Sappho Archives - Tales of Times Forgotten

Have Scholars Really Only Just Now Figured Out That Sappho’s Supposed Husband’s Name Is Dirty Joke?

As many readers are already aware, I am a queer woman who is currently a graduate student in Ancient Greek and Roman Studies. For a couple of years now, I have been following the subreddit r/SapphoAndHerFriend, which is named after the ancient Greek lyric poet Sappho, who is known for her homoerotic work, and is dedicated to showcasing humorous or mildly infuriating examples of queer erasure. It’s an amusing space. Unfortunately, people are constantly making posts in the subreddit about Sappho that are, shall we say, factually dubious. For instance, users frequently make posts in which they make fun of “historians” for having supposedly believed for ages in total earnestness that Sappho had a husband named “Kerkylas of Andros,” which they say translates as “Dick Allcock from the Isle of Man.”

Posts of this kind are a frequent occurrence, but this one happens to be the most recent. These posts regularly ignore the fact that the claim they mock “historians” for having supposedly believed only occurs in one extremely late, notoriously uncritical premodern source and modern scholars have generally recognized it as an obscene joke for nearly 170 years. Additionally, I think that people should be aware of some rather discomforting information about the man whose translation of the name they keep sharing.

How Likely Is It That Scholars Will Find More of Sappho’s Lost Poems?

Sappho (lived c. 630 – c. 570 BCE) was a female early Greek lyric poet who flourished on the island of Lesbos, located just off the west coast of Asia Minor, and composed many poems in the Aeolic dialect of the Greek language. Her output was so prolific that the standard edition of her work in antiquity, which literary scholars working at the Library of Alexandria in Egypt produced in around the third century BCE, is thought to have spanned nine “books” or rolls of papyrus. Ancient audiences esteemed her as one of the greatest of all lyric poets, if not the greatest. She was known as the “Tenth Muse” and some even regarded her work as on par with that of Homer (the putative author of the Iliad and the Odyssey and most revered of all ancient Greek poets).

Sadly, nearly all of her poems have been lost. Only one poem, Fragment 1 (the “Ode to Aphrodite”) has survived to the present day totally complete. Only a handful of others—including Fragment 16 (the “Anaktoria Poem”), Fragment 31 (“Phainetai Moi”), Fragment 58 (the “Tithonos Poem”), and the “Brothers Poem”—are nearly complete. Most of what survives are tiny fragments of only a few lines or less. Nonetheless, today, many scholars of ancient literature regard Sappho’s more complete poems as among the greatest that have survived from antiquity. The fact that she is one of the very few female ancient Greek or Roman authors who have any works that have survived to the present day and the fact that she composed poems in which her female speaker openly discusses her erotic desire for other women have both further magnified contemporary interest in her work.

As a result of this, many people have wondered: How likely is it that more of Sappho’s poems will be recovered? To answer this question, in this post, I will discuss the history of how her work was transmitted in antiquity, how most of it became lost, how the parts that have survived have managed to survive, and, finally, how likely it is that someone will discover and publish any substantial material by her that is not currently known anytime in the next half century.

Why That Fresco from Pompeii Isn’t Sappho

It is extremely common for modern people to misidentify ancient portraits of random people as portraits of famous people. This is partly because many famous authors and historical figures who lived in the ancient world have no surviving portraits and people are eager to find images to represent them. This is especially often the case for ancient women. I will confess that I am partly guilty of this myself; I couldn’t find any decent images to represent Pamphile of Epidauros in my article I wrote about her back in July, so I used a photo of a bust of an unidentified woman in the National Archaeological Museum in Athens, paired with a photo of the Ancient Theatre of Epidauros, in an effort to the represent the idea of an ancient Greek woman from Epidauros.

In this article, there is one particular ancient portrait that is especially widely misidentified as a portrait of a famous woman that I want to discuss. The portrait in question is a fresco. It depicts a woman with short, curly brown hair, a gold hairnet, gold earrings, and clothes that are dyed purple and green. She gazes directly at the viewer, holding a set of wax tablets bound with ribbons in her left hand and pressing a writing stylus to her lips with her right hand as though she were in thoughtful contemplation. It dates to between c. 50 and 79 CE and was discovered on 24 May 1760 in the Insula VI region of the ancient Roman city of Pompeii.

Classical scholars immediately began to speculate that the fresco might be a portrait of the ancient Greek lyric poet Sappho of Lesbos (lived c. 630 – c. 570 BCE), who is best known today for her poems about love and attraction between women and whose home island is the source for the contemporary word lesbian. (Whether Sappho herself was actually a lesbian is a subject I address in depth in this article I published in August 2021.) The fresco is currently held in the Naples National Archaeological Museum on the first floor in room seventy-six. It is still widely admired as a remarkable portrait of a literate ancient woman. Although the fresco is still widely circulated online as a supposed portrait of Sappho, art historians now generally agree that it actually depicts an unknown upper-class Pompeiian woman.

Was Sappho Really a Lesbian?

One of the questions that I have frequently encountered online in discussions about ancient Greece is the question of whether the ancient Greek lyric poet Sappho (lived c. 630 – c. 570 BCE) was really a lesbian. On the surface level, the answer to this question seems like an obvious “yes.” After all, Sappho wrote poems in which she very expressly describes her erotic desire for other women, the word lesbian itself literally comes from the name of the island where she lived, and its synonym, the word sapphic, comes from her own name. There is even an entire subreddit about queer erasure called r/SapphoAndHerFriend, making fun of people who try to deny that Sappho was a lesbian.

I fully agree that there is no sense in which Sappho can be accurately described as “straight.” On the other hand, though, it would be an oversimplification to say that she was a lesbian in the contemporary sense. For one thing, the ancient Greeks generally did not think about sexuality in terms of which gender (or genders) a person was erotically attracted to, but rather in terms of whether they took the active or passive role during sex. There were no words in Ancient Greek in Sappho’s time that meant “gay,” “bi,” or “straight.” As such, it is highly unlikely that anyone in her time would have seen erotic attraction to women as a sign of any kind of innate identity.

Furthermore, the character “Sappho” who is the main speaker in Sappho’s poems is most likely a fictionalized literary persona, meaning that it is difficult to untangle the relationship between the speaker in the poems and the historical poet who composed them. Finally, given the fact that the vast majority of Sappho’s poems have not survived to the present day and ancient people told many stories about her having supposedly had affairs with men, it is possible that her character may have expressed erotic desire for men in poems or parts of poems that have not survived, which would make her what twenty-first-century westerners would consider bisexual.

Just How Gay Were the Ancient Greeks Really?

The ancient Greeks have a longstanding reputation in modern culture for their alleged tolerance of homosexuality—a reputation that has been so thoroughly ingrained that a common euphemism for the word homosexuality itself is “Greek love.” Additionally, the modern English word lesbian, referring to a female homosexual, comes directly from the name of a Greek island (i.e. Lesbos) and the word sapphic with the same meaning comes from the name of an ancient Greek poetess (i.e. Sappho).

While the ancient Greeks’ modern reputation does have some basis in truth, the modern popular stereotype of the “boy-loving Greeks” is far from a complete and accurate portrait of ancient Greek sexuality. In reality, the subject of sexuality in the ancient Greek world is a deeply complicated—sometimes downright convoluted—matter. Homosexual activities were considered acceptable in some ancient Greek cultures under some specific circumstances, but, under other circumstances, the same activities were not tolerated at all.