stolen artworks on display in museums that it would be impossible for me to cover them all, but today I want to talk about just a few of the more famous examples.