Ancient Greece Archives - Page 11 of 24 - Tales of Times Forgotten

No, Transgender People Are Not a Sign of Cultural Collapse

In case you’ve had the good fortune of having never heard of her, Camille Paglia is a professor at the University of Arts in Philadelphia, Pennsylvania, and, at this point, effectively a professional right-wing provocateur. She claims to be a feminist, but yet she disagrees with all the basic tenets of feminism and spends most of her time bashing feminists and defending patriarchy.

Paglia has been making the rounds over the past few years promoting transphobia, declaring that the growing prevalence of people identifying as transgender—especially the number of people assigned male at birth identifying as trans women—is a sign of growing effeminacy and an indication that “western civilization” is on the brink of collapse. In support of these claims, she has invented her own elaborate pseudohistory that focuses to a large extent on ancient Greece and Rome.

Unfortunately, Paglia is widely regarded as a serious social critic, especially by men on the far right, meaning her false claims about ancient history have spread widely. When I published my article about transgender people in the ancient world a few months ago, I got a lot of people leaving comments about her claims. I don’t have time to debunk everything Paglia has said about ancient history, so, for the purposes of this article, I will be focusing on what she says in one viral YouTube video in particular.

Did Cleopatra Really Dissolve a Pearl in Vinegar?

There are a lot of famous stories about the Greek-Egyptian queen Cleopatra VII Philopator that are probably not historically true. For instance, as I discuss in this article from August 2019, while it is highly probable that Cleopatra killed herself, it is highly unlikely that she really did so by allowing an asp to bite her on the breast. Similarly, as I discuss in this article from October 2020, it is virtually certain that she never owned any sort of vibrator powered by angry bees.

One of the most famous stories about her that I have not yet addressed, though, is the story that she once dissolved an ancient pearl that was worth tens of millions of sesterces in vinegar as a party trick to impress her lover Marcus Antonius. Unlike the bizarre vibrator story, the story about the pearl is actually found in the ancient sources. Nevertheless, it is almost certainly a fabrication invented by Roman propagandists to portray Cleopatra in the worst possible light.

Stolen Artworks in Museums

When most people today think of stolen artworks, they usually tend to think of artifacts being stolen from museums. There are many famous cases of this, such as the notorious theft of the Mona Lisa from the Louvre Museum in 1911, which generated international headlines. Unfortunately, most people are not aware of the fact that many of the artifacts that are currently on display in museums in western Europe and North America were themselves stolen from the peoples of other countries all around the world.

In the nineteenth and twentieth centuries, western Europeans and people of western European descent pillaged countries all over the world, taking their cultural artifacts and putting them in museums back in their home countries, where they could admire them, but the peoples of the countries to whom the artifacts rightfully belonged could not. There are so many stolen artworks on display in museums that it would be impossible for me to cover them all, but today I want to talk about just a few of the more famous examples.

Aristotle Was Not Wrong about Everything

The ancient Greek philosopher Aristotle (lived 384 – 322 BCE) is widely portrayed in popular culture as an overconfident buffoon who made assertions based on no evidence whatsoever and who was wrong about nearly everything. It is often claimed that his errors and overconfidence held back the progress of science for two thousand years. This portrayal is wildly inaccurate and is rooted in a centuries-old tradition of hostile writers deliberately misrepresenting Aristotle’s works to make him look as stupid as possible.

It is undoubtedly true that Aristotle made quite a few mistakes, but he was wrong a lot less often than is usually claimed. Furthermore, Aristotle did, in fact, rely on empirical evidence. In fact, of all ancient Greek philosophers, Aristotle is by far one of the most empirical. When Aristotle did make a mistake, it was generally not because he didn’t care about evidence, but rather because the evidence available to him was incomplete or his interpretation of the evidence was faulty.

Finally, the claim that Aristotle held back the progress of science for two thousand years is demonstrably wrong and ridiculous. For one thing, for much of the two thousand years in question, Aristotle wasn’t even generally seen as the most authoritative philosopher in the parts of the world where his works were being regularly studied. Furthermore, even when Aristotle was seen as the most authoritative philosopher, his authority was still open to some degree of question.

Was Cleopatra Really Hypersexual?

In popular culture, the Ptolemaic Egyptian queen Cleopatra VII Philopator is routinely portrayed as wildly hypersexual. If you’ve been on the internet lately, there’s a good chance you’ve heard a lot of crazy stories about how she supposedly threw wild sex orgies, had sex with over a hundred men in one night, had a vibrator that was powered by angry bees, and once offered to have sex with anyone who wanted it under the condition that they would be executed the next morning.

None of these stories have any kind of basis in the ancient sources, however. In fact, historically speaking, Cleopatra is only known for certain to have had sex with two men in her entire life: Julius Caesar and Marcus Antonius. The popular image of Cleopatra as an insatiable nymphomaniac is ultimately rooted in a vicious Roman propaganda campaign to discredit her, but modern authors, filmmakers, video game developers, and internet factoid-mongers have taken it to a whole new level.

Why Is Hollywood So Fixated on Cleopatra Anyway?

On 11 October 2020, it was officially announced that Gal Gadot, a white Israeli actress, had been cast to play the Hellenistic Egyptian queen Cleopatra VII Philopator in an upcoming epic period drama titled Cleopatra, which will be directed by Patty Jenkins and scripted by Laeta Kalogridis. This casting predictably set off outrage on social media over the fact that Cleopatra will not be portrayed by a Black actress.

