The Surprisingly Long History of the Conspiracy Theory that Ancient Rome Didn’t Exist

Despite the fact that I am currently twenty-two years old, I do not have an account on TikTok and I have no intention to create one. It often feels like I’m the only person my age who doesn’t have one, but I don’t mind because I’ve never really been one to follow the crowd. I have, however, over the past week or so, encountered a large number of classicists and ancient historians online discussing a conspiracy theorist named Donna Dickens who uses the TikTok handle “momllennial_” who is apparently attracting an enormous amount of attention on that platform by making absolutely ridiculous claims about ancient history. Their most recent such claim is that the ancient Romans never existed and they were totally invented as “a figment of the Spanish Inquisition’s imagination.”

Right now, all the historians, classicists, and archaeologists who are on TikTok seem to be busy debunking Dickens’s claims. I, however, am not going to try to debunk their claims, because other people are already doing it and, frankly, anyone who knows anything at all about Roman history and literature, the Latin language, archaeology, scientific dating methods, or historical methods in general can easily spot the patent ridiculousness of the things they are claiming.

Instead, I want to do something very different from what I have seen anyone else doing; I want to talk about the history of the conspiracy theory that ancient Rome didn’t exist. Believe it or not, Dickens is not the first person to promote these assertions. In fact, they are actually peddling a conspiracy theory that originated with a reactionary Catholic Jesuit in the seventeenth century CE.

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Did Spartan Shields Really Bear the Letter Lambda?

In popular culture, ancient Spartan hoplites are virtually always portrayed as fighting with shields decorated with the Greek letter lambda (Λ). This letter, of course, stands for Λακεδαίμων (Lakedaímōn), which was the most common name in antiquity for the Greek polis (i.e., “city-state”) that included that settlement of Sparta.

In historical reality, Greek hoplites, including Spartan hoplites, were expected to provide their own equipment and they could decorate their shields however they wished. Although there is evidence to suggest that a few Spartans probably did choose to decorate their shields with the letter lambda, the vast majority seem to have decorated their shields with other symbols, geometric designs, and images.

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Did the Phoenicians Circumnavigate Africa?

The Phoenicians were an ancient Levantine people. Their original homeland was mostly located in what is now Lebanon and they spoke a Canaanite language closely related to Hebrew. They were known in antiquity for their expert sailors, who conducted extensive maritime trade with many different cultures throughout the Mediterranean world. From the ninth century BCE onwards, Phoenician settlers founded many colonies in the western Mediterranean. The most famous Phoenician colony was the city of Carthage in what is now Tunisia, which later grew into an empire that rivalled the fledgling Roman Republic. The Phoenicians also invented the very first abjad, which is the direct ancestor to both the Greek alphabet and the Latin alphabet that we still use to write the English language today.

One ancient account suggests that a group of Phoenician sailors may have circumnavigated the African continent sometime around 600 BCE—over two thousand years before the Portuguese explorer Vasco de Gama rounded the Cape of Good Hope. The ancient Greek historian and traveler Herodotos of Halikarnassos (lived c. 484 – c. 425 BCE) records in his Histories 4.42 that Pharaoh Necho II of Egypt (ruled 610 – 595 BCE) sponsored a group of Phoenician sailors who managed to successfully complete a clockwise circumnavigation of Africa by sailing south from the Red Sea and returning to Egypt through the Strait of Gibraltar between two and three years later.

The communis opinio among classicists, ancient historians, and online history buffs alike is that, although we cannot be 100% certain, the Phoenician voyage around Africa most likely really took place as Herodotos describes. Some skeptics, however, have raised what I think are serious objections to the story. In this article, I will review the arguments both in favor and against Herodotos’s story and come to a conclusion of what I think really happened.

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Was Thucydides Biased?

Thucydides (lived c. 460 – c. 400 BCE)—or, to use a transliteration of his name that is more faithful to the Greek spelling, Thoukydides—was an ancient Athenian general and historian. He is best known today as the author of the work Histories of the Peloponnesian War, a historical account of the famous war fought between the Delian League, led by the city-state of Athens, and the Peloponnesian League, led by the city-state of Sparta. The war lasted from 431 until 404 BCE, with an interlude of peace in the middle lasting from 421 to 415 BCE.

Since the late nineteenth century, Thoukydides has often been held up as a paragon of the “objective,” “unbiased,” “scientific” historian. Although this conception of Thoukydides is, at any rate, no longer as fashionable among scholars as it once was, it persists in popular descriptions of his work and has greatly influenced how the general public perceives him. In this essay, I intend to debunk this perception by pointing out five examples of how Thoukydides’s biases seem to influence his narrative.

