Destruction of antiquity Archives - Tales of Times Forgotten

Why Is the Parthenon So Famous?

The most famous building in Greece today is almost certainly the Parthenon, a spectacular temple to the Greek goddess Athena that towers atop the Athenian Akropolis and is almost universally admired for being supposedly the most “perfect” and “timeless” work of ancient Greek architecture. Some people may be surprised to learn, though, that this was not always the case.

The Parthenon did not immediately become the most famous and admired Greek temple as soon as it was built. It was certainly seen as an important temple in antiquity—one especially notable for its size, its prominent location, and its extraordinary chryselephantine cult statue of Athena, crafted by the master sculptor Pheidias. Its present-day status as the most famous of all Greek buildings, though, is the result of the events and ideological movements of the past 2,400 years of history. If post-classical history had gone differently, the Parthenon’s status might have gone to a different temple.

How Difficult Is It to Determine If an Ancient Artwork Is Authentic?

Fake ancient artifacts are all over the antiquities market. For a layperson with no expertise in ancient art, telling the difference between a bust created by a forger to look like an ancient bust and a real ancient bust is virtually impossible. For a trained expert, it is easy to spot certain obvious forgeries, but there are still many forgeries out there that are good enough to fool even the best experts.

The antiquities market, though, is incredibly sketchy at the best of times and downright illegal at the worst of times. If you’re trying to buy ancient artifacts, forgeries should be the least of your worries.

Here Are a Few of the Major Cultural Sites in Iran that Donald Trump May Be Threatening to Destroy

On Saturday, 4 January 2020, Donald J. Trump, the current president of the United States of America, announced on Twitter that the United States has targeted fifty-two Iranian cultural sites and that, if Iran makes any move against any American or against any American asset, the United States will destroy those sites. Trump declared, over the course of two tweets, the following words:

“Let this serve as a WARNING that if Iran strikes any Americans, or American assets, we have….”
“….targeted 52 Iranian sites (representing the 52 American hostages taken by Iran many years ago), some at a very high level & important to Iran & the Iranian culture, and those targets, and Iran itself, WILL BE HIT VERY FAST AND VERY HARD. The USA wants no more threats!”

Donald Trump is literally holding Iran’s cultural sites hostage, threatening to destroy them if Iran does not comply with his demands. This sounds more like the kind of threat you’d expect to hear from the Joker than from the president of the United States.

Destroying Iranian cultural sites would certainly constitute a war crime under international law. The United Nations made this very clear in 2017 when they adopted a resolution for the protection of heritage in response to the deliberate destruction of cultural sites in Iraq and Syria by the Islamic State of Iraq and Syria (ISIS). You know you live in a messed-up world when the president of the United States is literally threatening to do what ISIS did.

Did Christians Really Burn Sappho’s Poetry?

Sappho of Lesbos (lived c. 630 – c. 570 BCE) was the most praised and highly regarded of all Greek lyric poets in antiquity. She was known as the “tenth Muse” and some ancient authors regarded her work as on par with that of Homer (the putative author of the Iliad and the Odyssey and most revered of all ancient Greek poets) himself. She produced an enormous body of poems, but, sadly, extremely little of her work has survived to the present day.

In the third century BCE, the Greek scholars working at the Great Library of Alexandria produced a standard text for all of Sappho’s poems that was divided into at least eight “books” or rolls of papyrus. Many scholars believe that the collection probably contained nine books for the nine Muses. Today, though, less than seven hundred lines of Sappho’s poetry are extant. Only one of her poems, Fragment 1 (known as the “Ode to Aphrodite”), has survived to the present day totally complete with no lacunae or parts missing. A few other poems have survived to the present day nearly complete, including Fragment 16 (the “Anaktoria Poem”), Fragment 31 (“Phainetai Moi”), Fragment 58 (the “Tithonos Poem”), and the “Brothers Poem.”

The most common explanation that people give for why so little of Sappho’s poetry has survived to the present day is that (supposedly) Christian authorities in late antiquity or the Middle Ages had all the collections of her poems rounded up and burned, because they were disgusted and horrified by how openly she describes her erotic desire for other women. This makes for a good story with clear villains. Unfortunately, it is probably not true. In reality, as I shall explain in this post, we have no evidence to support the idea that Christians went around burning Sappho’s poems. The real reasons why so little of her poetry has survived are far more complicated—and actually far more interesting.

The Truth about the Archimedes Palimpsest

If you have an interest in ancient science or mathematics, chances are you have probably heard at some point about the Archimedes Palimpsest. According to the narrative that New Atheist writers and media outlets keep pushing, the ancient Greek mathematician Archimedes of Syracuse (lived c. 287 – c. 212 BC) wrote groundbreaking mathematical treatises that were millennia ahead of their time.

Then, according to the standard narrative being pushed, in the thirteenth century AD, ignorant, obscurantist Christians who did not care about science or mathematics erased the text of the manuscript containing the last known copies of several of Archimedes’s treatises and reused the parchment to make a prayer book. Now—or so the story goes—Archimedes’s previously lost groundbreaking works are being recovered through the brilliancy of modern secular technology.

Unfortunately, this narrative that I have just outlined is deeply, deeply misrepresentative and based on an extremely selective presentation of the evidence. If the media would tell the full story of the Archimedes Palimpsest, we would be getting a very different narrative—a narrative not about how religion is inherently dangerous and destructive, but rather a far more complex narrative in which religious individuals are neither inherently evil nor inherently good but simply human beings capable of both good and evil.

Misconceptions about the Library of Alexandria

The Great Library of Alexandria is by far the most famous library that existed in the ancient world. At its height in the third century BC, it attracted renowned scholars from all over the Hellenistic world. It is likely that it held more scrolls than any other library in the Mediterranean at the time. Many people today see this library as a symbol of everything the ancient world accomplished.

As a result of the Great Library’s fame, however, it has become heavily mythologized. Many of the things that many people today believe about the library are simply not true. For instance, contrary to what you may have read on the internet, the Library of Alexandria was not the first library ever built, its famous destruction is not the primary reason why so many texts from ancient times have been lost, and it was certainly not deliberately destroyed by religious obscurantists of any kind.

Thoughts on the Tragic Burning of the Notre Dame de Paris Cathedral

The Notre Dame de Paris Cathedral in Paris, France is widely considered one of the greatest examples of medieval Gothic architecture, an international symbol of French culture, and a testament to over seven hundred years of human history. It is a UNESCO World Heritage Site and attracts millions of tourists and pilgrims every year. Tragically, however, at around 6:45 p.m. Paris time on 15 April 2019, the historic cathedral was engulfed in flames. The fire blazed for around fourteen hours before it was finally put out completely, completely consuming the cathedral’s iconic spire and most of its roof, as well as wreaking massive damage to other parts of the cathedral as well.

National Museum of Brazil Fire Should Come as a Warning

You may or may not have read about the devastating fire that engulfed the National Museum of Brazil three days ago on September 2, 2018. The museum housed over 20 million objects, including the largest collection of ancient Egyptian, Greek, and Roman artifacts in Latin America and one of the largest in the entire western hemisphere. While the extent of the destruction has not yet been fully assessed, it is highly probable that nearly all the artifacts in these collections were destroyed or irreparably damaged by the fire. The entire interior of the building appears to have been reduced to nothing but ash and broken rubble. Worst of all, this destruction was not a freak accident of nature or an inevitable result of the Second Law of Thermodynamics; this disaster was entirely preventable. It was entirely the result of sheer human carelessness.

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