What Did Cleopatra Really Look Like?

There are a lot of misconceptions about Kleopatra VII Philopator of Egypt, the ancient queen most commonly known in English as simply “Cleopatra.” For instance, as I discuss in this article from March 2019, she actually lived closer to the present day than to the time of the construction of the pyramids of Giza. Meanwhile, as I discuss in this article from August 2019, the popular story about Cleopatra committing suicide by allowing an Egyptian asp to bite her on the breast is probably apocryphal and it is more likely that she actually committed suicide by drinking poison or by cutting herself and applying poison to the wound.

Perhaps the greatest misconception of all about Cleopatra, though, is what she looked like. Modern people have a very clear image of what Cleopatra looked like: a beautiful, pale, small-nosed woman like Elizabeth Taylor dressed in a revealing outfit with thick makeup, straight, black hair, bangs, and braids with gold ornaments going down to her shoulders. Unfortunately for fans of classic films, this image is inaccurate in almost every single way.

We actually have pretty good idea of what the historical Cleopatra looked like and it’s nothing at all like the image most people have in mind. For one thing, she didn’t have bangs. She did have a large, hooked nose, a prominent chin, and curly hair that she normally wore in a bun at the back of her head. There’s even a possibility that she may have been a redhead.

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Here Are a Few of the Major Cultural Sites in Iran that Donald Trump May Be Threatening to Destroy

On Saturday, 4 January 2020, Donald J. Trump, the current president of the United States of America, announced on Twitter that the United States has targeted fifty-two Iranian cultural sites and that, if Iran makes any move against any American or against any American asset, the United States will destroy those sites. Trump declared, over the course of two tweets, the following words:

“Let this serve as a WARNING that if Iran strikes any Americans, or American assets, we have….”

“….targeted 52 Iranian sites (representing the 52 American hostages taken by Iran many years ago), some at a very high level & important to Iran & the Iranian culture, and those targets, and Iran itself, WILL BE HIT VERY FAST AND VERY HARD. The USA wants no more threats!”

Donald Trump is literally holding Iran’s cultural sites hostage, threatening to destroy them if Iran does not comply with his demands. This sounds more like the kind of threat you’d expect to hear from the Joker than from the president of the United States.

Destroying Iranian cultural sites would certainly constitute a war crime under international law. The United Nations made this very clear in 2017 when they adopted a resolution for the protection of heritage in response to the deliberate destruction of cultural sites in Iraq and Syria by the Islamic State of Iraq and Syria (ISIS). You know you live in a messed-up world when the president of the United States is literally threatening to do what ISIS did.

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Were the Greeks Really Obsessed with the Golden Ratio?

The so-called “Golden Ratio,” or φ, occurs when the ratio of the greater of two quantities to the lesser of two quantities is equivalent to the ratio of the sum of the two quantities to the greater of the two quantities. Expressed using incomprehensible math symbols, it looks like this:

Many people believe that the “Golden Ratio” is the pinnacle of aesthetic perfection and that, the closer something is to the Golden Ratio, the more beautiful it is automatically. Many people also believe that the ancient Greeks were obsessed with the Golden Ratio and that they incorporated it into all their buildings and works of art. Unfortunately for those who love a good math story, we have no good evidence to support either of these conclusions.

In fact, the Golden Ratio is not even mentioned in any Greek text until as late as the early third century BC. The Greeks were arguably fascinated with the idea of using mathematical proportions in art to a certain extent, but they were by no means obsessed with the Golden Ratio in particular. The story of how we came to believe that the Greeks were obsessed with the Golden Ratio, though, is as fascinating as it is bizarre. It involves a friend of Leonardo da Vinci, an eccentric nineteenth-century German psychologist, and Donald Duck.

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Why Do Ancient Greek Sculptures All Have Such Tiny Penises?