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How Misogyny, Homophobia, and Antisemitism Influence Transphobia

I have developed a very unhealthy habit of deliberately seeking out bigoted and hateful content on the internet and studying it intensely in a mostly vain attempt to understand and analyze it. I really shouldn’t do this, because studying the deplorable things people have written online only intensifies my constant and overwhelming anxiety and makes me lose all faith in humanity. I have, however, learned some things from reading bigotry online about the ways bigoted people think.

Transphobia is a bigotry that has existed for a very long time. It is arguably already present in nascent form in the ancient Greek sources from the third century BCE that talk about the Galli, a group of ancient priests who, as I discuss in this article I published in August 2020, deliberately castrated themselves, wore their hair in feminine styles, dressed in traditionally feminine clothing, and worshipped the Phrygian mother goddess Kybele. Nonetheless, transphobia has only recently begun to develop its own discourse. In this article, I am going to use an example to analyze how contemporary transphobic discourse draws heavily on the older, more established discourses of misogyny, homophobia, and antisemitism.

Readers should be forewarned that this article discusses a wide range of the most unpleasant and depressing subjects imaginable, including sexual assault, transphobia, misogyny, homophobia, child molestation, antisemitism, conspiracy theories, Nazis, the Holocaust, ritual cannibalism, drug addiction, murder, pogroms, and mass genocide. There will also be some quotes with a lot of profanity, slurs, and extreme insults, which I have partly censored. This is not a piece that I enjoyed writing in the slightest, but I feel that the points I am about to make need to be made.

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Ganymedes: The Adolescent Boy Zeus Abducted and Raped

The ancient Greeks told many stories about their god Zeus raping mortal adolescent girls, often shape-shifting into various animal and human forms in order to do so. Just to name a few examples, he is said to have abducted the Phoenician princess Europe in the form of a bull and raped her, raped the Aitolian princess Leda in the form of a swan, raped the Boiotian princess Antiope in the form of a satyr, raped the Argive princess Danaë in the form of a shower of gold coins, and tricked his own great-granddaughter Alkmene into having sex with him by impersonating her husband Amphitryon (which is, of course, another form of rape).

There’s a popular modern joke that 90% of the problems in Greek mythology are caused by Zeus not being able to “keep it in his pants,” but, even in ancient times, Zeus’s rapacious habits were already the subject of mockery. The Athenian playwright Aristophanes (lived c. 446 – c. 386 BCE) wrote a comedy titled The Clouds, which was first performed at the City Dionysia in Athens in 423 BCE and later revised at some point between 420 and 417 BCE. In the play, an amoral character gives advice on what a man should do if he is caught in the act of adultery, saying, in lines 1080–1081, that he should “. . . ἐς τὸν Δί᾽ ἐπανενεγκεῖν, κἀκεῖνος ὡς ἥττων ἔρωτός ἐστι καὶ γυναικῶν:” (“. . .point at Zeus, and how he is also overcome with lust for women!”)

Many people, however, are not aware that Zeus’s habit of raping adolescents was not exclusively heterosexually oriented. In fact, in ancient times, one of the most famous stories about Zeus abducting and raping someone was about how he abducted a handsome adolescent boy named Ganymedes in the form of an eagle and forced him to become his catamite.

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Lucifer Is Not a Name for Satan!

Most people believe that Lucifer is the true name for Satan. This notion has been reinforced by over a thousand years of western Christian tradition and by the constant appearances of Lucifer as a name for Satan in popular culture. In reality, however, the name Lucifer does not occur anywhere in any of the Hebrew or Aramaic texts that make up the Hebrew Bible, nor any of the Koine Greek texts that make up the Christian New Testament.

In fact, although the name does occur in many English translations of the Bible, it only occurs in one verse—the Book of Isaiah 14:12—which actually has nothing to do with Satan in any way. The only reason why anyone associates this passage in Isaiah with Satan at all is because some early Christians, including the church fathers Ioustinos Martys, Tertullianus of Carthage, and Origenes of Alexandria, spuriously interpreted it as an allegory for the fall of Satan.

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The Shocking Ancient Pagan Origins of Halloween Monsters

I’ve written an awful lot about how, contrary to popular belief, there is extremely little about the way people celebrate holidays in the United States in the twenty-first century that can actually be historically traced back to ancient “paganism.” (See for, instance, this article I wrote in April 2017 about how there’s very little about modern Easter that is legitimately “pagan,” this article I wrote in December 2019 about how there’s very little about modern Christmas that is legitimately “pagan,” this article I wrote about the history of Santa Claus, this article I wrote in February 2020 about how there’s nothing “pagan” about Groundhog Day whatsoever, and this article I wrote in April 2020 about how Easter has nothing to do with the ancient Mesopotamian goddess Ishtar.)