I’ve already written an entire article in which I discuss Cleopatra’s ancestry and her appearance in great detail. In short, her ancestry was almost entirely Greek and her only known ancestor with non-Greek ancestry was her three times great-grandmother Kleopatra I of Syra, who was of mixed Greek, Persian, and Sogdian ancestry. There is one argument that people have tried to make that Cleopatra’s mother may have been a native Egyptian woman, but it is founded on multiple layers of wishful thinking and dubious assumptions and it is far more likely that her mother was Cleopatra V Tryphaina, her father’s only known wife, who was also his sister or his cousin.

In this article, though, I want to answer a different question: Why Cleopatra? Why is it that, out of three thousand some years of ancient Egyptian history, the only Egyptian queen that Hollywood is interested in making movies about is the one who was definitely of European ancestry? It’s clear that a very large section of the general public wants a movie about a native Egyptian queen portrayed by an actress of color. I say that, if that’s what people want, Hollywood should give that to them. Thankfully, there are plenty of native Egyptian queens and goddesses that Hollywood could potentially make movies about.

Where Does the Myth of Medusa Come From?

Medusa is one of the most fascinating figures in classical mythology and one who bears a deep contemporary resonance. Indeed, just yesterday, it was announced that a controversial statue of her would be installed in Collect Pond Park in New York City. In order to understand this statue and the controversy surrounding it, we need to talk about the bizarre and fascinating history of how the Medusa myth has evolved over the past 2,800 years or so.

The story about Medusa that most people today are familiar with holds that she was once an extraordinarily beautiful mortal woman, but then she was raped by the god Poseidon in the temple of the goddess Athena. Athena was disgusted by the desecration of her temple, so she cursed Medusa, giving her snakes for hair and making it so that anyone who saw her face would be instantly turned to stone. Then, eventually, the hero Perseus came along and beheaded her.

This story, however, is actually radically different from the story the ancient Greeks were familiar with. In the oldest surviving sources for the Medusa myth, she is seemingly born a Gorgon with the ability to turn people to stone at a glance, she is never raped by Poseidon, and she is never cursed by Athena. Oh, and she apparently also had the four-legged lower body of a horse.

Were Achilles and Patroklos Lovers?

In twenty-first-century adaptations of the story of the Trojan War, Achilles and Patroklos are often portrayed as gay lovers. This is how they are portrayed, for instance, in Madeline Miller’s novel The Song of Achilles (published in 2012) and in the BBC television series Troy: Fall of a City (released in 2018). Many people have wondered how faithful these portrayals are to the ancient sources. In other words, were Achilles and Patroklos really in a sexual relationship?

As it turns out, the debate over whether Achilles and Patroklos were lovers goes all the way back to antiquity. There are some surviving ancient sources that unambiguously portray them as lovers—but there are also ancient sources that explicitly deny that their relationship was ever sexual.

Were the Ancient Greeks and Romans White?

Most people assume that everyone who lived in ancient Greece and Rome was white. This is a notion that has been continually reinforced through modern films and television shows. This is especially obvious in the egregiously historically inaccurate film 300, which portrays all the Greek characters as white and all the Persian characters as people of color. How accurate is this idea really, though? Were the Greeks and Romans really white? What does “whiteness” actually mean anyway?

I won’t deny that the majority of people who lived in Greece and Italy in ancient times would probably be considered white by most Americans if they were alive today. Nonetheless, the ancient Greeks and Romans certainly did not think of themselves as white and modern Greeks and Italians haven’t always been considered white either.

Furthermore, there were undoubtedly people whom we would consider Brown and Black present in ancient Greece and Rome from a very early date. These people almost certainly included famous ancient philosophers, writers, theologians, and even Roman emperors. In fact, people whom we would consider people of color probably made up a significant proportion of the total population of the Roman Empire, if not the majority.

No, Liberals Don’t Hate the Humanities

An op-ed by Itxu Díaz published on the website of the American conservative magazine National Review on 19 September 2020 starts with the headline “Why Does the Left Hate the Humanities?” It’s a rather surprising headline considering the fact that conservatives have spent decades stereotyping the humanities as a useless field dominated by evil leftists.

The headline becomes a bit less surprising, though, when you realize that, by “the humanities,” Díaz is actually talking about something that might be better termed “white male heritage studies.” He isn’t advocating for people to study, say, Native American history, women’s studies, or queer literary theory; he’s advocating for people to study a handful of specific works of ancient Greek and Roman literature that are traditionally regarded as “classics” from a very traditionalist, heritage-focused perspective.

I am a currently a junior at Indiana University Bloomington pursuing a double major in history and classical studies. My main focus is in the study of ancient Greece. This means I have studied exactly the kind of material that Díaz thinks people should be studying. I agree with him that it is important for people to study the ancient Greeks and Romans. Unfortunately, I completely disagree with him about why and how these civilizations should be studied.

I don’t generally consider myself a “leftist.” Instead, I generally tend to think of myself as a liberal and a progressive. Nonetheless, I realize that, when Díaz complains about “leftists” who supposedly “hate the humanities,” he’s talking about people like me. Here is my response to what he has written.