Whenever I talk about ancient Greek sculpture, there is always one question that everyone always asks me. It is not “How did the style of Hellenistic sculptures differ from the style of earlier Classical sculptures?” Nor is it “Can you tell me more about how ancient Greek sculptures were originally painted?” No, of course, not. The question everyone always asks me is “Why do they all have such tiny penises?” I have been asked this question so many times that I feel compelled to answer it.

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The Real Reason Why the Venus de Milo Is So Famous

Everyone has heard of the Venus de Milo. It is easily one of the most famous, most instantly recognizable sculptures of all time. It been referenced, imitated, and spoofed countless times in popular culture. Have you ever stopped to wonder why it is so famous, though? Why is it that we all revere this one particular statue? Well, as it turns out, the present-day hype over the Venus de Milo is, to a large extent, the result of wounded French national pride in the early nineteenth century.

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What Makes Alexander the Great Different from Genghis Khan or Attila the Hun?

King Alexandros III of Makedonia, or, as he is more commonly known today, “Alexander the Great,” still looms large in our history books and in popular culture, where he is often portrayed as a benevolent ruler and a glorious conqueror, spreading the light of Greek civilization to the supposedly barbarous peoples of the east. In Greece today, Alexander is widely revered as a national hero.

Nonetheless, we must wonder why it is that Alexander is portrayed as such a glorious conqueror; whereas other historical figures known for their conquests, such as Attila the Hun and Genghis Khan, are remembered as ruthless barbarians and destroyers of civilization.

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Was Septimius Severus a Black Roman Emperor?

It has been widely claimed on the internet that the Roman emperor Septimius Severus (ruled 193 – 211 AD) was a black man. For instance, a blog post published on the site Rasta Livewire on 25 September 2010 describes Septimius Severus as “first black African-born Emperor of Rome” and declares that it is important for black people today to “remember and celebrate” the Severan Dynasty he founded.

The claim that Septimius Severus was a “black Roman emperor” has even found its way into peer-reviewed journals dealing with contemporary black culture. For instance, here is an article written by Molefi Kete Asante and Shaza Ismail titled “Rediscovering the ‘Lost’ Roman Caesar: Septimius Severus the African and Eurocentric Historiography” that was published in March 2010 in the Journal of Black Studies, a peer-reviewed journal on contemporary African-American culture, that advances this claim.

So, was Septimius Severus a black man? Well, it depends on what you happen to consider “black.” Septimius Severus was definitely born on the African continent; that at least makes him African. Unfortunately, there are some serious problems with calling him a “black Roman emperor.”

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Who Was Ozymandias?

Many people are familiar with the name Ozymandias through the famous poem “Ozymandias,” written in 1818 by the English Romantic poet Percy Bysshe Shelley (lived 1792 – 1822), but not everyone is aware that Ozymandias was actually a real ancient Egyptian pharaoh. In fact, chances are, you probably learned about Ozymandias in world history class, but you learned about him under a different name.

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Misconceptions about the Colossus of Rhodes

The Colossus of Rhodes was a gigantic bronze statue of the ancient Greek sun god Helios that stood on the Greek island of Rhodes during the third century BC. It was constructed between 292 and 280 BC in celebration of the fact that Rhodes had survived a prolonged, but unsuccessful siege in 305 BC by Demetrios I Poliorketes of Makedonia, the son of Antigonos I Monophthalmos.

Although the Colossus collapsed as the result of an earthquake only fifty-four years after it was built, it is still remembered today as one of the Seven Wonders of the Ancient World. There is, however, a pernicious modern misconception about the statue’s position and location. Many people believe that the Colossus originally straddled the harbor of Rhodes with one foot on either side, but, for reasons I shall soon explain, this notion is certainly erroneous.

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Why Do So Many Ancient Sculptures Have Their Noses Missing?

Ancient sculptures can be puzzling sometimes and they tend to generate a lot of questions. One question that I have frequently encountered is “Why do so many ancient sculptures have their noses missing?” It is a simple question, but one that a lot of people are interested in hearing the answer to.

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