Until now, I have not published any articles about whether Halloween has any connections to “paganism.” This is partly because I think Halloween’s connections to ancient pre-Christian belief systems are much more substantial and complex than Christmas or Easter’s (which are extremely minimal). Although Halloween itself is nominally a holiday of Christian origin, there is an awful lot about how we celebrate Halloween today that is demonstrably influenced by genuine, ancient “pagan” ideas.

In particular, the most famous monsters that are most closely associated with Halloween today—including ghosts, werewolves, revenants, and reanimated mummies—have real and well-attested origins in ancient, pre-Christian belief systems. The association of these monsters with Halloween is a relatively recent development, but the monsters themselves have origins that go way back. In this article, I will explore the ancient origins of the monsters I have just named, using ancient historical sources as evidence.

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“Comedy” and “Free Speech” Are Not Moral Justifications for Bigotry

If you’ve paid any attention to the world of stand-up comedy over the past decade, you’re probably already aware that there are a handful of straight, cisgender, male comedians who like to portray themselves as “edgy” who have made many transphobic jokes and statements and have attracted a great deal of controversy as a result. The most prominent of these comedians are Ricky Gervais, Dave Chappelle, and Michael Che.

This subject has come up in the news recently, because, on 5 October 2021, Netflix released a seventy-two minute stand-up comedy special starring Dave Chappelle titled The Closer. In the special, Chappelle devotes large chunks of his time to mocking LGBTQIA+ people and transgender women in particular. He repeats many age-old transphobic talking points and hackneyed jokes that people have made a million times before. Among other things, he says that TERFs (i.e., “Trans-Exclusionary Radical Feminists”) see trans women the same way Black people see white people wearing blackface before explicitly saying he agrees with them and calling himself “Team TERF,” he implies that trans women’s genitalia are in some sense “fake” by comparing them to plant-based meat, and he expresses disgust over having been “trapped” into calling a trans woman “beautiful.”

In this article, I don’t intend to go in depth about why the things Chappelle says in the special are inaccurate, bigoted, and harmful to trans people, since his lines are so unoriginal that they have all already been debunked a million times. (In fact, I literally debunked some of his exact claims myself in this article I wrote in November 2020 and this other article I wrote in March 2021.) Instead, I want to talk about Chappelle’s justification for what he said, which is the exact same justification that many other transphobic comedians like to use. Chappelle and his defenders have tried to justify his statements in the special by claiming that he says these things in the name of comedy and free speech. I want to address why “comedy” and “free speech” are not inherently benign and are not adequate moral justifications for saying things that are bigoted.

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Why That Fresco from Pompeii Isn’t Sappho

It is extremely common for modern people to misidentify ancient portraits of random people as portraits of famous people. This is partly because many famous authors and historical figures who lived in the ancient world have no surviving portraits and people are eager to find images to represent them. This is especially often the case for ancient women. I will confess that I am partly guilty of this myself; I couldn’t find any decent images to represent Pamphile of Epidauros in my article I wrote about her back in July, so I used a photo of a bust of an unidentified woman in the National Archaeological Museum in Athens, paired with a photo of the Ancient Theatre of Epidauros, in an effort to the represent the idea of an ancient Greek woman from Epidauros.

In this article, there is one particular ancient portrait that is especially widely misidentified as a portrait of a famous woman that I want to discuss. The portrait in question is a fresco. It depicts a woman with short, curly brown hair, a gold hairnet, gold earrings, and clothes that are dyed purple and green. She gazes directly at the viewer, holding a set of wax tablets bound with ribbons in her left hand and pressing a writing stylus to her lips with her right hand as though she were in thoughtful contemplation. It dates to between c. 50 and 79 CE and was discovered on 24 May 1760 in the Insula VI region of the ancient Roman city of Pompeii.

Classical scholars immediately began to speculate that the fresco might be a portrait of the ancient Greek lyric poet Sappho of Lesbos (lived c. 630 – c. 570 BCE), who is best known today for her poems about love and attraction between women and whose home island is the source for the contemporary word lesbian. (Whether Sappho herself was actually a lesbian is a subject I address in depth in this article I published in August 2021.) The fresco is currently held in the Naples National Archaeological Museum on the first floor in room seventy-six. It is still widely admired as a remarkable portrait of a literate ancient woman. Although the fresco is still widely circulated online as a supposed portrait of Sappho, art historians now generally agree that it actually depicts an unknown upper-class Pompeiian woman.

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